Katharine conley (83 risultati)
Continental, Latin-American and Francophone Women Writers (Volume III)
Adamson, Ginette; Myers, Eunice D.; Laane, Tiiu V.; Seager, Mary; Lewis, Hanna B.; Khalil, Iman; Schaub, Uta Liebmann; Alborg, Concha; Saitz, Herlinda Charpentier; Bellver, Catherine G.; May, Barbara Dale; Harges, Mary C.; Chevillot, Fr?d?rique; Tremblay, Victor-Laurent; Dufault, Roseanna Lewis; Tondeur, Claire-Lise; Hilgar, Marie-France; Colvile, Georgiana M.; Fisher, Claudine G.; Nnaemeka, Obioma; Kitch, Sally L.; Brulotte, Ga?tan; Cochran, Judy and Conley, Katharine
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Condizione: Very Good. Hardcover in a dust jacket with minor fading to edges, b&w illustrations, 179 pages. Contemporary feminist critics have often described Surrealism as a misogynist movement. In Automatic Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning other…s. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surrealists as André Breton, Francis Picabia, and Paul Eluard. She labels that image ?Automatic Woman??a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object largely devoid of individuality and volition. This analysis largely confirms feminist critiques of Surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zürn, two women in the Surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton?s own views on women evolved in the course of his long career, arriving at last at a position far more congenial to contemporary feminists. Record # 379154.
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Paperback. Condizione: New. Contemporary feminist critics have often described Surrealism as a misogynist movement. In Automatic Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conle…y develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surrealists as André Breton, Francis Picabia, and Paul Eluard. She labels that image "Automatic Woman"-a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object largely devoid of individuality and volition. This analysis largely confirms feminist critiques of Surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zürn, two women in the Surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton's own views on women evolved in the course of his long career, arriving at last at a position far more congenial to contemporary feminists.Automatic Woman is distinguished by Katharine Conley's judicious understanding of how women-and the image of Woman-figured in Surrealism. The book is an important contemporary account of a cultural movement that continues to fascinate, influence, and provoke us.
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Condizione: Used: Acceptable. 1996 hardcover book used has underlining in pencil and marks in ink Name in book back of dust jacket has wear and tear black mark on barcode on back of dust jacket 179 pages{{{L-11.
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Paperback. Condizione: new. Paperback. Contemporary feminist critics have often described Surrealism as a misogynist movement. In Automatic Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and art…ists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surrealists as Andre Breton, Francis Picabia, and Paul Eluard. She labels that image "Automatic Woman"--a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object largely devoid of individuality and volition. This analysis largely confirms feminist critiques of Surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zurn, two women in the Surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton's own views on women evolved in the course of his long career, arriving at last at a position far more congenial to contemporary feminists.Automatic Woman is distinguished by Katharine Conley's judicious understanding of how women--and the image of Woman--figured in Surrealism.The book is an important contemporary account of a cultural movement that continues to fascinate, influence, and provoke us. Contemporary feminist critics have often described Surrealism as a misogynist movement. This work addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, it develops a complex view of Surrealist portrayals of woman. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback or Softback. Condizione: New. Robert Desnos, Surrealism, and the Marvelous in Everyday Life. Book.
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Condizione: As New. Condizione sovraccoperta: As New. Hbk, 178pp, SIGNED by the author on half-title page, illustr in b+wan excellent, clean tight and unmarked copy in fine, unclipped and sleeve-protected dj, as new.
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Condizione: New. Contemporary feminist critics have often described Surrealism as a misogynist movement. This work addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, it develops a complex view of Surrealist po…rtrayals of woman. Num Pages: 189 pages, black & white illustrations. BIC Classification: ACXD7; AGH; JFSJ1. Category: (UU) Undergraduate. Dimension: 229 x 156 x 13. Weight in Grams: 350. . 2008. Paperback. . . . .
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Condizione: New. Contemporary feminist critics have often described Surrealism as a misogynist movement. This work addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, it develops a complex view of Surrealist po…rtrayals of woman. Num Pages: 189 pages, black & white illustrations. BIC Classification: ACXD7; AGH; JFSJ1. Category: (UU) Undergraduate. Dimension: 229 x 156 x 13. Weight in Grams: 350. . 2008. Paperback. . . . . Books ship from the US and Ireland.
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Hardcover with dustjacket, 270 pages; very good condition; light rubbing to dj; inscribed and signed by author on first page; no other internal marks. Foreign shipping may be extra.
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Condizione: Fair. Volume 109. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780300110722.
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Paperback. Condizione: Brand New. 270 pages. 9.00x6.00x0.75 inches. In Stock.
Lingua: Inglese
Editore: University of Nebraska Press, Lincoln and London, 2004
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Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Black cloth with spine titles in gilt. Octavo. 270 pages, notes, bibliography, index. Fine copy in fine dust jacket in a mylar protector. Ships in box.
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Jun 01, 2006. Condizione: Used: Very Good. Surrealism and its Others | Collectif | Yale University Press, no 109, 2006, in-8 broché, 146 pages. Couverture et dos propre, sous papier cristal. Intérieur frais. [Phi13].
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