Knight c g (179 risultati)

Condizione: acceptable. USED book in ACCEPTABLE condition. Cover and pages are in tact but may show creases, tears, water damage, handwriting, underlining, or highlighting. May be missing dust jacket. Supplemental items such as access codes and CDs not guaranteed.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Mass Market Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Mass Market Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Mass Market Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Mass Market Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Mass Market Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condizione: Used - Acceptable.

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: Fair. Revised. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Good. Light wear to boards. Content is clean with light age tone. DJ with some edge wear and fading to spine. G H A White (illustratore).

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Very Good. 92 page trade annual with color and b/w illustrations showing Finnish designed product available in 1982.

Soft cover. Reprint; softcovers; minor shelfwear w/ light creasing of corners of wraps and leaves; o/w in good condition.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. G H A White (illustratore).

Paperback. Condizione: VG. Text free of underlining, writing and highlighting. Light cover wear. Foreword Sculpture in its many forms has dominated the terrain of international art in the late 1980s, just as figurative painting marked the earlier part of the decade. If the sculptural object has often taken center stage in the marketplace, the periphery has continued to embrace such modes of expression as the environmental/sculptural statement. As one measure of the times, the last several Biennials at the Whitney Museum of American Art have reflected a notable increase in site-specific installations as part of the American scene. As many contemporary sculptors have rejected high-tech materials and processes, they have returned to more sensuous materials and a handmade quality to art. Installations as an artform have often led to experimentation with a vast range of materials new to art galleries and museums. With two decades of installation works in Chicago as background, we can now begin to record a history of the genre and to assess its continuing creative and critical impulses as we approach the 1990s. Arriving at a definition of installation art and avoiding the usual jargon is still difficult at best. Installations occur when the safe and often esoteric confines of the traditional gallery or museum space are manipulated by the artist into a controlled viewing experience. They require the observer to disregard the predictable approach to the art object, and to engage in a response formulated by the situation presented. Generally speaking, installations are best defined through interaction, bringing the artist and the viewer "face to face" in an encounter of thought and feeling. Present at the Creation grew out of the desire to showcase Chicago-based artists whose works do not fit the traditional format of institutional or commercial exhibitions. The title is a double entendre suggesting both the presence of the artist in the creative act, and the role of the public in its subsequent encounter with the creative process. It is loosely derived from a quote by Alphonsos X, King of Castile and Leone, a notable 13th century poet and intellectual. The emphasis here is given to five artists as inventors of experience, not on a shared motive or a particular aesthetic theme. Their range of artistic concerns reveals the primary strengths of the artform of installations: its emphasis on content through form?inviting the viewer into an orchestrated environment in order to respond to ideas and sensations. 45 pages.…

Condizione: New.

Paperback. Condizione: New.

Paperback or Softback. Condizione: New. Confessions of a Tactical Driver: The Driving Game. Book.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

SingleIssueMagazine. Condizione: Good+ to Very Good-. Vol. 10, No. 3. Edited by Hans Stefan Santesson. Cover art by Virgil Finlay. Includes "The Sword" by J. F. Bone; "Collision Orbit" by Lester del Rey; "Golden Age" by Lee Priestley; "Man-Made UFO" by Ivan T. Sanderson; "Be My Guest" by Damon Knight; "Robert Goddard - Space Pioneer" by Dr. G. Edward Pendray; "Glossary of Terms" by Jack Lewis; "Shapes in the Sky" by Civilian Saucer Intelligence; "Universe in Books" by Hans Stefan Santesson; "Saucer in the Klondike" by C. G. Scholtz. Store stamp and price on front cover; spine and front hinge sunning; edge and corner nicks and wear; tanning. Book.…

SingleIssueMagazine. Condizione: Very Good-. Vol. 16, No. 2. Edited by Robert P. Mills. Cover art by Bonestell. Includes "Death Cannot Wither" (short novelet) by Judith Merril; "What Rough Beast?" (short novelet) by Damon Knight; "Ghost Planet" by Charles L. Fontenay; "Graveyard Shift" by Idris Seabright [Margaret St. Clair]; "Misfit" by G. C. Edmondson; "Natural Frequency" by Raymond E. Banks; "No Matter Where You Go" by Joel Townsley Rogers; "Nothing But Love" by George P. Elliott; "Snitkin's Law" by Eleazar Lipsky; "Through Time and Space with Ferdinand Feghoot: XI" by Reginald Bretnor (as Grendel Briarton); "The Willow Tree" by Jane Rice. Tanning; minor loss at lower front edge (see scan); two nearly 1" tears at/near upper rear hinge. Book.…

Trade Paperback. Condizione: Used Good.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 2nd Edition. Shelf wear to dust jacket. G H A White (illustratore).