Lingua: Inglese
Editore: University Press of Mississippi, 2022
ISBN 10: 149684100X ISBN 13: 9781496841001
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Lingua: Inglese
Editore: University Press of Mississippi, 2022
ISBN 10: 149684100X ISBN 13: 9781496841001
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Lingua: Inglese
Editore: University Press of Mississippi, 2022
ISBN 10: 149684100X ISBN 13: 9781496841001
Da: Whitledge Books, Austin, TX, U.S.A.
Prima edizione
Soft cover. Condizione: Fine. No Jacket. 1st Edition. THE CINEMA OF STEPHANIE ROTHMAN: RADICAL ACTS IN FILMMAKING, Alicia Kozma, softcover, stated first printing, 2022. BOOK CONDITION: fine. The text block is in fine condition, with no tears, dogears, or marks. No signature or bookplate of a prior owner. Not a library book or remainder. The wraps are in fine condition. 9x6, 267 pages, 14 ounces XX [From the back cover] A vivid portrait of the difficulty of creating a career in mainstream Hollywood for women in the 1970s (ROSANNE WELCH, executive director of the MFA in TV and Screenwriting Program, Stephens College). XX Thanks to Kozma's interventionist scholarship, we can now set the record straight on filmmaker Stephanie Rothman, a woman whose discriminatory experiences in the film industry give lie to the idea of parity as the ultimate solution to the systemic sexism and misogyny women faced and continue to face at all levels in the profession (KELLY HANKIN, professor of film studies in the Johnston Center for Integrative Studies, University of Redlands). XX The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America's student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman's career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women's filmmaking labor in Hollywood. Kozma argues that understudied film production cycles provide untapped spaces for discovering women's directorial work. The professional career and filmography of Rothman exemplify this claim. The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women's directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories. XX ALICIA KOZMA is director of the Indiana University Cinema. She holds a PhD from the Institute of Communications Research at the University of Illinois at Urbana-Champaign. She is coeditor of ReFocus: The Films of Doris Wishman and Mobilized Identities: Mediated Subjectivity and Cultural Crisis in the Neoliberal Era, and her work has been published in Media Industries, Film Comment, Camera Obscura, Television and New Media, and other publications.
Lingua: Inglese
Editore: Edinburgh University Press, GB, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 29,45
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Aggiungi al carrelloPaperback. Condizione: New. Offers the first book length contribution to Doris WishmanCovers Wishman's vast filmography inclusive of her less discussed later films, hardcore films and nudist filmsSituates Wishman within larger contexts and movements in American film history including women's filmmaking, avant-garde and experimental cinema and genre filmConsiders the cultural, historical, and industrial significance of Wishman with focuses on gender studies, genre studies, film narrative, feminist history, queer history and adult film historyProducer, distributor, and director Doris Wishman (1912 2002) was a pioneering woman in the film industry, leaving a body of work almost 30 films strong. Largely overlooked by critical and cultural analysis, Wishman worked in the normatively neglected film genre of sexploitation and adult film, but works like Hideout in the Sun (1960), Bad Girls Go To Hell (1965), Double Agent 73 (1974) and Each Time I Kill (2007) demonstrate an interest in complicated, ideological and often troubling social performances of the contemporary human condition.ReFocus: The Films of Doris Wishman positions Wishman as a significant and overlooked force in American independent film, with an impact on how we currently understand the categories of cult, exploitation, horror, experimental and avant-garde cinema.
Lingua: Inglese
Editore: Edinburgh University Press, Edinburgh, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Producer, distributor, and director Doris Wishman (19122002) was a pioneering woman in the film industry, leaving a body of work almost 30 films strong. Largely overlooked by critical and cultural analysis, Wishman worked in the normatively neglected film genre of sexploitation and adult film, but works like Hideout in the Sun (1960), Bad Girls Go To Hell (1965), Double Agent 73 (1974) and Each Time I Kill (2007) demonstrate an interest in complicated, ideological and often troubling social performances of the contemporary human condition. ReFocus: The Films of Doris Wishman positions Wishman as a significant and overlooked force in American independent film, with an impact on how we currently understand the categories of cult, exploitation, horror, experimental and avant-garde cinema. ReFocus: The Films of Doris Wishman positions Wishman as a significant and overlooked force in American independent film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
Editore: Edinburgh University Press, GB, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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EUR 35,41
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Aggiungi al carrelloPaperback. Condizione: New. Offers the first book length contribution to Doris WishmanCovers Wishman's vast filmography inclusive of her less discussed later films, hardcore films and nudist filmsSituates Wishman within larger contexts and movements in American film history including women's filmmaking, avant-garde and experimental cinema and genre filmConsiders the cultural, historical, and industrial significance of Wishman with focuses on gender studies, genre studies, film narrative, feminist history, queer history and adult film historyProducer, distributor, and director Doris Wishman (1912 2002) was a pioneering woman in the film industry, leaving a body of work almost 30 films strong. Largely overlooked by critical and cultural analysis, Wishman worked in the normatively neglected film genre of sexploitation and adult film, but works like Hideout in the Sun (1960), Bad Girls Go To Hell (1965), Double Agent 73 (1974) and Each Time I Kill (2007) demonstrate an interest in complicated, ideological and often troubling social performances of the contemporary human condition.ReFocus: The Films of Doris Wishman positions Wishman as a significant and overlooked force in American independent film, with an impact on how we currently understand the categories of cult, exploitation, horror, experimental and avant-garde cinema.
Lingua: Inglese
Editore: University Press of Mississippi, 2022
ISBN 10: 149684100X ISBN 13: 9781496841001
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Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
Editore: Edinburgh University Press, 2023
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Lingua: Inglese
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ISBN 10: 149684100X ISBN 13: 9781496841001
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Lingua: Inglese
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Lingua: Inglese
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ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
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ISBN 10: 149684100X ISBN 13: 9781496841001
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Aggiungi al carrelloPaperback. Condizione: New. The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America's student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman's career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women's filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women's directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women's directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.
Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
Da: Biblios, Frankfurt am main, HESSE, Germania
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Lingua: Inglese
Editore: Edinburgh University Press, 2023
ISBN 10: 147448235X ISBN 13: 9781474482356
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Lingua: Inglese
Editore: University Press of Mississippi, 2022
ISBN 10: 149684100X ISBN 13: 9781496841001
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: University Press of Mississippi, 2022
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