lewis candance (2 risultati)

Hardcover. Condizione: Fair. Dust Jacket Included. English text.; Hardcover (with dust jacket); 24 x 31.5 cm; 1,328 Kg.;191 pages with 200 colour illustrations.; Used book with signs of wear. The hinge is cracked, but the binding is still firmly attached. Sticker glued to the rear of front cover. The dust jacket has minor signs of wear, but is slightly faded on the spine. The dust jacket is now protected with a clearcover. Good readable copy.; This catalogue emerges after the exhibition with the same name that was jointly organised by the Southeast Asian Ceramic Society and the National Museum of Singapore, in 1991. Focusing on ceramics for tomb furnishings made during the Han dynasty, this catalogue provides the reader with an insight on the confluence between utility and ritual wares. With introductory texts by renowned and learned scholars, such as Lu Yaw, Professor Chiyun Chen, Abu Ridho, Eng-Lee Seok Chee, Rosemary Scott, Candance Lewis and Chen Huasha, the subsequent catalogue is divided into five types of wares, namely Plain Pottery, Painted Pottery, Glazes Pottery, Proto-Greenware and True Greenware. It comprises more than 200 colour plates illustrating rigorously classified and dated objects, along with short descriptions, which provide glimpses into the culture and artistry of the potters of the period. The catalogue ends with a list of lenders and a glossary, and as a whole provides the reader with unique insights on the Han dynasty, which may be considered a landmark in the history of Chinese ceramic production.

Hardcover. Condizione: Near Fine. Dust Jacket Included. English text.; Hardcover (with dust jacket); 24 x 31.5 cm; 1,328 Kg.;191 pages with 200 colour illustrations.; Used with signs of wear. The dust jacket spine is slightly discolored. Interior as new, apart from a sticker with the distributor detais glued to the rear of front cover and a sticker from a previous owner glued to the front free endpaper.The dust jacket is now protected with a clearcover.; This catalogue emerges after the exhibition with the same name that was jointly organised by the Southeast Asian Ceramic Society and the National Museum of Singapore, in 1991. Focusing on ceramics for tomb furnishings made during the Han dynasty, this catalogue provides the reader with an insight on the confluence between utility and ritual wares. With introductory texts by renowned and learned scholars, such as Lu Yaw, Professor Chiyun Chen, Abu Ridho, Eng-Lee Seok Chee, Rosemary Scott, Candance Lewis and Chen Huasha, the subsequent catalogue is divided into five types of wares, namely Plain Pottery, Painted Pottery, Glazes Pottery, Proto-Greenware and True Greenware. It comprises more than 200 colour plates illustrating rigorously classified and dated objects, along with short descriptions, which provide glimpses into the culture and artistry of the potters of the period. The catalogue ends with a list of lenders and a glossary, and as a whole provides the reader with unique insights on the Han dynasty, which may be considered a landmark in the history of Chinese ceramic production.