kuniko satonobu spirig (35 risultati)

paperback. Condizione: Very Good.

Condizione: New.

Paperback. Condizione: New. The work of Japanese-Swiss painter Teruko Yokoi (1924-2020) is characterised by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyses and explains cultural and biographical relations in Yokoi's art, as well as the influences of abstract expressionism on her painting technique.Raised in the city of Tsushima on the Japanese island of that name, Yokoi moved to Tokyo in 1949, where she attended the private Joshibi University of Art and Design (Joshibijutsu Daigaku). In 1954, she went to the United States, where she completed her education at the San Francisco Art Institute and with painters Hans Hofmann and Julian E. Levi in New York. There she met artists such as Sam Francis-whom she married in 1959- Mark Rothko, and Kenzo Okada. In this environment, she drew new energy and began to develop her own style of abstraction and to invent her own idiom. In 1962, she moved to Switzerland, where she lived and worked tirelessly in the city of Bern until her death.Text in English and Japanese.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condizione: New. **PAPERBACK**.

Condizione: NEW.

Condizione: New.

Paperback. Condizione: new. Paperback. The work of Japanese-Swiss painter Teruko Yokoi (19242020) is characterised by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyses and explains cultural and biographical relations in Yokoi's art, as well as the influences of abstract expressionism on her painting technique. Raised in the city of Tsushima on the Japanese island of that name, Yokoi moved to Tokyo in 1949, where she attended the private Joshibi University of Art and Design (Joshibijutsu Daigaku). In 1954, she went to the United States, where she completed her education at the San Francisco Art Institute and with painters Hans Hofmann and Julian E. Levi in New York. There she met artists such as Sam Francis-whom she married in 1959- Mark Rothko, and Kenzo Okada. In this environment, she drew new energy and began to develop her own style of abstraction and to invent her own idiom. In 1962, she moved to Switzerland, where she lived and worked tirelessly in the city of Bern until her death. Text in English and Japanese. AUTHOR: Kuniko Satonobu Spirig is a Japanese-born art historian, journalist, and filmmaker based in Geneva. Abstract art and the work of female artists are the main focus of her work. She produced Teruko Yokoi-Art in the Making, a film documentary on the life and art of Japanese-Swiss painter Teruko Yokoi. SELLING POINTS: . Sheds light on the painting methods and visual vocabulary of Japanese-Swiss painter Teruko Yokoi (19242020) . Analyses and explains cultural and biographical relations in Teruko Yokoi's art . Examines the influences of American abstract expressionism on Teruko Yokoi's painting techniques 36 colour, 6 b/w illustrations Sheds light on the painting methods and visual vocabulary of Japanese-Swiss painter Teruko Yokoi (19242020). Text in English and Japanese. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. The work of Japanese-Swiss painter Teruko Yokoi (1924-2020) is characterised by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyses and explains cultural and biographical relations in Yokoi's art, as well as the influences of abstract expressionism on her painting technique.Raised in the city of Tsushima on the Japanese island of that name, Yokoi moved to Tokyo in 1949, where she attended the private Joshibi University of Art and Design (Joshibijutsu Daigaku). In 1954, she went to the United States, where she completed her education at the San Francisco Art Institute and with painters Hans Hofmann and Julian E. Levi in New York. There she met artists such as Sam Francis-whom she married in 1959- Mark Rothko, and Kenzo Okada. In this environment, she drew new energy and began to develop her own style of abstraction and to invent her own idiom. In 1962, she moved to Switzerland, where she lived and worked tirelessly in the city of Bern until her death.Text in English and Japanese.

Condizione: New. In English.

Paperback. Condizione: Brand New. 96 pages. 9.25x6.50x6.50 inches. In Stock.

Condizione: New.

paperback. Condizione: New.

Condizione: New. 2025. paperback. . . . . .

Condizione: As New. Unread book in perfect condition.

Paperback or Softback. Condizione: New. Teruko Yokoi: Art in the Making. Book.

Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

paperback. Condizione: New. Special order direct from the distributor.

Paperback. Condizione: Brand New. 96 pages. 9.25x6.50x6.50 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware -The work of Japanese-Swiss painter Teruko Yokoi (1924-2020) is characterized by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyzes and explains cultural and biographical relations in Yokoi's art as well as the influences of Abstract Expressionism on her painting technique. Raised on the Japanese island of Tsushima, Yokoi moved to Tokyo in 1949, where she attended the private Joshibi University of Art and Design (Joshibijutsu Daigaku). In 1954, she went to the United States, where she completed her education at the San Francisco Art Institute and with painters Hans Hofmann and Julian E. Levi in New York. There she met artists such as Sam Francis-whom she married in 1959-, Mark Rothko, and Kenzo Okada. In this environment, she drew new energy and began to develop her own style of abstraction and to invent her own idiom. In 1962, she moved to Switzerland, where she lived and worked tirelessly in the city of Bern until her death.; Das Schaffen der japanisch-schweizerischen Malerin Teruko Yokoi (1924-2020) ist geprägt von nicht nachlassender kreativer Energie und ständiger Weiterentwicklung. Dieses Buch wirft einen vertieften Blick auf ihre Malmethoden und ihr eigenes Vokabular der Abstraktion, das sich im Verlauf einer langen künstlerischen Laufbahn ausformulierte. Die ebenfalls aus Japan stammende Kunsthistorikerin Kuniko Satonobu Spirig analysiert und erklärt kulturelle und biografische Zusammenhänge in Yokois Kunst sowie die maltechnischen Einflüsse des abstrakten Expressionismus auf ihr Werk. Aufgewachsen auf der japanischen Insel Tsushima, zog Yokoi 1949 nach Tokyo, wo sie die private Joshibi Universität für Kunst und Design besuchte. 1954 ging sie in die USA und vervollständigte ihre Ausbildung am San Francisco Art Institute und bei den Malern Hans Hofmann und Julian E. Levi in New York. Dort begegnete sie Künstlern wie Sam Francis - den sie 1959 heiratete -, Mark Rothko und Kenzo Okada. In dieser Umgebung schöpfte sie neue Energie und begann ihren eigenen Stil der Abstraktion zu entwickeln und ihre eigene Bildsprache zu erfinden. 1962 übersiedelte sie in die Schweiz, wo sie bis zu ihrem Tod in Bern lebte und unermüdlich arbeitete. 96 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -The work of Japanese-Swiss painter Teruko Yokoi (1924-2020) is characterized by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyzes and explains cultural and biographical relations in Yokoi's art as well as the influences of Abstract Expressionism on her painting technique. Raised on the Japanese island of Tsushima, Yokoi moved to Tokyo in 1949, where she attended the private Joshibi University of Art and Design (Joshibijutsu Daigaku). In 1954, she went to the United States, where she completed her education at the San Francisco Art Institute and with painters Hans Hofmann and Julian E. Levi in New York. There she met artists such as Sam Francis-whom she married in 1959-, Mark Rothko, and Kenzo Okada. In this environment, she drew new energy and began to develop her own style of abstraction and to invent her own idiom. In 1962, she moved to Switzerland, where she lived and worked tirelessly in the city of Bern until her death.; Das Schaffen der japanisch-schweizerischen Malerin Teruko Yokoi (1924-2020) ist geprägt von nicht nachlassender kreativer Energie und ständiger Weiterentwicklung. Dieses Buch wirft einen vertieften Blick auf ihre Malmethoden und ihr eigenes Vokabular der Abstraktion, das sich im Verlauf einer langen künstlerischen Laufbahn ausformulierte. Die ebenfalls aus Japan stammende Kunsthistorikerin Kuniko Satonobu Spirig analysiert und erklärt kulturelle und biografische Zusammenhänge in Yokois Kunst sowie die maltechnischen Einflüsse des abstrakten Expressionismus auf ihr Werk. Aufgewachsen auf der japanischen Insel Tsushima, zog Yokoi 1949 nach Tokyo, wo sie die private Joshibi Universität für Kunst und Design besuchte. 1954 ging sie in die USA und vervollständigte ihre Ausbildung am San Francisco Art Institute und bei den Malern Hans Hofmann und Julian E. Levi in New York. Dort begegnete sie Künstlern wie Sam Francis - den sie 1959 heiratete -, Mark Rothko und Kenzo Okada. In dieser Umgebung schöpfte sie neue Energie und begann ihren eigenen Stil der Abstraktion zu entwickeln und ihre eigene Bildsprache zu erfinden. 1962 übersiedelte sie in die Schweiz, wo sie bis zu ihrem Tod in Bern lebte und unermüdlich arbeitete. 96 pp. Englisch.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 184 Seiten, 155 Abb. Leinen mit Schutzumschlag 25 x 25 cm - Sie waren, so scheint es, füreinander geschaffen: Sonia Delaunay- Terk und Robert Delaunay sind als Inbegriff des vollkommenen Künstlerpaares in die moderne europäische Kunstgeschichte eingegangen. Dem lebensfrohen Franzosen und der pragmatischen Russin gelang es, ein Ideal zu verwirklichen. Ohne die eigene Persönlichkeit dafür aufgeben zu müssen, fühlten sich beide dem anderen künstlerisch wie menschlich auf natürliche Weise verwandt. Als der 25-jährige Delaunay seine gleichaltrige Kollegin Sonia Uhde-Terk 1910 heiratet, hält mit ihr die Liebe zur Farbe ihren endgültigen, siegreichen Einzug in das Leben des »Orphisten«. Mit dem 1913 einzigartigen Gemälde »Bal Bullier« legt Sonia Delaunay- Terk nicht nur die Basis für ihre eigene künstlerische Weiterentwicklung, sondern auch für die charakteristischen vibrierend-abstrakten Scheibenbilder ihres Mannes. Mehr als den meisten ihrer Kolleginnen gelingt es Sonia Delaunay-Terk, aus dem Schatten des »Künstler-Mannes« zu treten. »Alles Wissende und Weise stammte von ihm. Ich war die Spontaneität«, erinnert sie sich. Und Jean Cassou schreibt: »Sie waren eben dafür geschaffen, sich zu verstehen, und sie haben sich verstanden.« Eine Gegenüberstellung der beiden Lebenswerke gibt diesen Worten recht.

Taschenbuch. Condizione: Neu. Neuware -The work of Japanese-Swiss painter Teruko Yokoi (1924-2020) is characterized by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyzes and explains cultural and biographical relations in Yokoi's art as well as the influences of Abstract Expressionism on her painting technique.

Condizione: NEW.

Paperback. Condizione: new. Paperback. The work of Japanese-Swiss painter Teruko Yokoi (19242020) is characterised by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyses and explains cultural and biographical relations in Yokoi's art, as well as the influences of abstract expressionism on her painting technique. Raised in the city of Tsushima on the Japanese island of that name, Yokoi moved to Tokyo in 1949, where she attended the private Joshibi University of Art and Design (Joshibijutsu Daigaku). In 1954, she went to the United States, where she completed her education at the San Francisco Art Institute and with painters Hans Hofmann and Julian E. Levi in New York. There she met artists such as Sam Francis-whom she married in 1959- Mark Rothko, and Kenzo Okada. In this environment, she drew new energy and began to develop her own style of abstraction and to invent her own idiom. In 1962, she moved to Switzerland, where she lived and worked tirelessly in the city of Bern until her death. Text in English and Japanese. AUTHOR: Kuniko Satonobu Spirig is a Japanese-born art historian, journalist, and filmmaker based in Geneva. Abstract art and the work of female artists are the main focus of her work. She produced Teruko Yokoi-Art in the Making, a film documentary on the life and art of Japanese-Swiss painter Teruko Yokoi. SELLING POINTS: . Sheds light on the painting methods and visual vocabulary of Japanese-Swiss painter Teruko Yokoi (19242020) . Analyses and explains cultural and biographical relations in Teruko Yokoi's art . Examines the influences of American abstract expressionism on Teruko Yokoi's painting techniques 36 colour, 6 b/w illustrations Sheds light on the painting methods and visual vocabulary of Japanese-Swiss painter Teruko Yokoi (19242020). Text in English and Japanese. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New.

Paperback. Condizione: New. The work of Japanese-Swiss painter Teruko Yokoi (1924-2020) is characterised by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyses and explains cultural and biographical relations in Yokoi's art, as well as the influences of abstract expressionism on her painting technique.Raised in the city of Tsushima on the Japanese island of that name, Yokoi moved to Tokyo in 1949, where she attended the private Joshibi University of Art and Design (Joshibijutsu Daigaku). In 1954, she went to the United States, where she completed her education at the San Francisco Art Institute and with painters Hans Hofmann and Julian E. Levi in New York. There she met artists such as Sam Francis-whom she married in 1959- Mark Rothko, and Kenzo Okada. In this environment, she drew new energy and began to develop her own style of abstraction and to invent her own idiom. In 1962, she moved to Switzerland, where she lived and worked tirelessly in the city of Bern until her death.Text in English and Japanese.

Paperback. Condizione: new. Paperback. The work of Japanese-Swiss painter Teruko Yokoi (19242020) is characterised by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyses and explains cultural and biographical relations in Yokoi's art, as well as the influences of abstract expressionism on her painting technique. Raised in the city of Tsushima on the Japanese island of that name, Yokoi moved to Tokyo in 1949, where she attended the private Joshibi University of Art and Design (Joshibijutsu Daigaku). In 1954, she went to the United States, where she completed her education at the San Francisco Art Institute and with painters Hans Hofmann and Julian E. Levi in New York. There she met artists such as Sam Francis-whom she married in 1959- Mark Rothko, and Kenzo Okada. In this environment, she drew new energy and began to develop her own style of abstraction and to invent her own idiom. In 1962, she moved to Switzerland, where she lived and worked tirelessly in the city of Bern until her death. Text in English and Japanese. AUTHOR: Kuniko Satonobu Spirig is a Japanese-born art historian, journalist, and filmmaker based in Geneva. Abstract art and the work of female artists are the main focus of her work. She produced Teruko Yokoi-Art in the Making, a film documentary on the life and art of Japanese-Swiss painter Teruko Yokoi. SELLING POINTS: . Sheds light on the painting methods and visual vocabulary of Japanese-Swiss painter Teruko Yokoi (19242020) . Analyses and explains cultural and biographical relations in Teruko Yokoi's art . Examines the influences of American abstract expressionism on Teruko Yokoi's painting techniques 36 colour, 6 b/w illustrations Sheds light on the painting methods and visual vocabulary of Japanese-Swiss painter Teruko Yokoi (19242020). Text in English and Japanese. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.