Jorg heiser (237 risultati)

paperback. Condizione: New.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: New. New copy.

Paperback. Condizione: Very Good. 127 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. With remainder mark. NOTE: Book is still in the original publisher shrink wrap. With contributions by: Jennifer Allen, Nikolaus Hirsch, Aleksandra Mir, Vivian Sky Rehberg, and Jan Verwoert. …

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Good. Satisfaction 100% guaranteed.

Softcover missing dustjacket; 160 pages; otherwise very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. Exploring the relationship between art and pop music over the last fifty years. Why did Andy Warhol decide to enter the music business by producing the Velvet Underground, and what did the band expect to gain in return? What made Yoko Ono use the skills she developed in the artistic avant-garde in pop music, and what drew John Lennon, in turn, to visual art? Why, in 1982, did Joseph Beuys record the pop single "Sonne statt Reagan," and why, around the same time did, West German artists such as Michaela Melian move into pop music? In Double Lives in Art and Pop Music, J rg Heiser argues that context shifting between art and pop music is an attempt to find solutions for contradictions faced in one field of cultural production. Heiser looks closely at the careers of artists and pop musicians who work in both fields professionally. The seeming acceptance and effortlessness today of current border crossings can be deceptive, since they might be serving vested economic or ideological interests. Exploring a pop and art history of more than fifty years, Heiser shows that those leading double lives in art and pop music may often be best able to detect these vested interests while he points toward radical alternatives.…

Softcover with dustjacket; 160 pages; good condition; light rubbing to covers; remainder mark to bottom outer edge of pages; publisher's "non-mint copy" stamp on first page; no other internal marks. Foreign shipping may be extra.

paperback. Condizione: Good.

Paperback. Condizione: Good. Exploring the relationship between art and pop music over the last fifty years. Why did Andy Warhol decide to enter the music business by producing the Velvet Underground, and what did the band expect to gain in return? What made Yoko Ono use the skills she developed in the artistic avant-garde in pop music, and what drew John Lennon, in turn, to visual art? Why, in 1982, did Joseph Beuys record the pop single "Sonne statt Reagan," and why, around the same time did, West German artists such as Michaela Melian move into pop music? In Double Lives in Art and Pop Music, J rg Heiser argues that context shifting between art and pop music is an attempt to find solutions for contradictions faced in one field of cultural production. Heiser looks closely at the careers of artists and pop musicians who work in both fields professionally. The seeming acceptance and effortlessness today of current border crossings can be deceptive, since they might be serving vested economic or ideological interests. Exploring a pop and art history of more than fifty years, Heiser shows that those leading double lives in art and pop music may often be best able to detect these vested interests while he points toward radical alternatives.…

Paperback. Condizione: Very Good. 148 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. With remainder mark. With contributions by: Aleksandra Domanovic, Mark Fisher, Nathalie Heinich, Mark Leckey, Jean-François Lyotard and Bernard Blistène, Jussi Parikka, Christiane Sauer, Timotheus Vermeulen. …

hardcover. Condizione: Good. Bruise/tear to cover.

hardcover. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

hardcover. Condizione: Used-Very Good. Cloth, no dj. Slight shelf wear. Else a bright. clean copy.

paperback. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover with dustjacket, 144 pages; in English and German; very good condition except museum library sticker taped around bottom of spine, no internal marks.

paperback. Condizione: Very Good.

paperback. Condizione: New.

Soft cover. Condizione: Very Good. Softcover, 4to., 159pp. A clean, tight copy.

hardcover. Condizione: New.

Paperback. Condizione: Very Good. light shelfwear, NICE! Standard-sized.

Paperback. Condizione: New.

Softcover. Condizione: Very Good. No illustrations. Believe these are the essays from a longer work in German which have been reprinted in English. Approx. 6 1/2" wide by 9 3/8". ; 14 pages.

Paperback. Condizione: Near Fine. 159 pages, illustrations (some colour); 29 cm. Near fine. Firm binding, clean inside copy. Slightly shopworn with publisher's remainder mark/half-title page. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "American video and installation artist Doug Aitken exploded on the international art scene with his multi-screen work 'electric earth,' which captivated audiences at the Venice and Whitney Biennales. This work focused on the bizarre nocturnal experiences of a young man exploring the edges of Los Angeles, presenting dream-like sequences which rearrange the linear flow of narrative into a series of unforgettable, disjointed photographic tableaux. Like much of his work, it contrasts the high-tech speed of contemporary daily life with the monotony of the urban landscape. In subsequent work set in distant places, from the island of Montserrat to the jungles of Guyana, Aitken creates unexpected yet beautiful imagery which encircles the viewer and creates a suspended, hyper-real portrait of contemporary life. In the Survey, curator and critic Daniel Birnbaum sets Aitken's art within the context of contemporary philosophy and the work of other recent artists who have explored expanded notions of time and space, in the Interview frieze publisher and critic Amanda Sharp discusses the artist's working methods, in the Focus section critic J rg Heiser looks at Aitkens recent 'i am in you,' a five-screen work centering on the imaginative experiences of a young girl. For his Artist's Choice Aitken has selected a short story by Jorge Luis Borges whose description of altered realities through the distortions of mirrors and memory echoes the artists own interests. Artist's Writings include Aitken's retelling of an unusual story he once heard from strangers which served as the basis for subsequent video work." - Publisher. *** CONTENTS: Interview: Amanda Sharp in conversation with Doug Aitken; Survey: That's the only now I get: time, space and experience in the work of Doug Aitken, by Daniel Birnbaum; Focus: Beginning to understand: Doug Aitken's i am in you, by Jorg Heiser; Artist's choice: Funes the memorious (extract), by Jorges Luis Borges; Artist's writings: screen, 2001, by Doug Aitken; Chronology. Size: 4to.…

Softcover, 72 pages; in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Size: 8.75"x10.75", 192pp., colour illustrations. Text in German. As new, clean, tight & bright condition.