Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.
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Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Condizione: very_good. Corners are bent. Cover Case has some rubbing and edgewear. Access codes, CD's, slipcovers and other accessories may not be included.
paperback. Condizione: Very Good.
Condizione: VeryGood unmarked. First Thus. Easy-to-follow tillustrated text ensures a solid foundation in fiddle technique. Dozens of country tunes. Solid clean tight copy. 9 x 12, 95 pp, b/w photos. Oversize Paperback in b/w photo wraps.
paperback. Condizione: New. In shrink wrap.
Editore: Los Angeles Institute of Contemporary Art Los Angeles, CA, 1982
Da: Specific Object / David Platzker, New York, NY, U.S.A.
72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Very Good. Light dust soiling of covers and 1.4 cm. crease/bumping to bottom of publication. 3 mm. tear to top edge of spine. Contents clean and unmarked.
Editore: Los Angeles Institute of Contemporary Art Los Angeles, CA, 1982
Da: Specific Object / David Platzker, New York, NY, U.S.A.
72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Good / Very Good. 2 mm. yellow stain to recto with dust soiling of covers. Additional light soiling across verso. Bumping of corners. Contents clean and unmarked.
EUR 5,60
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Fair. 470 p. ; 22 cm. American literature Dutch Als hun vader ernstig ziek is ontdekken vier zusters dat ze door hem misbruikt en tegen elkaar opgezet zijn. Roman over vader met vier dochters van verschillende vrouwen. Eén van de dochters is lesbisch.