Jessica brier (119 risultati)

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback or Softback. Condizione: New. Typophoto: New Typography and the Reinvention of Photography. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: New. Unveiling the avant-garde fusion of photography and modern graphic design   The concept Typophoto, the synthesis of photography and typography, was coined by renowned Bauhaus artist and theorist LÁszlÓ Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Jessica D. Brier examines how Typophoto was embraced by early graphic designers-a group who ultimately reinvented photography as a tool of modern consumerism.   Typophoto embodied designers' belief in photography as an efficient form of visual communication, merging the material and the visual by abstracting both typographic and photographic form and transmuting photography into graphic material through the halftone process. Uniquely situating 1920s advertising discourse alongside avant-garde theory and significant interwar photographic concepts, Brier positions Typophoto as an analytical framework for considering how photography-as process, image, material, and metaphor-was effectively reconceived through the professionalization of graphic design in Europe and the United States. This was particularly true in Germany, where the capitalist ethos driving the country's economic recovery bolstered the belief that graphics could create ideal reader-consumers.   Tracing Typophoto from its inception through New Typography's experiments with the medium, Brier demonstrates how photography was used as a tool for manipulating perception as it became a visual language of modern life.…

Paperback. Condizione: new. Paperback. Unveiling the avant-garde fusion of photography and modern graphic design The concept Typophoto, the synthesis of photography and typography, was coined by renowned Bauhaus artist and theorist Lszl Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Jessica D. Brier examines how Typophoto was embraced by early graphic designers-a group who ultimately reinvented photography as a tool of modern consumerism. Typophoto embodied designers' belief in photography as an efficient form of visual communication, merging the material and the visual by abstracting both typographic and photographic form and transmuting photography into graphic material through the halftone process. Uniquely situating 1920s advertising discourse alongside avant-garde theory and significant interwar photographic concepts, Brier positions Typophoto as an analytical framework for considering how photography-as process, image, material, and metaphor-was effectively reconceived through the professionalization of graphic design in Europe and the United States. This was particularly true in Germany, where the capitalist ethos driving the country's economic recovery bolstered the belief that graphics could create ideal reader-consumers. Tracing Typophoto from its inception through New Typography's experiments with the medium, Brier demonstrates how photography was used as a tool for manipulating perception as it became a visual language of modern life. The concept Typophoto, the synthesis of photography and typography played a foundational role in the modernist graphic design movement known as the New Typography. Brier examines how Typophoto was embraced by early graphic designersa group who ultimately reinvented photography as a tool of modern consumerism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Condizione: new.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Near Fine. 1st Edition. Hardcover, 89 pgs. Very light corner wear.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. The grid often hides in plain sight, from notepads and spreadsheets to halftone photographic reproductions. It dominates the organisation, perception, and representation of the modern world, especially in print. Deeply embedded in a Western worldview, the grid visualises control, mastery, and order. As an invisible framing device, it has become so pervasive that we habitually ignore it. Yet when artists call our attention to the grid, its layered meanings come fully into view.On the Grid: Ways of Seeing in Print surveys photographs, prints, artist's books, and printed sculptures from the dynamic permanent collection of the Frances Lehman Loeb Art Center at Vassar College.From 19th-century scientific and portrait photography to avant-garde and conceptual photography; from mid- 20th-century Minimalist, Pop Art, and Op Art printmaking to experimental bookmaking and photography in the 21st century, this richly illustrated volume explores how artists have embraced, rejected, and reclaimed the grid. By altering and challenging perception, they offer new ways of seeing the world.With contributions by Jared Bark, Jessica D. Brier, Lukas Felzmann, Stephen Frailey, John P. Murphy, Werner Pfeiffer, Alison Rossiter, Stephanie Syjuco, Rhiannon Skye Tafoya, Massimo Tarrida.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Unveiling the avant-garde fusion of photography and modern graphic design   The concept Typophoto, the synthesis of photography and typography, was coined by renowned Bauhaus artist and theorist LÁszlÓ Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Jessica D. Brier examines how Typophoto was embraced by early graphic designers-a group who ultimately reinvented photography as a tool of modern consumerism.   Typophoto embodied designers' belief in photography as an efficient form of visual communication, merging the material and the visual by abstracting both typographic and photographic form and transmuting photography into graphic material through the halftone process. Uniquely situating 1920s advertising discourse alongside avant-garde theory and significant interwar photographic concepts, Brier positions Typophoto as an analytical framework for considering how photography-as process, image, material, and metaphor-was effectively reconceived through the professionalization of graphic design in Europe and the United States. This was particularly true in Germany, where the capitalist ethos driving the country's economic recovery bolstered the belief that graphics could create ideal reader-consumers.   Tracing Typophoto from its inception through New Typography's experiments with the medium, Brier demonstrates how photography was used as a tool for manipulating perception as it became a visual language of modern life.…

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condizione: New.

Hardcover. Condizione: new. Hardcover. The grid often hides in plain sight, from notepads and spreadsheets to halftone photographic reproductions. It dominates the organisation, perception, and representation of the modern world, especially in print. Deeply embedded in a Western worldview, the grid visualises control, mastery, and order. As an invisible framing device, it has become so pervasive that we habitually ignore it. Yet when artists call our attention to the grid, its layered meanings come fully into view.On the Grid: Ways of Seeing in Print surveys photographs, prints, artists books, and printed sculptures from the dynamic permanent collection of the Frances Lehman Loeb Art Center at Vassar College.From 19th-century scientific and portrait photography to avant-garde and conceptual photography; from mid- 20th-century Minimalist, Pop Art, and Op Art printmaking to experimental bookmaking and photography in the 21st century, this richly illustrated volume explores how artists have embraced, rejected, and reclaimed the grid. By altering and challenging perception, they offer new ways of seeing the world.With contributions by Jared Bark, Jessica D. Brier, Lukas Felzmann, Stephen Frailey, John P. Murphy, Werner Pfeiffer, Alison Rossiter, Stephanie Syjuco, Rhiannon Skye Tafoya, Massimo Tarrida. This richly illustrated volume surveys photographs, prints, artists books, and printed sculptures, and explores how artists have embraced, rejected, and reclaimed the grid. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover without dustjacket as issued, new condition; still sealed in shrinkwrap; clean and crisp; . Foreign shipping may be extra.

paperback. Condizione: New. Brand New.

Condizione: New. 2022. Hardcover. . . . . .

Hardcover. Condizione: Brand New. 128 pages. 10.75x8.75x0.75 inches. In Stock.

hardcover. Condizione: New. **PAPERBACK** Scala.