Letze man nuoro (3 risultati)

Hardback. Condizione: New. When Henri de Toulouse-Lautrec moved to Paris, he soon became a real chronicler of Parisian life. He was a painter who captured the exhilarating society of le demi-monde and its establishments: racecourses, circus tents, theatres and opera houses, cabarets and brothels that became his ateliers. In only ten years, up to his death in 1901, he produced 368 prints and litograph posters, which he considered of equal importance to his paintings and drawings. When Toulouse-Lautrec started to experiment with lithography, his contemporaries, well-known artists like Alfons Mucha and Théophile-Alexandre Steinlen did so as well, and they too succeeded in creating true masterpieces. During their lifetimes, and because of their work, lithographs and posters were elevated from the status of mere mass advertising media to an accepted artistic genre.Text in English and Italian.…

Gebundene Ausgabe. Condizione: Sehr gut. Gebraucht - Sehr gut Sg -leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - Quando Henri de Toulouse-Lautrec si trasferì a Parigi, divenne presto un vero e proprio narratore della vita nella capitale francese, un pittore dell'affascinante demi-monde e dei suoi luoghi: i veri atelier del suo lavoro furono gli ippodromi, i circhi, i teatri di musica e di prosa, i cabaret e i bordelli. In soli dieci anni, fino alla sua morte nel 1901, l'artista produsse 368 stampe e poster litografici che considerò sempre d'importanza pari a quella dei suoi dipinti e disegni. Quando Toulouse-Lautrec iniziò a sperimentare la litografia, i suoi contemporanei, artisti affermati come Alfons Mucha e Théophile-Alexandre Steinlen, si servirono della medesima tecnica e riuscirono anch'essi a creare dei veri capolavori. Nel corso della vita di questi artisti e per merito del loro lavoro, le stampe litografiche e i poster acquisirono un nuovo status, da semplici strumenti pubblicitari a nuovo genere artistico di riconosciuto valore.…

Hardback. Condizione: New. When Henri de Toulouse-Lautrec moved to Paris, he soon became a real chronicler of Parisian life. He was a painter who captured the exhilarating society of le demi-monde and its establishments: racecourses, circus tents, theatres and opera houses, cabarets and brothels that became his ateliers. In only ten years, up to his death in 1901, he produced 368 prints and litograph posters, which he considered of equal importance to his paintings and drawings. When Toulouse-Lautrec started to experiment with lithography, his contemporaries, well-known artists like Alfons Mucha and Théophile-Alexandre Steinlen did so as well, and they too succeeded in creating true masterpieces. During their lifetimes, and because of their work, lithographs and posters were elevated from the status of mere mass advertising media to an accepted artistic genre.Text in English and Italian.…