Landor crump (187 risultati)

Hard Cover. Condizione: Very Good. No Jacket. Light edge wear with corners slightly exposed. Binding tight and square, text clean, bright, and unmarked. 1901 Hard Cover. 432 pp. Volume IV of VI. Gilt titles and decor on spine. Imaginary Conversations is a publication consisting of five volumes of imaginary conversations, mainly between historical people of classical Greece and Rome, composed by the English author Walter Savage Landor. Landor's fame rests on this prose. The work is noted as a specimen of poetic prose full of rich imagery and ornate diction as seen in De Quincey. The Imaginary Conversations were begun when Landor, aged 46, was living with his family in Florence during 1821 where he had rooms in the Medici Palace and later rented the Villa Castigilione. The idea of the compositions began during his childhood as he wrote later: "When I was younger.[a]mong the chief pleasures of my life, and among the commonest of my occupations was the bringing before me such heroes and heroines of antiquity, such poets and sages, such of the prosperous and unfortunate as most interested me . Engaging them in conversations best suited to their characters." The unenthusiastic reception of Landor's play Count Julian demonstrated that Landor, while adept at dialogue, lacked the dramatic capability necessary to convert it to stage performance, and he destroyed another tragedy Ferranti and Giulio in frustration at his publishers. At Florence, Landor was corresponding with Robert Southey, who had planned to write a book of "Colloquies", and they considered collaborating on a project. Landor had finished fifteen dialogues by 9 March 1822, and sent them to Longman's company. Longman would not publish, so by the influence of his friend Julius Hare, he managed to get an agreement with the company of Taylor & Hessey to publish them. Some disputes with the publishers followed in which both Southey and William Wordsworth became involved, not without some embarrassment to Southey as one of the "Conversations" was between Southey and Porson on the merits of Wordsworth's poetry. In 1824, two volumes were published with eighteen conversations in each. The third volume of Imaginary Conversations was published by Henry Colburn in 1828 but Julius Hare was frustrated by Colburn's delays, and the fourth and fifth volumes were finally published by James Duncan in 1829. Over the succeeding years Landor published occasional Imaginary Conversations as individual publications and collated a number of them in 1853.…

Hard Cover. Condizione: Very Good. No Jacket. Light edge wear with corners slightly exposed. Binding tight and square, text clean, bright, and unmarked. 1901 Hard Cover. 431 pp. Volume V of VI. Gilt titles and decor on spine. Imaginary Conversations is a publication consisting of five volumes of imaginary conversations, mainly between historical people of classical Greece and Rome, composed by the English author Walter Savage Landor. Landor's fame rests on this prose. The work is noted as a specimen of poetic prose full of rich imagery and ornate diction as seen in De Quincey. The Imaginary Conversations were begun when Landor, aged 46, was living with his family in Florence during 1821 where he had rooms in the Medici Palace and later rented the Villa Castigilione. The idea of the compositions began during his childhood as he wrote later: "When I was younger.[a]mong the chief pleasures of my life, and among the commonest of my occupations was the bringing before me such heroes and heroines of antiquity, such poets and sages, such of the prosperous and unfortunate as most interested me . Engaging them in conversations best suited to their characters." The unenthusiastic reception of Landor's play Count Julian demonstrated that Landor, while adept at dialogue, lacked the dramatic capability necessary to convert it to stage performance, and he destroyed another tragedy Ferranti and Giulio in frustration at his publishers. At Florence, Landor was corresponding with Robert Southey, who had planned to write a book of "Colloquies", and they considered collaborating on a project. Landor had finished fifteen dialogues by 9 March 1822, and sent them to Longman's company. Longman would not publish, so by the influence of his friend Julius Hare, he managed to get an agreement with the company of Taylor & Hessey to publish them. Some disputes with the publishers followed in which both Southey and William Wordsworth became involved, not without some embarrassment to Southey as one of the "Conversations" was between Southey and Porson on the merits of Wordsworth's poetry. In 1824, two volumes were published with eighteen conversations in each. The third volume of Imaginary Conversations was published by Henry Colburn in 1828 but Julius Hare was frustrated by Colburn's delays, and the fourth and fifth volumes were finally published by James Duncan in 1829. Over the succeeding years Landor published occasional Imaginary Conversations as individual publications and collated a number of them in 1853.…

Hard Cover. Condizione: Very Good. No Jacket. Light edge wear with corners slightly exposed. Binding tight and square, text clean, bright, and unmarked. 1901 Hard Cover. 466 pp. Volume VI of VI. Gilt titles and decor on spine. Imaginary Conversations is a publication consisting of five volumes of imaginary conversations, mainly between historical people of classical Greece and Rome, composed by the English author Walter Savage Landor. Landor's fame rests on this prose. The work is noted as a specimen of poetic prose full of rich imagery and ornate diction as seen in De Quincey. The Imaginary Conversations were begun when Landor, aged 46, was living with his family in Florence during 1821 where he had rooms in the Medici Palace and later rented the Villa Castigilione. The idea of the compositions began during his childhood as he wrote later: "When I was younger.[a]mong the chief pleasures of my life, and among the commonest of my occupations was the bringing before me such heroes and heroines of antiquity, such poets and sages, such of the prosperous and unfortunate as most interested me . Engaging them in conversations best suited to their characters." The unenthusiastic reception of Landor's play Count Julian demonstrated that Landor, while adept at dialogue, lacked the dramatic capability necessary to convert it to stage performance, and he destroyed another tragedy Ferranti and Giulio in frustration at his publishers. At Florence, Landor was corresponding with Robert Southey, who had planned to write a book of "Colloquies", and they considered collaborating on a project. Landor had finished fifteen dialogues by 9 March 1822, and sent them to Longman's company. Longman would not publish, so by the influence of his friend Julius Hare, he managed to get an agreement with the company of Taylor & Hessey to publish them. Some disputes with the publishers followed in which both Southey and William Wordsworth became involved, not without some embarrassment to Southey as one of the "Conversations" was between Southey and Porson on the merits of Wordsworth's poetry. In 1824, two volumes were published with eighteen conversations in each. The third volume of Imaginary Conversations was published by Henry Colburn in 1828 but Julius Hare was frustrated by Colburn's delays, and the fourth and fifth volumes were finally published by James Duncan in 1829. Over the succeeding years Landor published occasional Imaginary Conversations as individual publications and collated a number of them in 1853.…

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: Fair. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover.Some unopened pages. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN.…

Paperback. Condizione: New.

Condizione: Fair. Volume 5. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN. …

Condizione: New.

Condizione: New.

Condizione: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN. …

Condizione: Poor. Volume 1-2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN.…

Condizione: New.

Condizione: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN. …

Condizione: Good. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN. …

Condizione: New.

Condizione: New.