Lloyd kathryn (70 risultati)

Hardback. Condizione: Good. 50 Color & B/w Photographs / Plates; 1 B/w Photograph (frontispiece Double Portrait) (illustratore).

Hardback. Condizione: Good. 50 Color & B/w Photographs / Plates; 1 B/w Photograph (frontispiece Double Portrait) (illustratore).

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. 50 Color & B/w Photographs / Plates; 1 B/w Photograph (frontispiece Double Portrait) (illustratore).

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. 50 Color & B/w Photographs / Plates; 1 B/w Photograph (frontispiece Double Portrait) (illustratore).

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. 50 Color & B/w Photographs / Plates; 1 B/w Photograph (frontispiece Double Portrait) (illustratore).

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Dee, Kathryn (illustratore).

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fine in every way. 50 Color & B/w Photographs / Plates; 1 B/w Photograph (frontispiece Double Portrait) (illustratore).

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Fine. 128 pages, illustrations (chiefly colour); 29 cm. Catalogue of the exhibition held at The Queen's Gallery, Buckingham Palace, London, May 15 to October 11, 1998. Firm binding, clean inside copy. Richly illustrated with colour plates. *** "British painting is one of the Royal Collection's greatest strengths. The paintings are dispersed throughout the royal residences, but to give a hint of the richness of the Royal Collection's holdings, The Quest for Albion brings together forty-six works - many instantly recognisable, others less familiar - and places them firmly in the context of Britain's national heritage. The part played by successive monarchs - in particular George III, George IV and later Queen Victoria with the encouragement of Prince Albert - in the formation of a national school is further described in the highly topical introductory essay by Christopher Lloyd, Surveyor of The Queen's Pictures." - Publisher. Size: 4to.…

HARDCOVER. Condizione: Very Good. Book Club Edition. VERY GOOD CONDITION clean, solid bright ; GOLD SPINE TITLES ON BLACK CLOTH HARD COVERS. Decorated Tan endpapers. ; 378pg THICK pages; ENTERTAINING COLLECTIONF 24 FINE STORIES, OR NOVELETES. lOVE, FAMILY,ADVENTURE;NOSTALGIC IN HUMOR, DRAMA & DEEP HUMAN UNDERSTANDING.…

Condizione: New. Brand New.

Condizione: New. Brand New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. New copy - Usually dispatched within 4 working days.

Soft Cover. Condizione: good. 10.75" tall; 48pp; b/w ils; faint moisture stains along top corner of pp; light wear & small chip to edges of cover; plain black linen backstrip; one page had been torn out & taped back in with clear tape; crease to bottom corner front cover. Mabel Kathryn Hatt (illustratore). Paperback.…

Paperback. Condizione: Near Fine. Condizione sovraccoperta: n No Jacket. y 1st Edition. London: The Royal Collection, 1998. Book. Near Fine. Soft cover. 1st Edition. 4to - over 9¾ - 12" tall. Study of British paintings held in royal residences and the part played by successive monarchs in the formation of a national school. 128pp illustrated throughout with colour reproductions. Minimal creasing to corners and slight rippling to pages, otherwise near fine copy with no inscriptions.. Book.…

Condizione: New.

Condizione: New.

hardcover. Condizione: New. *Brand new* Ships from USA.

Soft Cover. Condizione: good+. 10.75" tall; 48pp; b/w ils; faint moisture stains along top corner of pp; light wear to edges of cover; plain black linen backstrip; center pp are beginning to pull away from staples. Mabel Kathryn Hatt (illustratore). Paperback.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Kathryn Maple (b. 1989, Canterbury) is an artist specialising in drawing and painting. Her large-scale paintings feature urban, suburban and rural landscapes which are frequently populated by human figures. Her work is distinctive for its use of intensely layered mark making, lending the work both urgency and intimacy. The places and people depicted, rendered in a range of painting and drawing materials, are frequently afforded a sense of wildness or mystery by dint of their colour palette, collage-like compositions and recurring motifs such as wind-blown trees and winding pathways. This, her first monograph, features 379 images, many of which are reproduced for the first time. These include the presentation of her recent major series of oil pastel on paper works 'A Year of Drawings', alongside reproductions of her mixed media works on paper, as well as large oils on canvas. An essay by Kathryn Lloyd, writer, artist and Contemporary Art Editor at The Burlington Magazine, offers insight into Maple's impulse to explore the world around her through her work. Large-scale paintings, replete with dense layers of marks, are constructed by means of personal encounter, memory and imagination. Details of man-made objects, tree bark and human skin, for instance, become composite, crucial in capturing fleeting experiences of place and of people. Lloyd brings out the symbolism of Maple's work, making art historical comparisons while connecting these to the specific local characteristics of Maple's familiar South London landscapes and the importance of walking to the artist's practice.An interview with independent curator and critic Anneka French is focused on 'A Year of Drawings', a series of 365 drawings made daily since January 2022 outside the artist's studio. They discuss the process, materials and art historical and literary influences upon Maple's work, with a focus on how her drawing and painting strands of work impact each other. Their conversation provides an insight into the thinking of the artist at a crucial stage in Maple's career.Taking its title from the lyrics of The Cure's A Forest (1980), Editor Matt Price's essay 'Into the Trees' offers an introduction to, and an overview of,' A Year of Drawings', discussing examples of the works and considering aspects of the series ranging from art historical precedents to themes, recurring motifs and interpretation.The monograph is published to coincide with the exhibitions: Under a Hot Sun, by Kathryn Maple, Walker Art Gallery, Liverpool, 11 February - 30 April 2023 and Kathryn Maple: A Year of Drawings, Lyndsey Ingram Gallery, London, 1-17 March 2023. It has been edited by Matt Price, designed by Anomie Studio, printed by Mixam, Watford, and published by Anomie, London. Kathryn Maple was born in Canterbury in 1989, and lives and works in South London. She graduated in 2011 with a degree in fine art printmaking from the University of Brighton, before undertaking a postgraduate programme at the Royal Dra.…

Hardcover. Condizione: Very Good. Unread.

Paperback. Condizione: New. Kathryn Maple (b. 1989, Canterbury) is an artist specialising in drawing and painting. Her large-scale paintings feature urban, suburban and rural landscapes which are frequently populated by human figures. Her work is distinctive for its use of intensely layered mark making, lending the work both urgency and intimacy. The places and people depicted, rendered in a range of painting and drawing materials, are frequently afforded a sense of wildness or mystery by dint of their colour palette, collage-like compositions and recurring motifs such as wind-blown trees and winding pathways. This, her first monograph, features 379 images, many of which are reproduced for the first time. These include the presentation of her recent major series of oil pastel on paper works 'A Year of Drawings', alongside reproductions of her mixed media works on paper, as well as large oils on canvas. An essay by Kathryn Lloyd, writer, artist and Contemporary Art Editor at The Burlington Magazine, offers insight into Maple's impulse to explore the world around her through her work. Large-scale paintings, replete with dense layers of marks, are constructed by means of personal encounter, memory and imagination. Details of man-made objects, tree bark and human skin, for instance, become composite, crucial in capturing fleeting experiences of place and of people. Lloyd brings out the symbolism of Maple's work, making art historical comparisons while connecting these to the specific local characteristics of Maple's familiar South London landscapes and the importance of walking to the artist's practice.An interview with independent curator and critic Anneka French is focused on 'A Year of Drawings', a series of 365 drawings made daily since January 2022 outside the artist's studio. They discuss the process, materials and art historical and literary influences upon Maple's work, with a focus on how her drawing and painting strands of work impact each other. Their conversation provides an insight into the thinking of the artist at a crucial stage in Maple's career.Taking its title from the lyrics of The Cure's A Forest (1980), Editor Matt Price's essay 'Into the Trees' offers an introduction to, and an overview of,' A Year of Drawings', discussing examples of the works and considering aspects of the series ranging from art historical precedents to themes, recurring motifs and interpretation.The monograph is published to coincide with the exhibitions: Under a Hot Sun, by Kathryn Maple, Walker Art Gallery, Liverpool, 11 February - 30 April 2023 and Kathryn Maple: A Year of Drawings, Lyndsey Ingram Gallery, London, 1-17 March 2023. It has been edited by Matt Price, designed by Anomie Studio, printed by Mixam, Watford, and published by Anomie, London. Kathryn Maple was born in Canterbury in 1989, and lives and works in South London. She graduated in 2011 with a degree in fine art printmaking from the University of Brighton, before undertaking a postgraduate programme at the Royal Dra.…

Condizione: New.

Hardback. Condizione: New. Anna Freeman Bentley (b. 1982) is an artist based in London. Her painting practice explores the built environment, architecture and interiors, inviting emotive, psychological and semiotic readings of space. This publication, Complete Reality, documents Freeman Bentley's latest series of paintings, which she created after visiting the film set for My Driver and I (2024), a coming-of-age drama set in the port city of Jeddah in Saudi Arabia.Over the course of the shoot, Freeman Bentley took over two thousand photographs, which she edited and worked from in her London studio. The paintings show lavish rooms, filled with fringed lamps, dusty chandeliers, vast mirrors and ornate furniture, juxtaposed with the incongruous signs of a film set: screens, leads, computers and plastic chairs. Exploring the relationship between 'reality' and 'fabrication', the series continues the artist's interest in spaces that have an inherent tension or transience.Alongside the paintings that comprise Complete Reality, the publication also includes a series of oil studies on paper that explore additional rooms, angles and spaces from the film set. Installation images of the artist's most recent solo exhibitions - Video Village at MASSIMODECARLO Pie`ce Unique, Paris (2024), make shift at Monica de Cardenas, Zuoz (2024), and Complete Reality at Anat Ebgi, Los Angeles (2024-25) - showcase the works staged in different configurations and gallery environments. In her introduction, Jennifer Higgie considers the interiority of Freeman Bentley's elusive scenes, and her interest in temporary and unreal spaces. The curator and writer Elisabetta Fabrizi interviews Freeman Bentley about the interplay of reality and illusion in her paintings. They reflect on themes of authenticity and narrative tension, and discuss Freeman Bentley's earlier explorations of cinema, particularly Andrei Tarkovsky's Stalker (1979). Kathryn Lloyd writes about the conceptual and historical relationships between cinema, photography and painting. She analyses how Freeman Bentley forges an interdependence between these three distinct media, creating an unmistakably painterly language that somehow distils the essence of both film and photography.In an interview with Michele Robecchi, the artist discusses her recent solo exhibition in Switzerland, make shift. Freeman Bentley reflects on her personal connections to the work, the significance of the temporary and transitory nature of the film set and her use of triptychs, mirrors and fragmentation to disrupt conventional readings of space. In her contribution, the film producer Georgie Paget offers a speculative film script based on the exhibition Video Village at MASSIMODECARLO Pie`ce Unique, Paris.Edited by Matt Price and designed by Joanna Deans, the book is published by Anomie Publishing, London.Anna Freeman Bentley (b.1982) is an artist based in London. She completed her BA at Chelsea College of Arts, London, in 2004, and also undertook an Erasmus exchange at.…