Lemaire francis (16 risultati)

Softcover. Condizione: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condizione: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: Très bon. J.L.G se sert de Zelliseller Evolution pour gérer ses Market Places.

Condizione: as new. Wie neu/Like new.

Condizione: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Sous Blister. 416258-3 - Cultures en pots et Conteneurs Principes agronomiques et Applications, Collectif, QUAE, 2003.

Condizione: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Sous Blister. 416258-4 - Cultures en pots et Conteneurs Principes agronomiques et Applications, Collectif, QUAE, 2003.

Condizione: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Sous Blister. 416258-2 - Cultures en pots et Conteneurs Principes agronomiques et Applications, Collectif, QUAE, 2003.

Broché. Condizione: Neuf.

Broché. Condizione: Etat satisfaisant. in-8 Description :268 pp. Envoi de Marc Rombaut. Couverture insolée et frottée avec une pliure. Langue : Français Nb de volumes : 1.

Paperback. Condizione: Brand New. 210 pages. French language. 9.45x6.30x0.39 inches. In Stock.

Couverture souple. Condizione: bon. RO60131130: 1922. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 78 pages. Texte en français. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Brossura. Condizione: come nuovo. prima edizione. This catalogue is published on the occasion of the exhibition Writings in Painting, organized by the Centre Artistiques de Rencontres Internationales at Villa Arson, Nice. There are painters who describe, poets who paint so as not to write anymore, visionaries who pursue the imagination beyond the line, right into the inkblot, as others do into coffee grounds. There are brilliant writers who write about anyone or anything, the painted or drawn image serving only to trigger the automatic unwinding of their train of thought. And there are some truly terrible ones who would never have published a single line without the beauty of the images that came to accompany their text. Pierre Restany cm 21x30; pp. 168; paperback. As new. …

Pas de couverture. Condizione: Bon. Jolie photo de programme dédicacée en personne dans les années 80. Format : 21x14 cm. État : voir scans svp. Authenticité garantie. Signé par l'auteur.

Brossura. Condizione: come nuovo. prima edizione. This catalogue is published on the occasion of the exhibition "Writings in Painting", organized by the Centre Artistiques de Rencontres Internationales at Villa Arson, Nice. "The theme of 'writing in painting' naturally emerged as the starting point, one of the most sensitive areas of artistic inquiry since the last war. The exhibition was conceived as a conference, modeled on certain meetings between scientists, aimed certainly at enjoyment, but even more so at reflection. Eleven leading researchers, art critics, and theorists in their fields were asked to propose a list of works they wished to see included, thus illustrating their perspective on the subject. It is interesting to note that almost all refrained from suggesting some of the names that immediately came to mind, believing them to be so illustrious that others would surely have included them. Thus, with their agreement, a few essential reference points were added, resulting in a total of 117 participants, involving the collaboration of some 52 museums or galleries, each group balancing and highlighting the others." Michel Butor. …

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. BILL WOODROW: MATERIAL TRUTHS Mark Francis IN THE HEART OF THE TINMAN: AN ESSAY ON JOHN CHAMBERLAIN Duncan Smith A PROJECT FOR ARTFORUM by Pontus Hultén and Jean Tinguely FREEING DANCE FROM THE WEB: ON COLLABORATION, TRISHA BROWN'S SET AND RESET AND LUCINDA CHILDS' AVAILABLE LIGHT Thomas McEvilley TWO SIDES OF THE BRAIN: MOLISSA FENLEY S HEMISPHERES RoseLee Goldberg UP ROCKING, LOCKING, OLD STYLE, 1990 MOVES Michael Holman SELECTED FUNK LESSONS: A PROJECT FOR ARTFORUM by Adrian Piper A USE FOR BEAUTY Kenneth Baker EXECUTIONER S SONG Greil Marcus FORUM Kate Linker COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Dorothea Tanning Donald Kuspit on Follies Donald Kuspit on Chris Burden Lisa Liebmann on Troels Wörsel Jeanne Silverthorne on Michael David Jeanne Silverthorne on Rosemarie Castro Jeanne Silverthorne on Mary Beth Edelson Jeanne Silverthorne on Kazuko Jean Fisher on Richard Prince Jean Fisher on Francis Picabia Jean Fisher on Joseph Nechvatal Thomas Lawson on New Expressions Thomas Lawson on Kiely Jenkins Ronny Cohen on Ron Nagle Ronny Cohen on Donald Lipski Charles Hagen on Lee Friedlander Charles Hagen on Hamish Fulton Richard Armstrong on Ira Richer Richard Armstrong on George Schneeman Thomas McEvilley on Underdog Barbara Kruger on Sharon Greytak John Howell on The Way Of How BOSTON Nancy Stapen on Magdalena Abakanowicz HOUSTON Ed Hill and Suzanne Bloom on American Still Life 1945 1983 CHICAGO Michael Bonesteel on Ed Paschke LOS ANGELES Robert L. Pincus on Jeffrey Vallance SAN FRANCISCO Suzaan Boettger on Clay Jensen STOCKHOLM Lars Nittve on Ibid AMSTERDAM Gerald Van Der Kaap on Winfred Evers BONN AND STUTTGART Annelie Pohlen on Klaus Mettig COLOGNE Annelie Pohlen on Ina Barfuss Annelie Pohlen on Werner Buttner Annelie Pohlen on Thomas Virnich PARIS Gerard-Georges Lemaire on Sandro Chia SAN SEBASTIAN Michael Tarantino on The San Sebastian International Video Festival MADRID Aurora Garcia on Sigfrido Martín Begué ROME Pier Luigi Tazzi on Michelangelo Antonioni. …

Couverture rigide. Condizione: Satisfaisant. In-Folio, recueil de partition fin XIXe-début XXe siècle; bon état de la plupart des partitions, quelques unes annotées au crayon, tâches et déchirures de marge sans gravité sur certaines pages; Auteurs: DEBUSSY: Deux arabesques (Durand) 11p; DUBOIS: Chaconne, style panaché, 5 p.; Francis THOME: Oeuvres, Durand, 7p.; A.RUBINSTEIN, Valse Caprice, Au Ménestrel, 11 p.; MASSENET: Eau dormante, impromptu, Au Ménestrel, 3 pages; Eau courante, Au Ménestrel, 7 p.; Mélodie, Fromont, 2 p.,; Hérodiade, Prélude du 3e acte, 3p.; FERNAND LEMAIRE: Passepied, 3 p.; Gavotte des fiançailles, Lemoine, 5 p. Nollet: Le Rouet, Girod, 5p.; Chanson d'Autrefois (XVe siècle), Lemoine, 7 p.; LISZT, mélodie de Schumann, Durand, 9 p.; Joachim RAFF: Etude, Maho, 11 p.; Etienne MICARD: Inconnue, valse lente, Grus, 7 pages; Sans la nommer, poésie d'après Alfred de Musset, ENVOI autographe du compositeur, 4 pages; Jean NEYMARCK: Choeur de Noel; chez l'auteur, 21 pages; Psaumes d'Amour d'après le cantique des cantiques, chez l'auteur, 8 pages; Psaumes d'amour V, 4 pages; CHAMINADE: Fileuse, 13 pages, Enoch; MESSAGER: Fortunio N.8, Choudens, 3 p.; SAINT SAENS: Le Cygne, 3 p.; La fiançée du Timbalier, Durand, 15 p.. …