Liu cary (81 risultati)

Condizione: As New. 2005. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

Condizione: New. . paperback. . . . . . Books ship from the US and Ireland.

Condizione: As New. 2005. hardcover. . Not a first edition copy. . . .

Condizione: New. . paperback. . . . . .

Hardcover. Condizione: As New. Hardcover and dust jacket. Good binding and cover. Light wear to jacket. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

VHS Tape. Condizione: Good. Minor Wear to VHS Case.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. book has light wear/bumping to corners, ends of spine, and edges, light shelf wear/toning,otherwise in solid clean shape.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: As New. Illustrated paper covers with french flaps; light shelf wear; 4to - over 9 3/4" to 12" tall; Interior is clean and unmarked; 383 pages. Additional shipping charges may be required.

Paperback. Condizione: Very Good. No markings.

Hardcover. Condizione: Used - very good.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. 303 pages, illustrations (some colour); 28 cm. Published on the occasion of an exhibition held at the Princeton University Art Museum, March 5 to June 7, 2009. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. A large-format coffee-table book. Richly illustrated with colour plates. *** "The art world is currently enthralled with contemporary Chinese art. This thought-provoking book argues, however, that American audiences have been exposed only to a narrow range of what is available - with the majority of attention having been given to 'avant-garde,' 'experimental,' or politically charged art. Outside In discusses contemporary Chinese art in a far wider range of styles and subject matter and substantially expands on our understanding of this work. The book features six artists - Arnold Chang, Vannessa Tran, Michael Cherney, Zhi Lin, Liu Dan, and Zhang Hongtu - all of whom are American citizens, yet widely diverse in age and experience as well as geographical and ethnic origins. In addition to extensive personal interviews and artists' statements, there are essays that challenge the categorization of art into such focused genres as 'Chinese,' contemporary,' and 'American,' and reexamine the factors that shape the development of 'Chinese art' in America." - Publisher. *** CONTENTS: Chinese art, made-in-America: an encounter with geography, ethnicity, contemporaneity, and cultural Chineseness, by Jerome Silbergeld; In the mischievous role of naturalist: classifying the Chineseness in contemporary art, by Cary Y. Liu; Arnold Chang. Artist's statement; The great tradition, by Jerome Silbergeld; Out of bounds: painting the tradition in contemporary Chinese art, by Kim Wishart; Vannessa Tran. Artist's statement; The art of seclusion, by Jerome Silbergeld; Vannessa Tran's meditative glimpse, by Gregory Seiffert; Michael Cherney. Artist's statement; Giving back to the Chinese tradition, by Jerome Silbergeld; Beyond the visible, within the frame, by Jerome Silbergeld; Zhi Lin. Artist's statement; The artist as witness, by Jerome Silbergeld; Violence unseen: Zhi Lin's depiction of suffering and spectacle, by Gregory Seiffert; Liu Dan. Artist's statement; What realism, which beauty?, by Jerome Silbergeld; Portrait of an artist, by Michelle Lim; Zhang Hongtu. Artist's statement; An outsider's outsider comes in, by Jerome Silbergeld; Cultural iconography as style, by Michelle Lim; Epilogue. A multiplicity of meanings, by Dora C. Y. Ching. Size: 4to. Collectible.…

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condizione: As New. U.S. orders are shipped from N.Y. state.

Softcover. Condizione: Very good. No jacket. Some notations in pencil on the half-title page.

Soft cover. Condizione: Fine. 213 pages : illustrations. Publisher's pictorial paper wrappers fresh, corners sharp; contents as new. 710 grams.

Oversized Paperback. Condizione: Fine. Unworn and unmarked. Ships in a box. International shipping will require additional postage due to bulk.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1.

Paperback. Condizione: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. book has light bumping to edges and corners, otherwise in clean solid shape. dust jacket has slight corner wear and wear to ends of spine, othewrise in bright sharp shape.

xix, (1), 115pp. Prof. illus. 4to. Waps. Published in conjunction with an exhibition at the China Institute Gallery, China Institute, New York, Feb.-June 2005.

Paperback. Condizione: Near Fine. Clean and solid. ; Publications Of The Tang Center For East Asian Art, Princeton University; B & W and Color Illustrations; 4to; 397 pages.

Soft cover. Condizione: New. No Jacket. The book is new with shrink wrap.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Folio hardcover volume in as new condition with a brodart cover on the dust jacket. 115 pages are fine with no faults.

Condizione: As New. Condizione sovraccoperta: As New. Quarto. 512pp. Yellow cloth in dust jacket. Still sealed in shrink wrap.

Softcover. grey illustrated wrappers w/ white & orange printing. printed french flaps. 614 pgs w/ bw & color pgs. The Wu Family shrines, one of the most important cultural monuments of early China, comprise approximately 50 stone slabs from the so-called Wu cemetery in Shandong province. This illustrated book examines the stone slabs and their rubbings, as artifactswith a complex cultural history from the second century to the present.--Google Books. VG. shelf-wear, scuffs & marks to lower textblock. crease to back cover. previous owners name to cover french flap.…

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition, Limited Edition. Published to accompany the landmark 2005 exhibition at the China Institute Gallery (February 3-June 4, 2005), this richly illustrated scholarly catalogue explores Han dynasty (206 BCE-220 CE) tomb culture and burial practices in Shandong Province. Essays examine the spiritual geography of tombs, the cosmological meaning of 'brilliant artifacts,' and the ritual, artistic, and political symbolism embedded in jade, bronze, ceramics, and funerary architecture. The catalogue section provides detailed entries with measurements, inscriptions (in pinyin and Chinese characters), excavation histories, and institutional collections, including major finds from Shuangrushan, Luozhuang, and related Western Han royal tombs. Includes chronology, maps, appendices on tomb sites and terminology, selected Chinese characters, and bibliography. A beautifully produced volume, featuring high-quality color photography throughout on glossy stock. Notably designed with substantial brown textured matte cardstock front and rear flyleaves, creating an elegant contrast to the deep black covers and luminous artifact photography. An essential reference for collectors of Chinese antiquities, Han dynasty material culture, and museum-quality exhibition catalogues. Condition: Near Fine. Softcover in excellent condition with clean covers and sharp corners. Front and rear flyleaves are a striking brown textured matte cardstock, fresh and unmarked. Interior pages are glossy, bright, and entirely clean with no writing, marks, rips, or tears. Binding firm and square. An exceptionally well-preserved copy. Edition/Printing: First edition, 2005. No later printings indicated. Full number line not present, consistent with exhibition catalogue issue. Susan L. Beningson is a scholar of Chinese art and archaeology whose work focuses on early imperial China, particularly Han dynasty funerary culture and cosmology. Cary Y. Liu is an internationally respected authority on Chinese art and material culture, known for his curatorial and scholarly contributions to the study of Chinese antiquities and cross-cultural artistic exchange. Together, they bring rigorous archaeological scholarship and art-historical insight to this exhibition catalogue, situating the Shandong discoveries within the broader intellectual and ritual traditions of early China.…