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Editore: Thames & Hudson, 2013
ISBN 10: 0500970505ISBN 13: 9780500970508
Da: Pendleburys - the bookshop in the hills, Llanwrda, Regno Unito
Libro Prima edizione
hardback. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. hardback, large heavy quarto measuring 12" x 10", a fine copy in a fine pictorial dust wrapper, illustrated throughout in colour, 413pp. Owing to size and weight, a request for additional postage might be made if ordered from certain overseas locations.
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Editore: Museo del Prado Difusión, 2018
ISBN 10: 8484804704ISBN 13: 9788484804703
Da: KALAMO LIBROS, S.L., La Puebla de Montalbán, TO, Spagna
Libro
Encuadernación de tapa blanda. Condizione: Nuevo. 30x24 cm. 256 pp. Pedro Pablo Rubens (1577-1640) es el pintor de bocetos más importante de la historia del arte europeo. Sus predecesores italianos y flamencos utilizaron sobre todo el dibujo para preparar sus pinturas. Rubens transformó ese proceso al pintar sistemáticamente bocetos en color, al óleo y casi siempre sobre tabla. Esos bocetos representaban en el fondo una nueva manera de pintar. Se unían en ellos los dos elementos del trabajo preparatorio: el dibujo y el color. Como los hacía con miras a otra obra, le exigían menos esfuerzo y menos tiempo que los productos finales, y por eso están menos acabados y son más pequeños. Los bocetos al óleo de Rubens nos invitan a disfrutar de su arte. Representan con potencia y viveza asuntos muy diversos, desde la historia y la mitología hasta la religión, pasando por naturalezas muertas y retratos. Combinan una finalidad seria con un gusto por la vida que se expresa mediante una pincelada magistralmente ligera. Nos atraen por su pequeño tamaño y su apariencia de inacabados, que nos incitan a contemplarlos de cerca. Por su extraordinaria calidad nos procuran placer y enseñanzas. En este catálogo se estudian con detalle, y acompañados de excelentes ilustraciones, ochenta y dos de los bocetos más expresivos del maestro flamenco. Y en dos ensayos se analizan el contexto histórico del que nacieron, sus principales características y la forma en que fueron recibidos en su época. Friso Lammertse es conservador de Pintura y Escultura Antiguas del Museum Boijmans Van Beuningen, Róterdam. Alejandro Vergara Sharp es jefe de conservación de Pintura Flamenca y Escuelas del Norte del Museo Nacional del Prado, Madrid.
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Editore: BOIJMANS VAN BE, 2018
ISBN 10: 8484804712ISBN 13: 9788484804710
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: Madrid: Museo del Prado,, 2004
ISBN 10: 8484800512ISBN 13: 9788484800514
Da: Librería Miau, Sevilla, SEVIL, Spagna
Libro
Condizione: Nuevo. Folio, 151 pp. Encuadernación tela editorial con sobrecubierta. Impecable estado.
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Editore: Thames & Hudson, 2013
ISBN 10: 0500970505ISBN 13: 9780500970508
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Libro Prima edizione
Condizione: New. 2013. 1st Edition. Hardcover. Dust Jacket is Fine. In publisher's shrinkwrap. New.
Editore: Museo Nacional del Prado Madrid 2004, 2004
Da: Dedalus-Libros, Madrid, MAD, Spagna
151 p 32 cm Encuadernación editorial en cartoné con sobrecubierta en papel. Estado de conservación: Muy bien. .
Editore: Madrid. Museo National del Prado 2012. 415 Seiten. Zahlreiche meist farbige Abbildungen. Sprache: spanisch. Format (30 x 24) cm., 2012
ISBN 10: 848480254XISBN 13: 9788484802549
Da: Antiquariat Bernd Preßler, Ahnatal Weimar, Germania
Libro
Sehr guter Zustand. Softcover / Original kartoniert.
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Editore: Museum Boijmans van Beuningen / Museo del Prado,, Rotterdam, 2004
Da: Salvador Cortés, Librero Anticuario, San Lorenzo del Escorial, Spagna
151 pp., numerosas ilustraciones en negro y color. Folio. Tela editorial con sobrecubierta. Muy buen estado.
Editore: Museo Nacional del Prado, Madrid, 2012
ISBN 10: 8484802558ISBN 13: 9788484802556
Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Libro
Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. 416 pages. Hardcover, bound in maroon cloth covered boards and wrapped in an illustrated paper dustjacket. Aside from the faintest of handling marks to the dustjacket, the binding is crisp, tight, sharp, and solid, with a bright dustjacket and clean interior free of markings. Essentially in new condition. English language edition. Published in conjunction with the exhibition organized by the Prado Museum and held there from November 20, 2013-March 3, 2013. Book.
Editore: Thames & Hudson, 2013
Da: Francis Edwards ABA ILAB, Hay on Wye, Regno Unito
1sdt UK Ed. 4to. 411pp. + [iii]. 278 ills. with 242 in colour. Very good in d/w. Additional postage may be necessary US$35.
Editore: Museum Boijmans Van Beuningen.
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Softcover, PB, 300 x 240 mm, 245 p, NL edition. nieuw, illustraties in kleur en z/w ISBN 9789069183046. Peter Paul Rubens (1577-1640) is de belangrijkste schilder van olieverfschetsen in de Europese kunstgeschiedenis. Terwijl zijn voorgangers in Italie en Vlaanderen hun schilderijen voorbereidden met tekeningen in pen of krijt op papier, gebruikte hij hiervoor vrijwel altijd olieverf op paneel. Rubens' olieverfschetsen betekenden een nieuwe manier van schilderen. De traditioneel gescheiden stadia van het ontwerp en de invulling met kleur bracht hij samen in een voorbereidend werk. Deze snel opgezette, relatief kleine schetsen zijn veel minder ver uitgewerkt dan de erop gebaseerde grote schilderijen. De olieverfschetsen van Rubens nodigen uit om je onder te dompelen in zijn kunst. Het zijn krachtige verbeeldingen met een enorme varieteit aan thema's, van de klassieke geschiedenis en mythologie tot religieuze onderwerpen, stillevens en portretten. Uit de virtuoze losse penseeltoets spreekt zowel toewijding als levenslust. Hun kleine formaat en ogenschijnlijk onvoltooide staat verleiden je om ze van dichtbij te bestuderen. Van deze schetsen kun je zowel genieten als leren. Tweeentachtig van Rubens' mooiste olieverfschetsen worden in deze schitterend geillustreerde catalogus uitvoerig behandeld. Twee inleidende essays plaatsen de werken in hun historische context. 1470 g.
Editore: Museo Nacional del Prado, Madrid, 2012
ISBN 10: 8484802485ISBN 13: 9788484802488
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Libro
Softcover. Condizione: VG. Black & color illus. wraps, French flaps, 415 pp., 166+ BW & color illus. Text is in Spanish. Issued in conjunction with a 2012-2013 exhibition that featured the work of Flemish Baroque artist Anthony Van Dyck (1599-1641) during his early creative years, 1613-1621. Even if these pieces had contained his entire legacy, he still would be considered one of the finest painters and important masters of the 17th century art world. With essays by Alejandro Vergara, Friso Lammertse, Anne-Marie Logan, Laura Alba, Maite Jover, and Maria Dolores Gayo. Full of examples of Van Dyck's figurative paintings.
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Data di pubblicazione: 2013
Da: Librairie Montréal, Saint-Césaire, QC, Canada
Libro
Couverture rigide. Condizione: Comme neuf. Condizione sovraccoperta: Comme neuf. Museo Nacional del Prado, 2013, hardcover with illustrated dust jacket, about 12 X 9 ¾ inches, 415 pages, fully illustrated in colours. Text in english. Our copy is virtually as new with any noticeable wear or flaw. WARNING : additional postage will apply for shipping out of Canada. Please ask before command.
Editore: NL- Boijmans van Beuningen 2018, 2018
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
softcover, PB, 300 x 240 mm, 248 p, throughout colour illustrations, English edition. ISBN 9788484804710. Peter Paul Rubens (1577-1640) is the most important painter of sketches in the history of European art. His Italian and Flemish predecessors had for the most part prepared their paintings by using drawings. Rubens transformed this process by systematically making sketches in colour, with oil paint, and nearly always on panel supports. Rubens's oil sketches were essentially a new form of painting. They brought together the design and colour stages of preliminary work. Because their purpose was to advance another work of art, oil sketches demanded less effort and time than the final products, and this translated into a less polished finish and smaller size. Rubens's sketches invite us to indulge in his art. They are powerful, vivid renditions of a variety of themes, from ancient history and mythology to religion, still life and portraits. They combine seriousness of purpose and a zest for life, transmitted through a masterly lightness of touch. Their small size and appearance of incompleteness draw us in and entice us to look closely. Their sheer quality is a great source of pleasure and learning. This catalogue presents detailed studies and superb illustrations of eighty-two of Rubens's most eloquent oil sketches, and two essays explaining the historical context from which they emerged, their salient features and how they were viewed by contemporaries. Friso Lammertse is Curator of Old Master Paintings and Sculpture at Museum Boijmans Van Beuningen in Rotterdam. Alejandro Vergara Sharp is Senior Curator of Flemish and Northern European Paintings at the Museo Nacional del Prado in Madrid. 0 g.