joint editors (241 risultati)

Condizione: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. 173 pages; 21 cm. Good+. Tight, clean copy. Title page clipped/top right corner. Age toning. An excellent anthology on the "New Art History." *** CONTENTS: Reviewing art history, by Dawn Ades; How revolutionary is the new art history?, by Stephen Bann; On newness, art and history: reviewing Block, 1979-85, by Jon Bird; 'Something about photography theory', by Victor Burgin; Teaching and learning, by Mary F. Gormally and Pamela Gerrish Nunn; New lamps for old, by Tom Gretton; Taste and tendency, by Charles Harrison; Saussure v. Peirce: models for semiotics of visual art, by Margaret Iversen; Photography, history and writing, by Ian Jeffrey; The landscape of reaction: Richard Wilson (1713?-1782) and his critics, by Neil McWilliam and Alex Potts; Feminism, art history and cultural politics, by Lynda Nead; Pater, Stokes and art history: the aesthetic sensibility, by Michael O'Pray; The new art history and art criticism, by Paul Overy; History of art and the undergraduate syllabus: is it a discipline and how should we teach it?, by Marcia Pointon; Art's histories, by Adrian Rifkin; Art history and difference, by John Tagg. Size: 8vo.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Condizione: Very Good. Very good hardcover. No dust jacket. Text is clean and unmarked. Covers show very minor shelf wear. Bindings tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Condizione: Good. 1st. x, 248 pages, illustrations; 23 cm. Good+. Some pencil underlining, chiefly clean. 1st thus. Another copy available. Size: 8vo.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st. 319 pages, illustrations; 24 cm. Firm binding, clean inside copy. Erasure mark-rubbing/front free endpaper. Stated First American Edition. Dust jacket with a slightly faded spine & light edgewear. *** CONTENTS: Salad days: February 1864-July 1885; Ideal marriage: September 1885-December 1889; Escape: November 1890-September 1894; Diversions: September 1894-November 1897; In the market place: December 1897-December 1899; Holy matrimony: January 1900-December 1902; Acclaim: January 1903-March 1904; Allegro vivace: April 1904-August 1906. Portents: August 1906-March 1909; A house divided: April 1909-April 1911; Family affairs: May 1911-July 1912; Interlude: August 1912-July 1914; Hostilities: August 1912-July 1914; Catastrophe: December 1917-November 1920; Guardian angel: December 1920-July 1923; The grandmother: December 1923-April 1927; Withdrawal: April 1927-February 1932; The invalid: March 1932-May 1944; Epilogue; Appendix One: Notes on characters not fully identified in the text; Appendix Two: List of recipients; Index. Size: 8vo.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fine. 1st. Cloth, vi, 407 pages, illustrations; 25 cm. First published, 1896. Good+. Firm binding, clean inside copy. Spine slightly rolled at the crown, dust spotting/edges. Fine DJ. Size: 8vo.

Paperback. Condizione: Near Fine. 1st. ix, 317 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Age toning. First paperback edition. "Until recently, fashion was considered the 'F-word' in intellectual circles, dismissed as unworthy of serious attention. Yet no area of life, no individual moment, stands outside fashion's discourses. Intuitively, we all know that clothing is a language, incessantly communicating messages about its wearer. But who speaks this language, to whom is it addressed, what does it mean, and how are its meanings established and transformed? On Fashion explores the ways our material, political, psychological, sexual, even intellectual lives are woven into fashion's fabric. This stimulating collection of essays explores fashion's symbolic and figurative functions in photography, cinema, and video; in consumerism, postmodernism, and feminism; in political and material culture; and in self-definition and subjectivity. They demonstrate the pervasive reach of fashion and its expressions. This collection contains over sixty photographs and illustrations and includes essays by Barbara Brodman, Mary Ann Caws, Linda Benn DeLibero, Hlne Cixous, Diana Fuss, Cheryl Herr, Karla Jay, Deborah Jenson, Douglas Kellner, Ingeborg Majer O'Sickey, Leslie W. Rabine, Andrew Ross, Sonia Rykiel, Carol Shloss, Kaja Silverman, Maureen Turim, and Iris Marion Young." - Publisher. *** CONTENTS: Barbie magazine and the aesthetic commodification of girls' bodies, by Ingeborg Majer O'Sickey; This year's girl: a personal/critical history of Twiggy, by Linda Benn DeLibero; A woman's two bodies: fashion magazines, consumerism, and feminism, by Leslie W. Rabine; No bumps, no excrescences: Amelia Earhart's failed flight into fashions, by Karla Jay; Sonia Rykiel in translation, by He le`ne Cixous; From Celebration, by Sonia Rykiel; Off the (w)rack: fashion and pain in the work of Diane Arbus, by Carol Shloss; An erotics of representation: fashioning the icon with Man Ray, by Mary Ann Caws; Seduction and elegance: the new woman of fashion in silent cinema, by Maureen Turim; Madonna, fashion and identity, by Douglas Kellner; Fragments of a fashionable discourse, by Kaja Silverman; Women recovering our clothes, by Iris Marion Young; Fashion and the homospectatorial look, by Diana Fuss; Terrorist chic: style and domination in contemporary Ireland, by Cheryl Herr; Paris or perish: the plight of the Latin American Indian in a westernized world, by Barbara Brodman; Tribalism in effect, by Andrew Ross. Size: 8vo.

Paperback. Condizione: Near Fine. 1st. xvi, 635 pages, illustrations; 24 cm. Cover title: Out in All Directions: The Almanac of Gay and Lesbian America. Near fine. Tight, clean copy. Age toning. Stated First Trade Printing. *** An excellent anthology. Size: 8vo.

Hardcover. Condizione: Fine. 1st. Pictorial boards, 1 volume (unpaged), colour illustrations; 20 cm. Firm binding, clean inside copy. *** "Ever made it in the back of a cab? Or under a blanket in a park? In an elevator? If not, you ve missed out because a lot of people have, and these 44 stories prove it. Shocking, bold, fun Public Love is impossible to put down. Each first-person confessional describes the how, when, and where of a public sex act. (You can almost hear the giggles and the sound of buttons popping.) The stories are paired with grainy color photos of the lusty locales be it a doorway, a truck stop, or, yes, the middle of Fifth Avenue. Designed in the best-selling spirit of Taxi Driver Wisdom, its look is cool and slightly seedy like the shadowy underworld of passion on the fly. Voyeuristic and sexy, the absolutely true tales in Public Love offer a sophisticated twist on a timeless subject. Prepare to blush, chuckle, and wonder if you should be having more fun. Carpe diem! / Talmage Cooley quit a career as a bond trader on Wall Street to become a writer, director, and photographer. He lives in New York." - Publisher. Size: Oblong. Collectible.

Full-Leather. Condizione: New. Leather. New fine hardcover book. .Bright clean tight square. Shelf 3012.We ship within one business day of receiving your order. Boards and spine are straight // Binding is tight.//Pages are clean, legible, and bright // No previous owner names//No writing in the book margins or blank spaces // No highlighting// No foxing// Not remainder marked // Not price clipped// Not Ex Library// Not a Book Club.

Paperback. Condizione: Very Good. Condizione sovraccoperta: Very Good. Mild shelf wear.

Paperback. Condizione: Good. 1st. xii, 401 pages, illustrations, portraits; 26 cm. Good+. Tight, clean copy. Spine sunned & slightly cocked/lean. Age toning. Another copy available. First paperback edition. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Size: 4to.

Paperback. Condizione: Fine. 245 pages, illustrations (some colour), portraits (some colour); 27 cm. Firm binding, clean inside copy. *** CONTENTS: Towards Tate Modern, by Michael Craig-Martin; Bankside: International Local, by Doreen Massey; Showing the Twentieth Century, by Iwona Blazwick and Frances Morris; Landscape, Matter, Environment, by Jennifer Mundy; Still Life, Object, Real Life, by Paul Moorhouse; History, Memory, Society, by Jeremy Lewison; Nude, Action, Body, by Simon Wilson; 100 Artists A-Z. Size: 4to.

Paperback. Condizione: Fine. vii, 104 pages; 23 cm. Tight, clean copy. *** CONTENTS: On the necessity of adult arts education beyond the classroom, by Judith H. Balfe and Joni Cherbo Heine; On adult arts education, by Samuel Lipman; Adults and arts education: a literature review, by David B. Pankratz; Pepsico sculpture gardens, by Katherine F. Niles; The emergence of art education in the workplace: Chemical Bank's program, by Abby Remer; Affiliate artists, by Richard C. Clark and Lynne Stoops; The arts endowment's programs for special constituencies, by Paula Terry; Arts education for deaf populations, by Deborah Sonnenstrahl; Museum arts education in visual literacy, by Philip Yenawine; Museum access: planning for diverse audiences, by Katherine Lochridge. New communication technologies, by Thomas Newman; The arts in the mass media, by Robert Kotlowitz; Arts, education and nontraditional settings, by Dale McConathy. Size: 8vo.

Paperback. Condizione: Near Fine. 1st. 312 pages, illustrations (some colour); 22 cm. Edition of 10,000 copies. Near fine. Tight, clean copy. Light edgewear to wraps. Size: 8vo.

Paperback. Condizione: Near Fine. x, 213 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Age toning. Size: 8vo.

Condizione: Good. Good condition. 2005 Edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condizione: Very Good. High Museum of Art January 1990 Binding: Trade Paperback.

Soft cover. Condizione: Very Good. Illustrated (illustratore). 1st Edition. Full color illustrations. Wonderful book. We ship fast.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st. Cloth, 320 pages, 25 plates (1 folded), illustrations, facsimiles, genealogical table, portraits; 26 cm. Firm binding, clean text. Gift inscription/front free endpaper, otherwise unmarked. Age toning. Dust jacket with edgewear. Size: 4to.

Paperback. Condizione: Near Fine. 222 pages, illustrations (some colour); 21 cm. Dia Center for the Arts, New York (Series); no. 3. Near fine. Tight, clean copy. Small remainder mark (ink dot)/tail edge. *** CONTENTS: "Leonardo da Vinci, Marcel Duchamp, and Joseph Beuys," by Pamela Kort; "Robert Irwin and the Condition of Twilight," by Jonathan Crary; "Andy Warhol: Shadows," exhibition text by Lynne Cooke to preface Victor I. Stoichita; "Beyond the Peter Pan Complex: Warhol's Shadows," by Victor I. Stoichita; "Douglas Gordon's 'Left is Right and Right is Wrong and Left is Wrong and Right is Right,'" by Elaine Showalter; Stan Douglas's "Win, Place, or Show," by B r nice Reynaud; "The Case of Thomas Sch tte," by Boris Groys; "Rodney Graham's Black Box Treatment," by Jan Tumlir; "Myth of the West," by Peter Wollen. Size: 8vo.

Paperback. Condizione: Very Good. 345 pages, illustrations (some colour), portraits; 28 cm. Published on the occasion of an exhibition organized by the Philadelphia Museum of Art and the Museum of Modern Art and shared by the Art Institute of Chicago. Essays by Michel Sanouillet, and others. Firm binding, unmarked. Light foxing inside wraps and facing flyleaves (minor), else fine. Age toning. Another copy available. *** Important Duchamp catalogue. Size: 4to.

Hardcover. Condizione: Very Good. No Jacket. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Very Good.

Paperback. Condizione: Good. 1st. 207 pages, illustrations (some colour); 36 cm. Good+. Firm binding, clean inside copy. Spine lightly chipped at the crown. Expected browning. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** A massive compilation of international artists, chiefly European and American. Size: Folio.

Paperback. Condizione: Fine. 1st. xiv, 418 pages, [8] pages of plates, illustrations; 23 cm. Tight, clean copy. *** "This popularly priced edition of Ansel Adams' acclaimed book of letters - originally published in 1988 as a companion volume to his bestselling autobiography - will bring the vivid letters of America's most beloved photographer/environmentalist to a new generation of fans. Ansel Adams wrote literally thousands of letters to fellow photographers, environmentalists, politicians, family, and friends during his long life - letters that reveal the growth of the artist and the man, while contributing a unique overview of twentieth-century photography and the environmental movement. Among those with who he corresponded are such eminent names as Alfred Stieglitz, Edward Weston, Nancy and Beaumont Newhall, and Jimmy Carter. Wallace Stegner notes in his foreword that the letters 'show him as his family and friends knew him, in the intimate interchange of daily life and at the highest reaches of his thinking and feeling.' / MARY STREET ALINDER began working for Ansel Adams as his executive assistant in 1979. While she supervised his staff and his many projects, her prime responsibility was to assist Ansel as he wrote his autobiography. NDREA G. STILLMAN has won recognition as a curator whose career has been distinguished by her association with Ansel Adams. From 1967 to 1974, she worked in the Department of Prints and Photographs of the Metropolitan Museum of Art. In 1974, she coordinated a major retrospective of Adams' photographs and thereafter moved to Carmel, California, to become Adams' assistant and editor of his books. In 1982 she was curator and author of the catalogue for the traveling exhibition "Ansel Adams: An American Place, 1936." Andrea has edited numerous books of Adams' work, including ANSEL ADAMS IN COLOR, OUR NATIONAL PARKS, and YOSEMITE AND THE HIGH SIERRA." - Publisher. Size: 8vo.