katja fleischmann robert mann (9 risultati)

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

hardcover. Condizione: Acceptable. Spine of the cover is torn slightly down at the top.

hardcover. Condizione: Very Good.

hardcover. Condizione: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hard Cover. Condizione: Very Good. First Edition. 224pp, glossary, notes, nu col ills, pictorial endpapers. Pictorial boards. Near new. Examines depictions of women in street art artistically, politically and culturally across continents. Size: Square 8vo.

Hardback. Condizione: New. Photos, primary sources, and historical and cultural context examine women as the frequent subject of street art Interviews with artists peel back the layers between artist and image, revealing stories about their work, its context, and its environment. The women are depicted artistically, politically, and culturally across continents. The artists featured are from the United States, Mexico, Costa Rica, Peru, Chile, France, Italy, and South Africa. From artists in LA pushing back on Hollywood's shiny perfection; to painters in Costa Rica examining the cultural links of women, myth, and nature; to women in South Africa decrying domestic violence, what links these works are their temporality and public ownership. Why do wall artists choose women as their frequent and favorite subjects? What does it say about our conceptions of gender and rebellion, protest, pride, place, and community? And how does the growing commercialization of street art affect their portrayal? Color photos and guided historical context provoke these questions and inspire further ones.

Hardcover. Condizione: Brand New. 224 pages. 9.00x9.00x0.87 inches. In Stock.

Hardback. Condizione: New. Photos, primary sources, and historical and cultural context examine women as the frequent subject of street art Interviews with artists peel back the layers between artist and image, revealing stories about their work, its context, and its environment. The women are depicted artistically, politically, and culturally across continents. The artists featured are from the United States, Mexico, Costa Rica, Peru, Chile, France, Italy, and South Africa. From artists in LA pushing back on Hollywood's shiny perfection; to painters in Costa Rica examining the cultural links of women, myth, and nature; to women in South Africa decrying domestic violence, what links these works are their temporality and public ownership. Why do wall artists choose women as their frequent and favorite subjects? What does it say about our conceptions of gender and rebellion, protest, pride, place, and community? And how does the growing commercialization of street art affect their portrayal? Color photos and guided historical context provoke these questions and inspire further ones.