lyonel feininger (761 risultati)

Condizione: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Condizione: Very Good. First Edition. Stated First Edition book in great condition!!

Hardcover. Condizione: Good. No Jacket. Limited Edition. Hardcover in used fair to good shape with no markings. Limited to 78,500 copies stated at colophon.

Condizione: acceptable. The book is complete and readable, with all pages and cover intact. Dust jacket, shrink wrap, or boxed set case may be missing. Pages may have light notes, highlighting, or minor water exposure, but nothing that affects readability. May be an ex-library copy and could include library markings or stickers.

Hardcover. Condizione: Very Good. No Jacket.

Small softcover exhibition catalog, 32 pages, very good condition except museum library stamps on inside covers and 1 page; no other internal marks.

Soft cover. Condizione: Good Plus. No Jacket. 1st Edition. Soft Cover. Good Plus. 1st. 32 pages. 5 x 8" book. 4 color illus.

48pp, (6x9 inches), essays by Leona E. Prasse and Frederick S. Wight, chronology, catalog, frontis plus 29 b&w reproductions. VG- in blue deckle-edged stapled wrappers (soft cover). Spine of cover is sunned (faded), and there is a small water stain at the tail of the spine, affecting the pages as well. No wrinkling of paper, just a light stain.

Trade Paperback. Condizione: USED Good.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condizione: Good. 1st. [18] pages, 49 pages of plates: chiefly colour illustrations; 28 cm. Exhibition held at the Acquavella Galleries, New York, October 15 to November 20, 1985, the Phillips Collection, Washington, D.C., December 14, 1985 to February 9, 1986. A good copy with light marginalia, missing blank flyleaf. Another copy available. *** Features Post-Impressionist works from the early 1900s and Expressionist paintings (beginning around 1908 to World War One) by Feininger, before his crystalline Bauhaus style developed. When Feininger left Germany in the mid-thirties, these paintings were left behind and became inaccessible after the war, held in East Germany. Richly illustrated with colour plates. Size: 4to.

32pp. small obl. 8vo Full-page reproductions, 4 in color. Paperback (pictorial white wrappers). First Edition so stated. Introduction by Eila Kokkinen. Edited by William S. Lieberman. Covers faded, else Fine.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. 1st Edition. Damp staining to rear flap fold of jacket.

Paperback. Condizione: Very Good-. Color and b/w Illustration (illustratore). First Edition. In pictorial wraps, light browning, 8vo(oblong), 32pp. Illustrated. Size: 8vo - over 7 3/4" - 9 3/4" Tall. Book.

Paperback. Condizione: Near Fine. introduction by Eila Kokkinen selections of drawings and prints edited by William S. Lieberman. 32 pages; 7 1/2 x 6 1/2 ".

PAPERBACK. Condizione: Fair. UsedAcceptable; UsedAcceptable; Chipping to spine, no missing/damaged pages, no writing/highlighting throughout, solid binding.

Paperback. Condizione: Good. First Edition. [16] pp.; b/w ill.; 18 cm (12mo.) One small puncture that runs through pages and wraps at bottom fore-edge corner margins, one university stamp on interior of front-wrap. Well packaged in a box; ships with tracking.

Paperback. Condizione: Very Good. First Edition. 41 pp.; b/w & color ill., 23 cm. : Firm binding, no ownership markings, some rubbing along edges of wraps. Well packaged in a box, ships with tracking.

Paperback. Condizione: Good. First Edition. Firm binding, no ownership markings, pealing to paper wraps with portions chipped/missing along spine. Well packaged in a box, ships with tracking.

paperback. Condizione: Very Good. First Edition. 20 pages an 24 unnumbered leaves of b/w plates, 22 cm. : Rubbing and curling to wraps, front-wrap creased, no ownership markings. Well packaged in a box, ships with tracking.

Paperback. Condizione: Fine. First Edition. 15pp. 16 b/w ill., pictorial stapled-wraps, 12mo. : Sharp copy with no ownership markings. Well packaged in a box, ships with tracking.

Soft cover. Condizione: Very Good. 1st Edition. (Introduction by Eila Kokkinen and Edited by William S. Lieberman; Wrappers have light edge wear; Text and Plates are clean, neat and tight). Book.

hardcover. Condizione: Nearly fine copy. Well-illustrated (illustratore). 2nd ed. Small 4to, 64 pp.

Soft cover. Condizione: Near Fine. 1st Edition. 26442 shelf. Slip oblong art exhibition catalog. Pictorial aged white covers, no spine lettering. No names, clean text. Intro: Eila Kokkinen. Editor: William S. Lieberman. With plenty of b/w & color repros. Solid. 32 p. Book.

hardcover. Condizione: Very Good. Pictorial Hardcover clean with light shelfwear. Interior clean, binding secure. No jacket. Your purchase benefits literacy and summer reading programs in Cincinnati and Hamilton County, Ohio. We ship every business day. All books ship in cardboard bookfolds with delivery confirmation. Sets or unusually heavy items ship in a box.

Taschenbuch. Condizione: Gut. 53 Seiten; Das Buch befindet sich in einem gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 110.

paperback. Condizione: Good. Museum of Modern Art, New York [Published Date: 1968]. Paper covers, 32 pp. First edition. In good condition with light bumping and creasing to edges of covers and light overall scuffing and soiling. Binding tight (staple bound). Pages lightly aged but otherwise unmarked. Includes 23 plates (some color). From 1924 through 1935, Lyonel Feininger spent summer vacations in Pomerania on the Baltic coast. Sometimes accompanied by members of his family but often alone, he reserved these months for drawings and watercolors as a respite from easel painting. During a visit in 1928, Feininger encountered a ruined Gothic church in Gelmeroda, a village near Weimar, Germany. This specific church, resonated deeply with Feininger. More than just a subject, it became a symbol of history, time's passage, and spiritual contemplation. Through numerous paintings, drawings, and prints, Feininger explored the church from diverse angles and under varied lighting, capturing its shifting moods and textures. His signature style, characterized by fragmented forms and bold colors, imbued the ruined structure with a sense of dynamism and resilience despite its dilapidated state. In total, the series numbers some thirty drawings and watercolors and three paintings, of which twenty-three are included in this booklet. [From Introduction] They reveal the fascinating metamorphosis of the ruin from factual reality to the precise and pure delineation of form characteristic of Feininger?s work.

Soft cover. Condizione: Good. Dust Jacket Included. Lyonel Feininger: April-May 1969. Feininger, Lyonel. Published by Marlborough-Gerson Gallery (1969) 119p. oversized trade paperback in transparent plastic dust jacket, dj bumped/scuffed, covers bumped/scuffed, binding tight, text clean/unmarked--8.50.

Wraps. Condizione: Very Good -. ill, color and b/w, upper right corner of cover is creased, some discoloration to covers,

Paperback. First Ed, so stated. Very Good+ in Wraps: shows indications of careful use: light wear to extremities; moderate rubbing to the wrapper covers; small, very faint dampstain at the upper rear corner tip; binding square and secure; text clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 16mo. 32pp. Profusely illustrated in color and black & white. Introduction by Eila Kokkinen. Edited by William S. Lieberman. Paperback: Pictorial Wraps. Series of twenty-three drawings and paintings, stimulated by the artists time from Deep, on the Baltic coast Series of drawings and paintings (23) stimulated by his time from Deep in Pomerania on the Baltic coast in Germany. Feininger was the first person appointed by Walter Gropius to the faculty of the Bauhaus. His work was exhibited at the "Degenerate Art" exhibition of the Nazis. This monograph shows the development of one of his works, all of which are quite wonderful to see in person, should you get the chance. He is buried in Hastings-on-Hudson, NY.