Lewin anya (21 risultati)
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Da: Books From California, Simi Valley, CA, U.S.A.Books From California
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Paperback. Condizione: new. Paperback. The interaction between culture and economy was famously explored by Theodor Adorno and Max Horkheimer by the term 'Kulturindustrie' (The Culture Industry) to describe the production of mass culture and power relations between capitalist producers and mass consumers. Their account is a blea…k one, but one that appears to hold continuing relevance, despite being written in 1944. Today, the pervasiveness of network technologies has contributed to the further erosion of the rigid boundaries between high art, mass culture and the economy, resulting in new kinds of cultural production charged with contradictions. On the one hand, the culture industry appears to allow for resistant strategies using digital technologies, but on the other it operates in the service of capital in ever more complex ways. This publication, the first in the DATA browser series, uses the concept of the culture industry as a point of departure, and tests its currency under new conditions. For more information see The DATA browser series presents critical texts that explore issues at the intersection of culture and technology.The editorial group are Geoff Cox, Joasia Krysa, Anya Lewin, Malcolm Miles, Mike Punt & Hugo de Rijke . This volume is produced in association with i-DAT . In 1944, the term "Kulturindustrie" was coined to describe the production of mass culture and power relations between capitalist producers and mass consumers. Today, network technologies have contributed to the further erosion of the boundaries between high art, mass culture and the economy, resulting in new kinds of cultural production charged with contradictions. This publication uses the concept of the culture industry as a point of departure and tests its currency under new conditions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Economising Culture: On the (Digital) Culture Industry
Cox, Geoff (Editor)/ Krysa, Joasia (Editor)/ Lewin, Anya (Editor)
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. illustrated edition. 256 pages. 8.50x6.25x0.75 inches. In Stock.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Editore: Autonomedia
Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New. pp. 256.
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Da: Book Broker, Berlin, GermaniaBook Broker
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Condizione: Sehr gut. Illustrated. 255 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Englisch Gewicht… in Gramm: 513 Taschenbuch, Maße: 15.04 cm x 1.88 cm x 20.83 cm.
Editore: Autonomedia
Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New. pp. 256.
Editore: Autonomedia
Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Da: moluna, Greven, Germaniamoluna
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Kartoniert / Broschiert. Condizione: New. Über den AutorGeoff Cox is an artist, teacher and projects organiser as well as currently Senior Lecturer in Computing at the University of Plymouth, UK, where he is a member of the Science Technology Art Research research group. A.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condizione: new. Paperback. The interaction between culture and economy was famously explored by Theodor Adorno and Max Horkheimer by the term 'Kulturindustrie' (The Culture Industry) to describe the production of mass culture and power relations between capitalist producers and mass consumers. Their account is a blea…k one, but one that appears to hold continuing relevance, despite being written in 1944. Today, the pervasiveness of network technologies has contributed to the further erosion of the rigid boundaries between high art, mass culture and the economy, resulting in new kinds of cultural production charged with contradictions. On the one hand, the culture industry appears to allow for resistant strategies using digital technologies, but on the other it operates in the service of capital in ever more complex ways. This publication, the first in the DATA browser series, uses the concept of the culture industry as a point of departure, and tests its currency under new conditions. For more information see The DATA browser series presents critical texts that explore issues at the intersection of culture and technology.The editorial group are Geoff Cox, Joasia Krysa, Anya Lewin, Malcolm Miles, Mike Punt & Hugo de Rijke . This volume is produced in association with i-DAT . In 1944, the term "Kulturindustrie" was coined to describe the production of mass culture and power relations between capitalist producers and mass consumers. Today, network technologies have contributed to the further erosion of the boundaries between high art, mass culture and the economy, resulting in new kinds of cultural production charged with contradictions. This publication uses the concept of the culture industry as a point of departure and tests its currency under new conditions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: SHIMEDIA, Brooklyn, NY, U.S.A.SHIMEDIA
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Neuware - Great mix of contributors including Esther Leslie Cutting-edge critical theory - includes an analysis of the film 'The Yes Men' Explores how & why new technologies - like the internet - have changed the relationship between mass culture and high art Focuses on the economics of cultural pro…duction - the power relation between producers and consumers The interaction between culture and economy was famously explored by Theodor Adorno and Max Horkheimer. They coined the term 'Kulturindustrie' (The Culture Industry) to describe the production of mass culture and power relations between capitalist producers and mass consumers. Their account is a bleak one, but one that continues to be relevant, despite being written in 1944. Today, the pervasiveness of network technologies has contributed to the further erosion of the rigid boundaries between high art, mass culture and the economy, resulting in new kinds of cultural production charged with contradictions. On the one hand, the culture industry appears to allow for resistant strategies using digital technologies, but on the other it operates in the service of capital in ever more complex ways. critical texts that explore issues at the intersection of culture and technology. The editorial group are Geoff Cox, Joasia Krysa, Anya Lewin, Malcolm Miles, Mike Punt & Hugo de Rijke.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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EUR 17,35
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Paperback. Condizione: New.
