Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Lingua: Inglese
Editore: Oxford University Press, Incorporated, 2000
ISBN 10: 0195115031 ISBN 13: 9780195115031
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Used book that is in clean, average condition without any missing pages.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Curbstone Books (edition 1), 2005
ISBN 10: 1931896232 ISBN 13: 9781931896238
Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: Good. 1. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.
Lingua: Spagnolo
Editore: Editorial Pre-Textos (edition 1), 2006
ISBN 10: 8481917400 ISBN 13: 9788481917406
Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: Good. 1. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.
Condizione: very_good.
Da: HPB-Diamond, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Condizione: Good. A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact (including dust cover, if applicable). The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or limited small stickers. Book may have a remainder mark or be a price cutter.
Da: My Dead Aunt's Books, Hyattsville, MD, U.S.A.
Paperback. Condizione: Very Good. Clean nice copy, no marks.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.7.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.7.
Da: One Planet Books, Columbia, MO, U.S.A.
Prima edizione
paperback. Condizione: Good. 1st Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: The Haunted Bookshop, LLC, Iowa City, IA, U.S.A.
Paperback. Condizione: Very Good.
Lingua: Inglese
Editore: Oxford University Press, New York, 2000
ISBN 10: 0195115031 ISBN 13: 9780195115031
Da: Abacus Bookshop, Pittsford, NY, U.S.A.
Prima edizione
softcover. Condizione: Fine copy. 1st. 8vo, 166 pp., Translated from the Spanish by Margaret Carson. Edited with an introduction by Margo Glantz.
EUR 6,56
Quantità: 5 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
EUR 10,76
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: Textbooks_Source, Columbia, MO, U.S.A.
Prima edizione
paperback. Condizione: Good. 1st Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
EUR 6,20
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: NEW.
EUR 6,20
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: NEW.
EUR 7,62
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
EUR 11,83
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Oxford Univ Pr on Demand, Cary, North Carolina, U.S.A., 2000
ISBN 10: 0195115031 ISBN 13: 9780195115031
Da: SuzyQBooks, Salt Lake City, UT, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. First Paperback Edition. Translated from the Spanish by Margaret Carson. Edited and with an Introduction by Margo Glantz.
EUR 12,89
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: New.
Lingua: Inglese
Editore: University of Chicago press, 2005
ISBN 10: 1931896232 ISBN 13: 9781931896238
Da: INDOO, Avenel, NJ, U.S.A.
EUR 15,30
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
Paperback. Condizione: new. Paperback. After her ex-husband dies unexpectedly, Nora Garcia travels to the funeral, back to a Mexican village from her past and the art and music of their life together.The way you hold a cello, the way light lands on a Caravaggio, the way the castrati hit notes like no one else coulda lifetime of conversations about art and music and history unfolds for Nora Garcia as she and a crowd of friends and fans send off her recently deceased ex-husband, Juan. Like any good symphony, there are themes and repetitions and contrapuntal notes. We pingpong back and forth between Noras life with Juan (a renowned pianist and composer, and just as accomplished a raconteur) and the present day (the presentness of the past), where she sits among his familiar things, next to his coffin, breathing in the particular mix of mildew and lilies that overwhelm this day and her thoughts. In Glantzs hands, music and art access our most intimate selves, illustrating and creating our identities, and offering us ways to express love and loss and bewilderment when words cannot suffice. As Nora says, 'Life is an absurd wound: I think I deserve to be given condolences.' After her ex-husband dies unexpectedly, Nora Garcia travels to the funeral, back to a Mexican village from her past and the art and music of their life together. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 15,77
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. After her ex-husband dies unexpectedly, Nora García travels to the funeral, back to a Mexican village from her past and the art and music of their life together.The way you hold a cello, the way light lands on a Caravaggio, the way the castrati hit notes like no one else could-a lifetime of conversations about art and music and history unfolds for Nora García as she and a crowd of friends and fans send off her recently deceased ex-husband, Juan. Like any good symphony, there are themes and repetitions and contrapuntal notes. We pingpong back and forth between Nora's life with Juan (a renowned pianist and composer, and just as accomplished a raconteur) and the present day (the presentness of the past), where she sits among his familiar things, next to his coffin, breathing in the particular mix of mildew and lilies that overwhelm this day and her thoughts. In Glantz's hands, music and art access our most intimate selves, illustrating and creating our identities, and offering us ways to express love and loss and bewilderment when words cannot suffice. As Nora says, 'Life is an absurd wound: I think I deserve to be given condolences.'.
EUR 13,88
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 16,40
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. After her ex-husband dies unexpectedly, Nora García travels to the funeral, back to a Mexican village from her past and the art and music of their life together.The way you hold a cello, the way light lands on a Caravaggio, the way the castrati hit notes like no one else could-a lifetime of conversations about art and music and history unfolds for Nora García as she and a crowd of friends and fans send off her recently deceased ex-husband, Juan. Like any good symphony, there are themes and repetitions and contrapuntal notes. We pingpong back and forth between Nora's life with Juan (a renowned pianist and composer, and just as accomplished a raconteur) and the present day (the presentness of the past), where she sits among his familiar things, next to his coffin, breathing in the particular mix of mildew and lilies that overwhelm this day and her thoughts. In Glantz's hands, music and art access our most intimate selves, illustrating and creating our identities, and offering us ways to express love and loss and bewilderment when words cannot suffice. As Nora says, 'Life is an absurd wound: I think I deserve to be given condolences.'.