jill dawsey (74 risultati)

Hardcover without dustjacket as issued, 144 pages; in German; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Good. Ex-library with usual markings (date due slip, stickers, stamps, etc.). Pages in great reading condition. A bit of edge wear to covers. Binding is secure. Our feedback says it all! Feel confident when you order from Hilltop Book Shop.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condizione: Near Fine. Original covers, 9 5/8 x 9 5/8 inches, nonpaginated (6 pp) , illustrated with black and white photographs. Softcover, near fine. Two light tan drop marks on rear cover, partially erased previous owner's initials, otherwise tight, clean, paper crisp, unmarked. Discussion of the work of Robert Smithson and other such sculptors. Rare; only 1 copy on OCLC. Art; exhibition catalogue (catalog) ; landscape sculpture.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Used - Very Good. A timely reassessment of the artist's early performances and feminist sculptures, affirming their radical engagements and art historical significance This volume is a focused look at two bodies of work, the Tirs ('shooting paintings') and Nanas ('dames'), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle (1930-2002). Alongside a poetic response to the work, four essays treat Saint Phalle's oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle's life in the 1960s. Tirs were made by firing a .22 caliber rifle at the surfaces of paintings. The bullets pierced bags of pigment, aerosol paint cans, or even food embedded in dense assemblages covered in painted plaster. Saint Phalle's increasingly liberated female figures with outstretched arms, curvaceous forms, and powerful poses developed into her well-known Nanas, an evolution contemporaneous with the rise of a Euro-American feminist movement. A timely reassessment of the artist's early performances and feminist sculptures, affirming their radical engagements and art historical significance Very nice clean, tight copy free of any marks.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 144 pp., 204 ills. - The artist s book If It's Me, It's Not Me presents Mathilde ter Heijne s working methods, concepts, and ideas of the last ten years in her distinct handwriting. A chronological archive of images with a selection of quotes and illustrations of her works is supplemented by excerpts from literature and poetry, film and art-historical contributions, as well as interviews conducted by the artist with experts in fields of central importance for her recent work: woman s role in society, suicide bombings, trauma therapy, and matriarchy research.

Condizione: New.

Hardback. Condizione: New. The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today.Contributors include David Antin, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young. Published in association with the Museum of Contemporary Art San Diego. Exhibition dates: Museum of Contemporary Art San Diego: September 24, 2016-January 2, 2017.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: new. Paperback. A visual study of how artists have shaped responses to disability from the 1960s to the Covid era. In recent years, the art world has seen an explosion of activity confronting issues of illness, disability, and the vulnerability of the human body. This development, which was set in motion by disability justice movements of the twenty-first century, accelerated at the start of the COVID-19 pandemic in 2020. Contemporary artists with disabilities and chronic illnesses have produced influential bodies of art and writing, seeking to highlight relations of mutual dependence and practices of care. These artists have dramatically expanded discourse about access, while reframing disability as a refusal to conform to the pace, architecture, and economic conditions of contemporary life. For Dear Life explores how this turn was preceded by the work of artists and activists beginning in the 1960s and 1970s. Informed by intersecting movements that included civil rights, antiwar, women's and gay liberation, and disability rights, artists of that era represented the body in works that merged the personal and political. This book, and the accompanying exhibition, surveys artistic responses to vulnerability, illness, impairment, and forms of unruly embodiment, tracing artistic legacies that have shaped contemporary currents in art. Gathering an intergenerational group of artists from across the United States, the project illuminates connections among art practices, social movements, and medical events of the past and present. A visual study of how artists have shaped responses to disability from the 1960s to the Covid era. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback or Softback. Condizione: New. For Dear Life: Art, Medicine, and Disability. Book.

Condizione: New.

Hardcover. Condizione: new. Hardcover. A timely reassessment of the artists early performances and feminist sculptures, affirming their radical engagements and art historical significance This volume is a focused look at two bodies of work, the Tirs (shooting paintings) and Nanas (dames), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle (19302002). Alongside a poetic response to the work, four essays treat Saint Phalles oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalles life in the 1960s. Tirs were made by firing a .22 caliber rifle at the surfaces of paintings. The bullets pierced bags of pigment, aerosol paint cans, or even food embedded in dense assemblages covered in painted plaster. Saint Phalles increasingly liberated female figures with outstretched arms, curvaceous forms, and powerful poses developed into her well-known Nanas, an evolution contemporaneous with the rise of a Euro-American feminist movement. A timely reassessment of the artists early performances and feminist sculptures, affirming their radical engagements and art historical significance Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: New.

Condizione: New. Tracing a crucial history of photoconceptual practice, this book focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Editor(s): Dawsey, Jill. Num Pages: 240 pages, 190 color photographs. BIC Classification: ACXJ; AJ. Category: (G) General (US: Trade). Dimension: 227 x 275 x 24. Weight in Grams: 1318. . 2016. Hardcover. . . . .

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New. 2021. Hardcover. . . . . .

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today.Contributors include David Antin, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young. Published in association with the Museum of Contemporary Art San Diego. Exhibition dates: Museum of Contemporary Art San Diego: September 24, 2016-January 2, 2017.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Tracing a crucial history of photoconceptual practice, this book focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Editor(s): Dawsey, Jill. Num Pages: 240 pages, 190 color photographs. BIC Classification: ACXJ; AJ. Category: (G) General (US: Trade). Dimension: 227 x 275 x 24. Weight in Grams: 1318. . 2016. Hardcover. . . . . Books ship from the US and Ireland.