lari pittman (59 risultati)

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condizione: Good. Some wear on the corners. Clean pages with no markings. Ask for photos! The image in this listing is stock photo for reference. Actual item may differ. Any queries, just ask for photos. Your satisfaction matters!Textbooks may not include supplemental items i.e. CDs, access codes etc.Ships same day in most cases!

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Softcover, 112 pages; good condition, moderate rubbing and edgewear to covers with 2-inch crease / bend to upper left corner of covers and all pages, no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Soft Cover. Condizione: Near Fine. First Edition; First Printing. Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; Numerous full-page color plates. Foreword by Lisa Melandri. Essay by Kelly Shindler. Conversation with the artist by Helen Molesworth. Published on the occasion of the exhibition at the Contemporary Art Museum, St. Louis, May 24 - August 11, 2013. ; 8.9 X 0.4 X 11.4 inches; 100 pages.

Paperback. Pink illustrated wraps with yellow and black lettering; 87 pp.; richly illustrated in color. Lari Pittman's meticulously rendered paintings employ a complex mix of symbols and images to create dense and compelling narratives on love, violence, and desire. Drawing upon design, folk art, and decorative traditions, Pittman's brightly colored paintings incorporate and rework a range of styles and genres--Victorian silhouettes, social realist murals, and Mexican retablos--to conjure a hallucinatory effect unique in contemporary painting. Pittman has earned numerous accolades in the art world and has been included in the Venice Biennale, Documenta X, and four Whitney Biennials. -- WorldCat. Good (EX-LIBRARY, indicated only by a stamp on the ffep; wraps are sunned and worn lightly overall; texblock edges are lightly worn/scuffed/smudged; interior is clean; binding is solid.).

hardcover. Condizione: New. May have light shelf wear due to storage and handling.

Softcover, 88 pages; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Used - Like New. Very nice clean, tight copy free of any marks.

Paperback. Condizione: Fine. 1st. 111 pages, colour illustrations; 31 cm. Catalogue of exhibition held at UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, Calif., January 30 to March 10,1996 and the University Art Museum, University of California, Santa Barbara, March 16 to April 21, 1996. Firm binding, clean inside copy. Richly illustrated with colour plates. *** CONTENTS: Foreword, by Marla C. Berns; Acknowledgments, by Elizabeth A. Brown; Lari Pittman Drawings, by Elizabeth A. Brown; Catalogue of the Exhibition, by Elizabeth A. Brown; Wall-Eyed Ghosts, by Laurence A. Rickels; Lari Pittman: Biography & Bibliography, by Melinda R. McCurdy. Size: 4to. Collectible.

Condizione: new.

Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. First Edition. Lee Mullican's paintings and drawings map the inner space of the mind and the outer space of the cosmos. Over a 50-year career, in works bursting with color, he sought a window onto the unconscious, without relinquishing the control of a skilled draftsman or references to the world around him. Influenced by Native American art and Surrealism, as well as Eastern religions like Buddhism and Hinduism, in 2005 Mullican's formidable oeuvre gets an overdue retrospective, organized by the Los Angeles County Museum of Art. This exhibition catalogue is the most comprehensive collection of his work and includes an essay by organizing curator Carol S. Eliel and an homage to Mullican as a teacher and mentor by fellow Los Angeles painter Lari Pittman. Like another Lee (Bontecou) whose quiet career of working and teaching recently got a deserving retrospective, Mullican will emerge here as an American original.

Hardcover without dustjacket as issued; 136 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Black boards with gilt stamped lettering. 136 pp. Color and BW illustrations. Catalog published in conjunction with an exhibition held at Los Angeles County Museum of Art, Nov. 10, 2005-Feb. 20, 2006 and at Grey Art Gallery, New York University, Apr. 25-July 15, 2006. VG- ex-museum library copy with usual markings, no dust jacket.

Condizione: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address on rear.

Soft cover. Condizione: Fine. Color Plates (illustratore). Not Indicated. Lari Pittman (born 1952 in Los Angeles, California) is an American painter. His American father met his Colombian mother while the former was working abroad in the latter's homeland. Lari Pittman is a Distinguished Professor at the UCLA School of the Arts and Architecture. Pittman received his MFA from Cal Arts in 1976. There he met his life partner, abstract painter Roy Dowell with whom he has lived ever since. He is now a professor at UCLA (an institution which he once attended, but, from which he did not earn a degree). In 1996 his work was the subject of a mid career survey at the Los Angeles County Museum of Art. In David Pagel's interview with Pittman, he concludes that Pittman's paintings include "imaginary organic forms, runaway arrows, and arabesques, transform ornamentation into a contemporary narrative of life and death, love and sex." He also believes "Pittman's operatic pictures propose that the world's complexity does not override passion, sincerity, and individuality." When talking about his own work, Pittman states: "at times, I purposefully orchestrate the work so that you do have that comfortable laughter when looking at it?it's fullhearted and enjoyable internally?but it's also a laughter linked to nervousness. And that's the laughter I particularly like cultivating, parlor laughter, where there's always the subtext of conversation going on, but everyone is very agreeable." Pittman is included in several distinguished art collections including the Eli and Edythe Broad collection at The Broad in Los Angeles, United States.

32 pp.; 22.9 x 15.2 cm.; staple bound; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 16 - October 28, 1995. Curated and with a curator's statement by Bennett Roberts. Essay by Terry R. Myers. Artists include Michelle Fierro, Maxwell Hendler, Dennis Hollingsworth, David Lloyd, John Millei, John M. Miller, Ed Moses, Noel O'Malley, Sabina Ott, Lari Pittman, Lucas Reiner, Leonard Seagal, and Pauline Stella Sanchez. Includes biographical information. Very Good / Fine. Light scratching of covers and gentle bumping of top left corner of verso. Contents clean and unmarked.

Exhibition invite, 4 x 5 inches; very good condition; a mailed copy with address and postal marks on reverse.

Hardcover. Condizione: Near Fine. 1st. Velvet-covered boards, 75 pages, colour illustrations; 28 cm. Text in English and French. Catalogue of an exhibition held at Villa Arson, Nice, February 26 to May 22, 2005. Near fine. Firm binding, clean inside copy. Light shelfwear to boards. *** "Originally from Los Angeles, Lari Pittman has been exhibiting since the 1980s and teaches painting at the University of California since 1993. He works in series, producing repertoires of motifs. Each one of them associates a painting of large format, carried out on several panels, with paintings of variable dimensions. On smooth, shiny surfaces, a profusion of objects, signs, and non-hierarchical symbols is entangled. Easily recognizable figurative elements are articulated with abstract shapes and ornamental elements. Each painting constitutes a complex network combining current or personal references, borrowing from the history of the decorative arts, wallpaper and textiles. This profusion creates a dense composition, animated by a great vitality, in which the space is totally saturated." - Publisher. *** CONTENTS: Midnight in the painting of good and evil = Minuit dans la peinture de bien et du mal, by Francesco Bonami; Polarized: the recent work of Lari Pittman = Polarisee: le travail recent de Lari Pittman, by Alison M. Gingeras; Contemplative frenzy: sticking to the surface with Lari Pittman = Frenesie contemplative: s'en tenir a` la surface avec Lari Pittman, by Doug Harvey. Size: 4to. Collectible.

First edition With a tipped in letter from the Stuart Regen Gallery. Fine and bright glossy gatefold wraps with crisp bright text throughout. Also includes and interview with the artist. Tall and elegant full page color plates throughout. An exquisite catalog. Profusely illustrated with deep informative text.

Soft Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Thus. White wrappers with black titles display minimal wear, spine very slightly cocked. Book body clean and illustrated throughout.

Condizione: New. Satisfaction Guaranteed or your money back.

Hardcover First Printing. First Edition. Cloth and illustrated paper-covered boards. Fine.