louw michael (21 risultati)

Hardcover. Condizione: Fair. No Jacket. board are rubbed and edge worn. foxing, staining and marks. ownership inscription. sound binding. fair copy.[SK]. Our orders are shipped using tracked courier delivery services.

hardcover. Condizione: Very Good. Cover and edges may have some wear.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. Signed by the previous owner. Heavy book may require extra postage unless posted within South Africa. The dust jacket is a little shelf rubbed. A Small piece of the back panel is missing. Internally, there are no markings or inscriptions, and the pages are immaculately clean and complete. Tightly bound and presented beautifully in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Softcover. Condizione: Very Good. First Edition. Publication of 88 pages. The wraps are a little shelf rubbed. Internally the pages are clean and complete. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Hardcover. Condizione: Gut bis sehr gut.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. the jacket is a little torn and worn. one previous owner's signature. well bound. Book in Afrikaans. [P.K.]. Our orders are shipped using tracked courier delivery services.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 1972 1st edition. Hardback. 23.5x15.5cm. xvii+334 pages with index. Clean & tight book. Flat pages. TANNED PAGES. No inscriptions. Jacket has some edge wear & a small area of surface loss above the title. Front flap is not price-clipped: £4.50. Jacket is now under clear removable covers. Dispatched Royal Mail First Class with TRACKING next working day or sooner securely boxed in cardboard. ef PT/26.

Hardcover. Condizione: new. Hardcover. Industrial heritage is an important part of our built environment and landscape. It provides tangible and intangible links to our past and has great potential to play a significant role in the futures of our cities, towns, and rural environments. The projection and redevelopment of industrial heritage can contribute to the building of social and cultural capital, environmental sustainability, and urban regeneration. This book showcases a selection of works completed since 2010 with a wide global distribution. It highlights an encouraging increase in the practice of the transformation, redevelopment, and adaptive reuse of industrial structures. From under-utilised, disused, or discarded reminders of times past, the latest metamorphoses of buildings and structures have imbued them with new purposes in what could be regarded as one more stage in a continuous process of industrial evolution. The four essays written by authors from a variety of backgrounds and locations offer a rich addition to the selection of case studies and could serve as opportunities for further research. This book provides direct, informational reference to architects, researchers, and decision-makers. Includes projects located in France, Sweden, China, Spain, Chile, the Netherlands, USA, Germany, Portugal, Denmark, South Africa, Italy, Canada, Thailand, Latvia, Belgium, Estonia, and India. AUTHOR: Michael Louw is the director of CMAI Architects and senior lecturer at the University of Cape Town's School of Architecture, Planning and Geomatics. He completed his architecture degree at the University of Pretoria in 1998. In 2005, he attended the Glenn Murcutt Master Class in Australia and then completed a postgraduate MPhil degree in Sustainable Development Planning and Management at the University of Stellenboschin South Africa. His research interests include architectural history and temporality, technology, craft, and design-build practices. Michael co-convenes a design-research studio in the Architectural Master's and Honors programs called Adapt, which focuses on adaptive reuse, and he convenes the second year Technology course in the Bachelor of Architectural Studies (BAS) program. He is also the project leader for the school's annual design-build project, which is known as the Imizamo Yethu water platforms. SELLING POINTS: . World-wide case-study selection showcases industrial building transformations in different cultures . Rich technical drawings provide practical advice on the adaptive reuse of industrial building in the new era . Four essays give in-depth research opportunities 400 colour images World-wide case-study selection showcases industrial building transformations in different cultures. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condizione: Good. Round Table series. 32pp saddle-stitched. Vertical fold down the middle throughout. Wraps rubbed and a little soiled. Very scarce.

Hardcover. Condizione: new. Hardcover. Industrial heritage is an important part of our built environment and landscape. It provides tangible and intangible links to our past and has great potential to play a significant role in the futures of our cities, towns, and rural environments. The projection and redevelopment of industrial heritage can contribute to the building of social and cultural capital, environmental sustainability, and urban regeneration. This book showcases a selection of works completed since 2010 with a wide global distribution. It highlights an encouraging increase in the practice of the transformation, redevelopment, and adaptive reuse of industrial structures. From under-utilised, disused, or discarded reminders of times past, the latest metamorphoses of buildings and structures have imbued them with new purposes in what could be regarded as one more stage in a continuous process of industrial evolution. The four essays written by authors from a variety of backgrounds and locations offer a rich addition to the selection of case studies and could serve as opportunities for further research. This book provides direct, informational reference to architects, researchers, and decision-makers. Includes projects located in France, Sweden, China, Spain, Chile, the Netherlands, USA, Germany, Portugal, Denmark, South Africa, Italy, Canada, Thailand, Latvia, Belgium, Estonia, and India. AUTHOR: Michael Louw is the director of CMAI Architects and senior lecturer at the University of Cape Town's School of Architecture, Planning and Geomatics. He completed his architecture degree at the University of Pretoria in 1998. In 2005, he attended the Glenn Murcutt Master Class in Australia and then completed a postgraduate MPhil degree in Sustainable Development Planning and Management at the University of Stellenboschin South Africa. His research interests include architectural history and temporality, technology, craft, and design-build practices. Michael co-convenes a design-research studio in the Architectural Master's and Honors programs called Adapt, which focuses on adaptive reuse, and he convenes the second year Technology course in the Bachelor of Architectural Studies (BAS) program. He is also the project leader for the school's annual design-build project, which is known as the Imizamo Yethu water platforms. SELLING POINTS: . World-wide case-study selection showcases industrial building transformations in different cultures . Rich technical drawings provide practical advice on the adaptive reuse of industrial building in the new era . Four essays give in-depth research opportunities 400 colour images World-wide case-study selection showcases industrial building transformations in different cultures. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condizione: new. Hardcover. Industrial heritage is an important part of our built environment and landscape. It provides tangible and intangible links to our past and has great potential to play a significant role in the futures of our cities, towns, and rural environments. The projection and redevelopment of industrial heritage can contribute to the building of social and cultural capital, environmental sustainability, and urban regeneration. This book showcases a selection of works completed since 2010 with a wide global distribution. It highlights an encouraging increase in the practice of the transformation, redevelopment, and adaptive reuse of industrial structures. From under-utilised, disused, or discarded reminders of times past, the latest metamorphoses of buildings and structures have imbued them with new purposes in what could be regarded as one more stage in a continuous process of industrial evolution. The four essays written by authors from a variety of backgrounds and locations offer a rich addition to the selection of case studies and could serve as opportunities for further research. This book provides direct, informational reference to architects, researchers, and decision-makers. Includes projects located in France, Sweden, China, Spain, Chile, the Netherlands, USA, Germany, Portugal, Denmark, South Africa, Italy, Canada, Thailand, Latvia, Belgium, Estonia, and India. AUTHOR: Michael Louw is the director of CMAI Architects and senior lecturer at the University of Cape Town's School of Architecture, Planning and Geomatics. He completed his architecture degree at the University of Pretoria in 1998. In 2005, he attended the Glenn Murcutt Master Class in Australia and then completed a postgraduate MPhil degree in Sustainable Development Planning and Management at the University of Stellenboschin South Africa. His research interests include architectural history and temporality, technology, craft, and design-build practices. Michael co-convenes a design-research studio in the Architectural Master's and Honors programs called Adapt, which focuses on adaptive reuse, and he convenes the second year Technology course in the Bachelor of Architectural Studies (BAS) program. He is also the project leader for the school's annual design-build project, which is known as the Imizamo Yethu water platforms. SELLING POINTS: . World-wide case-study selection showcases industrial building transformations in different cultures . Rich technical drawings provide practical advice on the adaptive reuse of industrial building in the new era . Four essays give in-depth research opportunities 400 colour images World-wide case-study selection showcases industrial building transformations in different cultures. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover 22x15. Condizione: Gut. 334 Seiten In englischer Sprache/ English. Ex-Library. With figures and tables. Gebrauchter Guter Zustand/ Good ha1002015 Sprache: Englisch Gewicht in Gramm: 650.

Hardcover. Condizione: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Light tearing to back of dust jacket, otherwise good condition. This is the first and only reference volume covering the subject of windows in depth - no other book offers this wealth of practical detail. It is highly accessible, written for both the professional and interested layperson Written by a team of 15 experts - surveyors, structural engineers, craftsmen and conservators describing their own approaches to specific materials, problems and designs. It includes over 400 illustrations in colour and black and white, from a wide range of sources, including historic drawings, paintings, pattern books, textbooks, manufacturers' catalogues and contemporary and archive photographs. It is an invaluable asset for everyone involved with windows on a daily basis, combining the knowledge of leading historians and experts in the field of window conservation. The window is a familiar yet surprisingly complex feature, with a rich history that has not, up until now, been explored in any great depth. This encyclopaedic work is both a fascinating exploration of the history and development of the window, and a practical hands-on guide to their care and preservation.

Hardcover. Condizione: Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: Good. Good++ in a Good++ dust jacket; Hardcover; Dust jacket is moderatley edgeworn with a few small handling-marks, otherwise is clean and intact, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Boards are clean and glossy, but with a few handling-marks to the front board; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium-Large Format (Quatro, 9.75" - 10.75" tall); 4.2 lbs; Tan dust jacket with photo of building, and title in white lettering; 2007, Routledge Publishing; 480 pages; "Windows: History, Repair and Conservation," by Michael Tutton, et al.

hardcover. Condizione: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Softcover, staple-bound, unpaginated; good condition; light rubbing to covers with some foxing to top edge of cover and first page; 1-inch crease to upper right corner of all pages; no other internal marks. Last page is a piece by Richard Wentworth, torn and taped down center as issued.

64 pp.; 31 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. The Table of Contents lists the name of the artist(s) under the name of the critic who was responsible for their participation." -- Seth Siegelaub. Section curated by David Antin: Dan Graham, Harold Cohen, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier; curated by Germano Celant: Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penono, Emilio Prini, Pistoletto, Gilberto Zorio; curated by Michel Claura: Daniel Buren; curated by Charles Harrison: Keith Arnatt, Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, Victor Burgin, Barry Flanagan, Joseph Kosuth, John Latham, Reolof Louw; curated by Lucy R. Lippard: Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme curated by Hans Strelow: Jan Dibbets, and Hanne Darboven. References : "Sol LeWitt : Artist's Books" by Sol LeWitt, Giorgio Maffei, Emanuele De Donno, Didi Bozzini, Cecilia Metelli, Marilena Bonomo. Sant'Eraclio di Foligno, Italy : Edizioni Viaindustrie, 2009, pp. 38. No. 8.2 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 204. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 208 - 211. Fair / Good. 1.5 cm. tear to bottom of spine and 2 cm. tear to top edge of spine. 2.7 cm. dog-ear to top right corner of recto. 28.2 cm. blue pencil or ink mark on verso. Rubbing of cover edges. Bumping of top right corner of covers and pages. Names of 6 artists on contents page circled in black ink, pages yellowed, contents otehrwise clean and unmarked.

48 pp.; 31.5 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. Curated chapters by David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. Lippard, and Hans Strelow. Artists include Dan Graham, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier, Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penone, Emilio Prini, Pistoletti, Gilberto Zorio, Daniel Buren, Keith Arnatt, Terry Atkinson, David Bainbridge, Harold Hurrell, Michael Baldwin, Victor Burgin, Joseph Kosuth, Barry Flanagan, John Latham, Roelof Louw, Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme, Jan Dibbets, and Hanne Darboven. "This exhibition was organized by requesting six critics to each edit an 8-page section and in turn, to make available their section to the artist(s) that interest them." -- from Siegelaub's introduction. Text in English, German, and French. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 39. "International General, Distributing Independently Produced Vanguard Art Books, Catalogues and Information" by Seth Siegelaub. New York, NY : International General, 1971. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 208-211. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 179. Good / Very Good. Curve to recto with mild rubbing of covers. Light yellowing of pages. Contents otherwise clean and unmarked.