Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Softcover. Condizione: Near Fine. First Edition. Near Fine with printed cloth cover by Chemlawn. 90 pages, unmarked. Contributors: Simon Barker, Tracy Gonzalez, d, Rolli, Joe Kraus, Katy Gunn, Diana George, R. Matthew Burke, Anji Reyner, Hobie Anthony, Bruce Holland Rogers, Joshua Willey, Craig Foltz. ; B4B; 90 pages.
Da: Revaluation Books, Exeter, Regno Unito
EUR 106,47
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 100 pages. 8.50x5.91x0.24 inches. In Stock.
Da: preigu, Osnabrück, Germania
EUR 43,30
Quantità: 5 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Cinematic Absence | An Analysis of Tsai Ming-liang's "Goodbye Dragon Inn" | Joshua Willey | Taschenbuch | Englisch | VDM Verlag Dr. Müller | EAN 9783639197648 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
Da: moluna, Greven, Germania
EUR 39,24
Quantità: Più di 20 disponibili
Aggiungi al carrelloKartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Willey JoshuaIs a freelance writer based in San Francisco.Have we entered the gloaming of the cinematic age? Have Youtube and Facebook driven the final nails in the coffin (first built by television) of the projector and the sc.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 49,59
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Have we entered the gloaming of the cinematic age Have Youtube and Facebook driven the final nails in the coffin (first built by television) of the projector and the screen If so, what ghosts linger in the lobbies, tear the tickets, change the reels Tsai Ming-liang''s film 'Goodbye Dragon Inn' bears witness to this haunting, and within it lies a deep allegory of our own relationship to the movies we watch; how they become us, and we become them. In a time of seemingly infinite media, what portals open when we turn our back on the bright lights, and look to the quiet, the dark, the empty, the absent Part film history, part textual analysis, and part literary theory, 'Cinematic Absence' imagines what might be interpreted from the 2003 masterpiece, and what is at stake in said interpretation, both for audience and auteur.