Leino marika (38 risultati)

Paperback. Condizione: New. New book, shop stock, may have slight edgewear.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space. …

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New. This book responds to the increase in live art programmed in many galleries and museums. The essays challenge the exclusion of live art from the the art history canon and explore participation, interactivity, digital and performative practices as presented in gallery spaces. Contributors include curators, academic scholars and practicing artists. Editor(s): Remes, Outi; MacCulloch, Laura; Leino, Marika. Series: Cultural Interactions: Studies in the Relationship Between the Arts. Num Pages: 243 pages, 16, 5 Ill. col. & 11 Ill. b/w. BIC Classification: ACV; AJ; ANC; ANH; JMAL. Category: (P) Professional & Vocational. Dimension: 227 x 152 x 15. Weight in Grams: 380. . 2014. New. paperback. . . . . …

Condizione: New. Italian Renaissance 'plaquettes' are often stored and displayed as a homogeneous category or genre in museum collections. This title examines Italian Renaissance reliefs in terms of their use, alongside broader issues regarding status of such objects within visual, scholarly and artistic culture from the fifteenth century to the early sixteenth. Num Pages: 367 pages, Illustrations. BIC Classification: ACND; AFKC. Category: (P) Professional & Vocational. Dimension: 153 x 225 x 26. Weight in Grams: 612. . 2012. New edition. Paperback. . . . .…

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Italian Renaissance 'plaquettes' are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and taken the form of catalogues, thereby both responding to and propagating the myth of this classification. However, what is often forgotten, or buried deep in scattered catalogue entries, is that during the Renaissance this small relief format was regularly mass-produced and employed extensively in a variety of different contexts. Far from being a homogeneous category, plaquettes were originally viewed as many separate types of object, including pieces for personal adornment, liturgical objects, domestic artefacts, and models for architecture and painting. For the Renaissance consumer, the commission of a hat badge with a personal motto, the purchase of an off-the-shelf inkwell or the acquisition of a small relief for his study were separate concerns. The aim of this book is to redress the balance by examining these reliefs in terms of their use, alongside broader issues regarding the status of such objects within visual, scholarly and artistic culture from the fifteenth century to the early sixteenth.…

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Revolutionized by the sophisticated and refined works of Donatello and his contemporaries, relief sculpture acquired an unprecedented status during the Italian Renaissance. This volume has its origins in Depth of Field: Relief in the Time of Donatello , a unique collaboration between the Victoria and Albert Museum and the Henry Moore Institute in Leeds, and the first exhibition to focus specifically on this phenomenon. The exhibition and accompanying lectures reassessed relief sculpture as one of the most innovative and experimental visual genres of fifteenth-century Italy.In this volume, leading scholars in the field respond to the challenges of the Leeds exhibition. The papers, selected from the conference and talks that accompanied Depth of Field , present new research on Donatello, Ghiberti, Agostino di Duccio and other sculptors. They also address the use of fictive relief by painters like Carlo Crivelli and Titian. Renaissance relief sculpture emerges as a uniquely adaptable medium, suited to invention and reproduction, but also loaded with cultural significance and ancient resonance.…

Condizione: New. This book responds to the increase in live art programmed in many galleries and museums. The essays challenge the exclusion of live art from the the art history canon and explore participation, interactivity, digital and performative practices as presented in gallery spaces. Contributors include curators, academic scholars and practicing artists. Editor(s): Remes, Outi; MacCulloch, Laura; Leino, Marika. Series: Cultural Interactions: Studies in the Relationship Between the Arts. Num Pages: 243 pages, 16, 5 Ill. col. & 11 Ill. b/w. BIC Classification: ACV; AJ; ANC; ANH; JMAL. Category: (P) Professional & Vocational. Dimension: 227 x 152 x 15. Weight in Grams: 380. . 2014. New. paperback. . . . . Books ship from the US and Ireland. …

Condizione: New. Italian Renaissance 'plaquettes' are often stored and displayed as a homogeneous category or genre in museum collections. This title examines Italian Renaissance reliefs in terms of their use, alongside broader issues regarding status of such objects within visual, scholarly and artistic culture from the fifteenth century to the early sixteenth. Num Pages: 367 pages, Illustrations. BIC Classification: ACND; AFKC. Category: (P) Professional & Vocational. Dimension: 153 x 225 x 26. Weight in Grams: 612. . 2012. New edition. Paperback. . . . . Books ship from the US and Ireland.…

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.…

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Italian Renaissance 'plaquettes' are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and taken the form of catalogues, thereby both responding to and propagating the myth of this classification. However, what is often forgotten, or buried deep in scattered catalogue entries, is that during the Renaissance this small relief format was regularly mass-produced and employed extensively in a variety of different contexts. Far from being a homogeneous category, plaquettes were originally viewed as many separate types of object, including pieces for personal adornment, liturgical objects, domestic artefacts, and models for architecture and painting. For the Renaissance consumer, the commission of a hat badge with a personal motto, the purchase of an off-the-shelf inkwell or the acquisition of a small relief for his study were separate concerns. The aim of this book is to redress the balance by examining these reliefs in terms of their use, alongside broader issues regarding the status of such objects within visual, scholarly and artistic culture from the fifteenth century to the early sixteenth.…

Taschenbuch. Condizione: Neu. Depth of Field | Relief Sculpture in Renaissance Italy | Donal Cooper (u. a.) | Taschenbuch | Englisch | 2008 | Peter Lang | EAN 9783039111114 | Verantwortliche Person für die EU: Kolibri 360 GmbH, Ettore-Bugatti-Str. 6-14, 51149 Köln, produktsicherheit[at]kolibri360[dot]de | Anbieter: preigu. …

Paperback. Condizione: New. This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space. …

Taschenbuch. Condizione: Neu. Performativity in the Gallery | Staging Interactive Encounters | Outi Remes (u. a.) | Taschenbuch | Cultural Interactions: Studies in the Relationship between the Arts | Englisch | 2014 | Peter Lang | EAN 9783034309660 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.…

Taschenbuch. Condizione: Neu. Fashion, Devotion and Contemplation | The Status and Functions of Italian Renaissance Plaquettes | Marika Leino | Taschenbuch | 390 S. | Englisch | 2012 | Peter Lang | EAN 9783039110681 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.…

Paperback. Condizione: New. Italian Renaissance 'plaquettes' are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and taken the form of catalogues, thereby both responding to and propagating the myth of this classification. However, what is often forgotten, or buried deep in scattered catalogue entries, is that during the Renaissance this small relief format was regularly mass-produced and employed extensively in a variety of different contexts. Far from being a homogeneous category, plaquettes were originally viewed as many separate types of object, including pieces for personal adornment, liturgical objects, domestic artefacts, and models for architecture and painting. For the Renaissance consumer, the commission of a hat badge with a personal motto, the purchase of an off-the-shelf inkwell or the acquisition of a small relief for his study were separate concerns. The aim of this book is to redress the balance by examining these reliefs in terms of their use, alongside broader issues regarding the status of such objects within visual, scholarly and artistic culture from the fifteenth century to the early sixteenth.…

Condizione: Buone. inglese Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.