jerry belson (22 risultati)

Paperback; First Printing. Condizione: Good. Some average cover wear, but clean pages and sound. ; Movie tie-in covers. ; 12mo 7" - 7½" tall; 171 pages.

Vintage publicity photograph of Dom DeLuise from the 1980 film. The second "Smokey" installment, this one about transporting a live elephant across the country in three days or less. 8 x 10 inches. Near Fine.

Vintage black-and-white publicity photograph of Burt Reynolds from the 1980 film. With layout annotations and a mimeograph snipe affixed to the verso. The second "Smokey" installment, this one about transporting a live elephant across the country in 3 days or less. 8 x 10 inches. Very Good plus, with moderate toning and faint crease.

Vintage one sheet poster for the 1975 film, with the original PG rating blanked at the bottom left. Not to be confused with 2002 horror film directed by Parker Finn. The third and final film of Michael Ritchie's "American Dream Trilogy," following his 1969 film "Downhill Racer," and his 1972 film "The Candidate." A shrewd and brutal satire wherein used car dealer Big Bob Freelander (Bruce Dern) and frustrated housewife Brenda DiCarlo (Barbara Feldon) are in charge of putting on the Santa Rosa Jaycees Young American Miss beauty contest. A savage satire with a brilliant performance from Dern, which, though generally favorably reviewed upon release, was a box-office bomb, and has subsequently become a cult classic. Set in and shot on location in Santa Rosa, California. 27 x 41 inches. Folded as issued. Very Good plus.

Three vintage black-and-white studio still photographs from the 1975 film "Smile," a biting satire on the American beauty pageant. 8 x 10 inches. Near Fine.

Vintage press photograph of actor Bruce Dern and director Michael Ritchie on the set of the 1975 film. Xerographically reproduced snipe on the verso. A biting satire on the American beauty pageant. Shot on location in Santa Rosa, California. 10 x 8 inches. Near Fine.

Condizione: Fair. Grade: Fair. Est. Dimension: (10" x 8" (inches)) Year Printed: 1982 820157 Director: Jerry Belson Original: Yes Shipped: Flat Product & Description Synopsis: Dr. Jekyll's research on a drug to avoid surgery yields a powder that transforms his timid self into a sexually uninhibited party animal, complicating his relationships with his fiancà e and stripper girlfriend. (Comedy) Condition Specifics: Lobby card in fair condition. There may be small scuffs to edges, scuffing more damage than would be expected in specific areas, see photos. But overall the lobby card is in good condition for age. Please carefully inspect images before purchasing whilst remembering all lobby cards are original and therefore used. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.

Final Draft script for the fourth episode of the first season of the 1987-1990 television series which aired on Fox Television on April 26, 1987. The script on offer here, noted on the title page as "Prod. No. 5001" with a scheduled air date of "3/6/86," a month before the show would premier, is comprised of three skits, "Like Mother," "Answering Machine," and "The Happy Lady," the first two of which aired on the fourth episode. The third skit in the script, "The Happy Lady," wouldn't air until the seventh episode on May 17, 1987. "The Tracey Ullman Show" was a sketch comedy variety show which aired on Fox Television for four seasons, from 1987 through 1990, and featured the first appearance of the animated Simpson family, later adapted into the longest running scripted primetime series, the beloved animated series,"The Simpsons." The fourth episode of "The Tracey Ullman Show" featured five segments when aired, "Like Mother," "Freeway," "Spontaneity," "Answering Machine," and "Inhale Pink," only two of which ("Like Mother" and "Answering Machine") appear in the script offered here. "Like Mother" features a woman who fears she's turning into her mother. "Answering Machine" features a soft-spoken woman who tries to jazz up her answering machine message with a little music. And "The Happy Lady," the third skit found on the script on offer here, which was aired on the seventh episode, features a very happy woman who makes her hospital roommate miserable. Titled beige wrappers. Title page present, dated FEBRUARY 27, 1987, noted as FINAL DRAFT, with credits for screenwriters Heide Perlman and Ken Estin. 32 leaves, with last page of text numbered 6. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with light foxing overall, bound with two gold brads.

Final Draft script for the fourthteenth episode of the third season of the 1987-1990 television series which aired on Fox Television on May 19 1989. Copy belonging Twentieth Century-Fox business affairs executive Larry Jones, with his name in marker on the top of the title page. The script on offer here, noted on the front wrapper and the title page as "Production Script No. 5W13 (36)" with a shooting date on the title page of "10/28/88," is comprised of three skits, "Kay Babysits," "Stress Management," and "Brick House." The first skit, "Kay Babysits," aired on Season Three, Episode 7 on January 15, 1989. "Stress Management" and "Brick House" aired on Season Three, Episode 14. "The Tracey Ullman Show" was a sketch comedy variety show which aired on Fox Television for four seasons, from 1987 through 1990, and featured the first appearance of the animated Simpson family, later adapted into the longest running scripted primetime series, the beloved animated series,"The Simpsons." The fourteenth episode of the third season of "The Tracey Ullman Show" featured four segments when aired, "Stress Management," "Bart's Nightmare," Rudy Visits Omi," and "Brick House" only two of which ("Stress Management" and "Brick House") appear in the script offered here. "Kay Babysits" features the recurring character Kay Clark forced to babysit her boss' daughter. "Stress Management" features the recurring yuppie family taking a stress management class. And "Brick House" features a prudish woman shopping for sexy lingerie. Beige titled wrappers, noted as Production Script No. 5W13 (36). Title page present, dated October 25, 1988, noted as FINAL DRAFT, with credits for screenwriters Jay Kogen, Wallace Wolodarsky, Michael Sardo, Dan Castellaneta, and Deb Lacusta. 32 leaves, with last page of text numbered 30. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.

Final Draft script for the an episode of the second season of the 1987-1990 television series. Copy belonging unknown cast or crew member, Alan Duke, with his name in marker on the top of the front wrapper. The script on offer here, noted on the front wrapper and the title page as "Production Script No. 26," with a shooting date on the title page of "1/8/88," is comprised of three skits, "Francesca Alone," "Changing Lanes," and "The Pits." The first skit, "Francesca Alone," aired on Season Two, Episode 18 on March 6, 1988, "Changing Lanes" aired on Season Two, Episode 17 on February 28, 1988, and "The Pits" aired on Season Two, Episode 16 on February 21, 1988. "The Tracey Ullman Show" was a sketch comedy variety show which aired on Fox Television for four seasons, from 1987 through 1990, and featured the first appearance of the animated Simpson family, later adapted into the longest running scripted primetime series, the beloved animated series,"The Simpsons." "Francesca Alone" features the recurring teenage character, +with gay parents, inviting a boy over to their house when her folks are out of town. "Changing Lanes" features world traveler, Samantha, deciding to spend time in the suburbs with her estranged sister and family after learining she has only a few months to live. And "The Pits" features a woman trying to get the attention of her stock broker boyfriend by singing the Isley Brothers' song "Shout." Green titled wrappers, noted as PRODUCTION SCRIPT NO. 26. Title page present, dated January 5, 1987, noted as FINAL DRAFT, with credits for screenwriters Jay Kogen, Wallace Wolodarsky, and Marc Flanagan. 44 leaves, with last page of text numbered 39. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Script Format, reprint. Condizione: As New. / 1981 FINA DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS RE-PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Script Format, reprint. Condizione: As New. / 1985 DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condizione: As New. / 1979 UNRELEASED DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condizione: As New. / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condizione: As New. / 1ST DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condizione: As New. / 1969 FINAL DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Script Format, reprint. Condizione: As New. /1977 DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Script Format, reprint. Condizione: As New. /1977 DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Draft script for the 1982 film. Satirical horror farce, based on Robert Louis Stevenson's 1886 novella "Strange Case of Dr. Jekyll and Mr. Hyde." Jerry Belson's cinematic directorial debut, based on a late-night sketch from ABC's answer to Saturday Night Live, "Fridays," wherein comedian Mark Blankfield played a recurrent cocaine-snorting pharmacist. Belson, most often noted for sharing writing credits with Steven Speilberg for "Close Encounters of the Third Kind" and winning three Emmy's for "The Tracey Ullman Show," co-wrote with notable sitcom screenwriters, Michael J. Leeson (two time Emmy winner for Outstanding Writing in a Comedy Series 1981 "Taxi" and "The Cosby Show" 1985), sister Monica Johnson ("The Mary Tyler Moore Show," "Laverne & Shirley") and Harvey Miller (head writer, director of "The Odd Couple"). The script was championed at Paramount by Michael Eisner and part of Paramount's "Magnificent Seven," a reaction to increasing budgets and a potential director strike in 1981 where six films were rushed to production under budget in order to finance a seventh. Set in and shot on location in Los Angeles. Beige untitled wrappers. Title page present, with credits for screenwriters Jerry Belson, Michael Leeson, Monica Johnson and Harvey Miller. 108 leaves, with last page of text numbered 103. Xerographically reproduced. Pages Near Fine, wrapper Very Good plus, velo binding. Carlson and Connolly, Destroy All Movies. Olive Films 1264.

Final draft script for the 1982 film, with annotations in manuscript ink striking dialogue on three pages. A cocaine fueled spoof of Robert Louis Stevenson's 1886 novella, "Strange Case of Dr Jekyll and Mr Hyde," that could have only been made in the early 1980s. With tag lines like, "They told Dr. Jekyll to take his amazing scientific discovery and shove it up his nose. So he did." and "The comedy that examines modern living through chemistry," one has a good idea what to expect. The film allows Mark Blankfield, of the sketch comedy television show "Fridays," free range for a completely over-the-top performance as the shy, timid Dr. Jekyll and the mustachioed, gold-toothed, hairy chested party-animal Mr. Hyde, and, aptly, closes with a shot of Robert Louis Stevenson spinning in his grave. Tan titled Paramount wrappers, noted as FINAL DRAFT on the front wrapper, dated March 31, 1981. Title page present, dated March 31, 1981, noted as FINAL DRAFT, with credits for screenwriters Jerry Belson, Michael Leeson, Monica Johnson and Harvey Miller, with a "DUPLICATED BY PARAMOUNT PRINT SHOP" stamp on lower right corner. 112 leaves, with last page of text numbered 104. Xerographic duplication, rectos only. Pages Near FIne, wrapper Near Fine, bound with two gold brads. Carlson and Connolly, Destroy All Movies. Olive Films #1263.

First Edition. Original 142 page revised draft shooting script, dated March 17, 1969, for the film The Grasshopper directed by Jerry Paris, starring Jacqueline Bisset, Jim Brown, and Joseph Cotten. Bradbound. Very good copy. The film tells the story of a young woman who moves from British Columbia to Los Angeles and then Las Vegas, with romance, drama, and disillusionment driving the story.

[2] pp.; 27.8 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; mimeograph; Double sided program for films presented at Film-Makers' Cinematheque from April - March, 1965. Films presented include "Forty Guns" and "Shock Corridor" by Samuel Fuller; "The Frantic, Pedantic, Semantic, Antic," by Ira Schneider; "A Fall Trip Home," by Nathanael Dorsky; "Ningen Dobutnen," by Yoji Kuri; "Love," by Takahiko Iimura; a new film by Andy Warhol; "Gardens of Tivoli," by Arthur Tress; the premiere of "The Lark" by Rudy Burkhardt; "Fireworks," "Eaux d' Artifice," "Inaugeration of the Pleasure Dome," "Scorpio Rising," by Kenneth Anger; Mike and George Kuchar retrospective including "A Reel of Home Movies," "The Slasher," "The Naked & the Nude," "The Thief and the Stripper," "I was a Teenage Rumpot," "Pussy on a Hot Tin Roof," "The Lurk," by Rudy Burckhardt; the premiere of "Sins of the Fleshapoids," by Mike Kuchar; Harry Smith retrospective; films of Jerry Joffen; Sidney Peterson retrospective including "Cage," "Lead Shoes," "Mr. Frenhofer & the Minotaur," "Petrified Dog," "Potted Psalm,"; "O, Dreamland," by Lindsay Anderson; "Guernica," by Alain Resnais; "Nu," by Anonioni; "Opera Mouffe," by Agnes Varda; "Pacific 231," by Jean Mitry, "Symphony in No B Flat," by Rudolfo Khun; "World of Paul Delvaux," by Henri Storck; "Hallucinations," by Peter Weiss; "As is Played Today," Joseph Anderson; "The Path," by Richard Meyers; "Private Life of A Cat," by Alexander Hammid; "Object Lesson," by Ch. Young; Odds & Ends," by Jane Belson Conger; "Smoke," by Joseph Kramer; "Krushchev," by Robert Lebar and Howard Kaplan "Metanoia," by Ilya Bolotowski, and Herbert Vessely. Recto contains text of program, verso printed with blue monochrome advertisement for soundtracks by mimeograph design company The Verbatim Service Company, owned and operated by Dick Kern. Good. 1 cm. loss to lower right corner; 1.2 cm. loss to upper left corner; 9 mm. loss to upper right corner; 4 mm. tear to lower left corner. Paper yellow and brittle with age.