kienle richard (125 risultati)

20,5 x 14 cm Broschur. Condizione: Gut. 34 S. Einband mit Gebrauchsspuren, Ecken leicht bestossen, Seiten papierbedingt nachgedunkelt, ohne Markierungen, Eintragungen, etc. Heidelberger Texte. Lateinische Reihe. Band 10a. Mit einem Vorwort und Abkürzungserklärung. Zustand: leichte Gebrauchsspuren Sprache: de Gewicht in Gramm: 55.

Hardcover. Condizione: Good. Ex-Library hardcover no dj (dark blue boards) with the usual markings, attachments, and library wear. Text block clean and unmarked. Tight binding.

hard cover. Condizione: Very Good. No jacket. First Edition. Heidelberg:Carl Winter Universitatsverlag. 1948. 103pp. Hard bound. A very good, clean copy.S009.

479 S., Grüne goldgeprägte OLwd., Zweispaltiger Satz., Name auf Vorsatz., Gebrauchsspuren am Einband., Einband angeschmutzt und fleckig., noch befriedigend., [xxx] * Ohne Schutzumschlag. Sprache: Deutsch 550 gr.

Condizione sovraccoperta: dj. First Edition. First edition and first printing. Hardcover. 585 pages. Published in conjunction an exhibition that ran February 26 through May 17, 2009. Features essays by Roberta Bernstein, Yve-Alain Bois, Jean-Francois Chevrier, John Elderfield, John Goldin, Christopher Green, Jennie Hirsh, Joop M. Joosten, Anabelle Kienle, Albert Kostenevich, Carolyn Lanchner, Mark D. Mitchell, Joseph J. Rishel, Katherine Sachs, Richard Shiff, Robert Storr, and Michael R. Taylor. Includes 483 color and 85 black and white illustrations of works by a wide range of artists from the likes of Cezanne, Picasso, Leger, Braque, Gorky and others. A fine copy in cloth boards in a near fine dust jacket with some slight rumpling to the base of the front panel. This is a heavy and oversized book and will require extra shipping.

Condizione: -. Condizione sovraccoperta: Nein. Ganzleinen mit gepr. Titel auf Vorderdeckel und Rücken, gebunden, Schutzumschlag, Schutzumschlag mit stärkeren Einrissen, sowie SU und Buchschnitt mit Flecken, jedoch sonstiger Innenteil sauber. 21x13 cm, 511 Seiten, (intern: Lexikas).

Hardcover. Condizione: Fine. 1st. Pictorial boards, 101 pages, illustrations (chiefly colour); 26 x 31 cm. Text in English and French. Published in conjunction with the exhibition at National Gallery of Canada, Ottawa, 30 October 2015 to 15 February 2016. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This beautifully illustrated catalogue explores Claude Monet's experiments with the motif of the bridge between 1872 and 1875, in the aftermath of the Franco-Prussian War. After moving to Argenteuil, a suburban town on the outskirts of Paris, the artist (1840-1926) was inspired to paint the local highway bridge located near his house on the banks of the Seine. Le Pont de Bois (1872) depicts the bridge under repair following the destruction wrought by the war, and as such is a tribute to France's return to order. A composition of startling modernity, the painting also became a starting point for further explorations of this theme. Focusing on twelve major paintings by the artist, this book examines how Monet used the motif of the bridge as a laboratory for his innovative ideas, in his desire to establish himself as a leader of the avant-garde. it also looks at the Impressionists' artistic response in the aftermath of the Franco-Prussian War and the way in which photographers and painters highlighted the remarkable range of brides in Paris." - Publisher. *** CONTENTS: Foreword; Acknowledgements; Lenders to the exhibition; Towards the modern landscape: Monet's Le pont de bois in context, by Annabelle Kienle Ponka; Reconstruction and reassurance in paintings: representing the aftermath of the Franco-Prussian War, by Richard Thomson; "Great works of human industry": imagining the bridges of Paris, 1852-75, by Simon Kelly; Chronology, by Kirsten Appleyard; Exhibition checklist. Size: Oblong.

ISBN 3-921695-16-3 617 S 20,6x14,5cm, Oln, illustr. OU mit kleinem Einriß, gutes Exemplar.

Decorative Canvas Hardcover. Condizione: Very Good. No Jacket. Copyright 1967. 511 pp. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Text in German. No publishing year given. Publishing year gleaned from other sources, therefore, it is an approximation. Solidly bound copy with minimal external wear, crisp pages and clean text. No dust jacket. Light foxing on page edges.

Hardcover. Condizione: New; in shrink wrap. Illustrated boards with salmon/white lettering. No dust jacket, as issued. 110 pp., 62 color illustrations. Catalogue from the exhibition organized by the National Gallery of Canada and presented in Ottawa from 30 October 2015 to 15 February 2016. English and French text. "French painter Claude Monet (1840-1926) is one of the most popular artists of all time. His series of water lilies, hay fields, cathedrals and many other masterpieces are loved and admired by everyone. For the first time, this volume explores a new aspect of Monet's paintings: his fascination with bridges in the 1870s. After settling in Argenteuil, a small town on the Paris outskirts, Monet became interested in a bridge over the Seine not far from his home, The Pont de bois of 1872. The book begins with this picture and examines how Monet was able to exploit the theme of the bridge between 1872 and 1877 after the Franco-Prussian War and beyond. Magnificently illustrated, the volume examines both how Monet set himself to be the leader of the avant-garde and the prime role that bridges represented in this context. Focused on Monet's main works, the catalog also examines Impressionists in a changing environment and the transformation of Paris and its periphery at the end of the nineteenth century." - from the publisher's web site.

HC. Condizione: Gut. OLn., 473 Seiten, in gutem Zustand, [LSA2,5v]. Deu 400g.

Hardcover. Condizione: new. Hardcover. French painter Claude Monet (1840-1926) is one of the most popular artists of all time. His paintings of water lilies, haystacks, cathedrals, and much more are all celebrated and beloved. For the first time, this book explores a new aspect of Monet's work: his fascination, during the 1870s, with bridges. After moving to Argenteuil, a small town on the outskirts of Paris, Monet was drawn to the local footbridge near his house on the banks of the Seine. His painting of it, The Wooden Bridge, 1872, is a composition of startling modernity. The book begins with this work and explores Monet's use of the bridge motif from 1872 to 1877 in the aftermath of the Franco-Prussian war and beyond. Beautifully illustrated and published to accompany a major exhibition, the book explores how Monet sought to establish himself as a leader of the avant-garde and how his paintings of bridges played a pivotal role in this context. Focusing on twelve major paintings by Monet, the catalogue further examines the Impressionists' response to their ever-changing environment and the late nineteenth-century transformation of Paris and its suburbs. The publication consists of three sections featuring three essays followed by an illustrated chronology: Monet's use of the bridge as a testing ground for his innovative ideas, the role of photography, illustrations, and contemporary influences; the expansion of Paris and the urban cityscape; the role of Impressionism in the context of the Franco-Prussian war. Text in English and French. AUTHORS: Anabelle Kienle Ponka is Associate Curator, European and American Art, at the National Gallery of Canada. Simon Kelly is Curator of Modern and Contemporary Art at the Saint Louis Art Museum, Missouri. Richard Thomson is the Watson Gordon Professor of Fine Art at the University of Edinburgh. 62 colour images For the first time, this book explores a new aspect of Monet's work: his fascination, during the 1870s, with bridges. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

479 Seiten, gebunden, Zustand akzeptabel, mit Namenseintrag.

LEINEN, 326 Seiten, Einband in fester Transparentschutzfolie mit rotem Bibliotheksstreifen, dies ist ein regulär ausgesondertes Bibliotheksexemplar aus einer wissenschaftlichen Bibliothek, keine Markierungen/Anmerkungen, das Buch ist gut erhalten. Shipping to abroad insured with tracking number.

HC. Condizione: Gut. Oln Ou,51s., in gutem Zustand, [LSB21,4b] Deu 700g.

Flexibound. Condizione: Fine. Abnutzung / Risse - leicht; Vergilbt / ausgeblichen.

Hardcover. Condizione: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke.

Hardcover. Condizione: Fair. Ohne Umschlag; Leichte Rillen / Abschürfungen / Risse / Knicke; Farbtonänderung.

Hardcover. Condizione: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Rillen / Abschürfungen / Risse / Knicke; Farbtonänderung.

617 S. Pbd. SU. Gut erhalten. de.

gebundene Ausgabe. Condizione: Gut. 1. - 10. Tsd. 473 S. ; 19 cm Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Original-Schutzumschlag vorhanden (siehe Foto). Sprache: Deutsch Gewicht in Gramm: 485.

8°. 48, 617 S. Ppbd. (Reste des SU liegen bei). >>>> Zur Zeit erfolgt KEIN VERSAND NACH ÖSTERREICH aufgrund der dort geltenden Verpackungsverordnung. <<<<.

Zustand: gut gebundenes Buch, ca. 1979, mit Schutzumschlag / leichte Gebrauchsspuren (v. a. an 2 der oberen Ecken leicht verknautscht; kleiner rötlicher Strich hinten am Umschlag).

Condizione: Befriedigend. Gütersloh u.a. o.J.: Bertelsmann und andere Clubs, 511 Seiten, Leinen mit Schutzumschlag.- Kanten bestossen, Schutzumschlag und Schnitt gegilbt. -[ Standort Wimregal . HAA-15187 Sprache: Deutsch Gewicht in Gramm: 602.

Seiten 511 / Sprache: Deutsch Gewicht in Gramm: 250 Guter Umschlag Hardcover Sehr gut.

512 Seiten / Sprache: Deutsch Gewicht in Gramm: 250 Kein Schutzumschlag Hardcover Gut.

Sprache: Deutsch Gewicht in Gramm: 250 Ohne Schutzumschlag Hardcover Sehr gut.

Private Halbleinwand, Condizione: Sehr gutes Exemplar. [BHN-E-5] 473 Seiten, 8°.

HC. Condizione: Gut. Oln, 4?, 617s., Einband etwas fleckig, sonst in gutem Zustand, [APA33,6a] Deu 1200g.

gebundene Ausgabe. Condizione: Gut. 2., durchges. Aufl. X, 330 S. ; 8 Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 570.