Lingua: Inglese
Editore: FINE ARTS MUSEUM, SAN FRANCISCO, 1989
ISBN 10: 0884010600 ISBN 13: 9780884010609
Da: Princeton Antiques Bookshop / Ruffolo Enterprises, Atlantic City, NJ, U.S.A.
PAPERBACK BEIGE. Condizione: GOOD. Illustrated cover. Minor shelf and edge wear, corners some light rubs. Couple of small tears on the side edge of back cover. Color and black and white illustrations. DATE PUBLISHED: 1989 EDITION: 283.
Da: Cottage Street Books, Greenwich, NY, U.S.A.
Prima edizione
Soft cover. Condizione: Fine. 1st Edition. 1997. Yale University Press/ Sterling and Francine Clark Art Institute. 4to. Softcover. First edition. Fine condition. Name on free end paper; otherwise text is clean.
Lingua: Inglese
Editore: Fine Arts Museum of San Francisco, San Francisco, 1992
ISBN 10: 0884010708 ISBN 13: 9780884010708
Da: Andre Strong Bookseller, Blue Hill, ME, U.S.A.
Membro dell'associazione: MABA
Prima edizione
Paperback. Condizione: Near fine. first edition as stated. 10 x 10 in. Paper wraps. Lavish color plates. Condition is NEAR FINE ; like near new on all points. No markings. Art. RGR.
Lingua: Inglese
Editore: Fine Arts Museums of San Francisco: Bedford Arts, San Francisco, 1988
ISBN 10: 0884010600 ISBN 13: 9780884010609
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Paperback. Condizione: Fine. 1st. 283 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held at the Fine Arts Museums of San Francisco, July 2 to September 18, 1988, and other venues. Firm binding, clean inside copy. *** "This volume has been published on the occasion of the first monographic exhibition uniting the majority of the Civil War paintings of Winslow Homer . The essays and related materials that inform this book offer a close reading of Homer's paintings in the cultural context of the Civil War period and the critical responses with which the works were originially received . accompanied by a diverse array of period media illustrations and cartoons, as well as Homer's sketches" - Publisher. *** CONTENTS: A chronology of Homer's early career, 1859-1866, by Sally Mills; Marks of honor and death: sharpshooter and the Peninsular Campaign of 1862, by Christopher Kent Wilson; The bright side: "humorously conceived and truthfully executed", by Marc Simpson; Prisoners from the front: an American history painting?, by Lucretia H. Giese; A harvest of death: the veteran in a new field, by Nicolai Cikovsky, Jr.; "A hand formed to use the brush", by Kristin Hoermann. Size: 4to. Collectible.
Lingua: Inglese
Editore: Hudson Hills Press, New York, 1989
ISBN 10: 1555950256 ISBN 13: 9781555950255
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Square quarto. Softcover. Illustrated wraps. 254 pp. 21 bw, 105 color plates, one fold-out. "Presents more than one hundred works from this collection, selected both for their individual importance and because together they form a representative overview of the history of American painting from 1670 to the mid-twentieth century." (dj). VG (Label remnant & few marks from previous gallery owner.).
Lingua: Inglese
Editore: Hudson Hills Press, New York, 1989
ISBN 10: 1555950256 ISBN 13: 9781555950255
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Dark brown cloth, beige DJ. 254 pp. 21 bw, 105 color plates, one fold-out. "Presents more than one hundred works from this collection, selected both for their individual importance and because together they form a representative overview of the history of American painting from 1670 to the mid-twentieth century." (dj). VG (Label remnant & few marks from previous gallery owner.).
Editore: Smithsonian Institution, Washington, DC, 2010
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Paperback. Condizione: VG. Color-illustrated wraps, red spine with white lettering. 69 + [11] pp. Profusely illustrated in BW and color. "The Archives of American Art holds rich evidence of the impulse of artists to form both emotional and physical communities outside the constraints of mainstream society. For this issue of the Journal, we have invited several historians to use our collections to explore this theme from the late nineteenth century to the very recent past." -- From the Director.
Lingua: Inglese
Editore: Sterling and Francine Clark Art Institute, Williamstown, Mass, 2008
ISBN 10: 0931102766 ISBN 13: 9780931102769
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condizione: VG. Close to new. Quarto. Softcover. Grey-green illus. wraps, 264 pp., many color illus. Released in conjunction with a 2008 exhibition. The title paraphrases American artist James McNeill Whistler, who said, "Paint should not be applied thick. It should be like breath on the the surface of a pane of glass." Catalog is accompanied by these articles: Painting Softly, An Introduction / Marc Simpson -- Whistler, Modernism, and the Creative Afflatus / Marc Simpson -- George Inness, Softness, and the Vapor Barrier / Leo G. Mazow -- True Illusions in Soft Paintings / Cody Hartley -- Materials for Immateriality / Joyce Hill Stoner -- The "Inaction Painters" and Their Moment / Michael J. Lewis -- Reflections on "The Color of Mood" / Wanda M. Corn. Simply stated, an exquisite book, and one that is worthy of any coffee table or personal library.
Da: BWS BKS, Ferndale, NY, U.S.A.
Hardcover. Condizione: New.
Lingua: Inglese
Editore: Hudson Hills Press (Distribution), 1992
ISBN 10: 0884010716 ISBN 13: 9780884010715
Da: BWS BKS, Ferndale, NY, U.S.A.
Hardcover. Condizione: New.
Editore: Paris: The Paris Review, 1958
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. Near VG. 8vo, 192pp, printed wrappers. This scarce early issue includes the first publication of Philip Roth's novella Goodbye, Columbus, an interview with James Jones, and poetry by Robert Bly et al. Unmarked copy, small triangular closed tear to center of front cover, some outer soil and general wear. Not Signed.