marilyn wagner (42 risultati)

Condizione: Very Good. . With CD!

Paperback. Condizione: Fair.

Paperback. Condizione: Good. Hamann, Marilyn (illustratore).

Paperback. Condizione: Fair. Hamann, Marilyn (illustratore). The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condizione: Good. Hamann, Marilyn (illustratore). Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Good. 3rd Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 3rd Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade paperback. Condizione: Fine. Trade paperback (US). Glued binding. 223 p. Audience: General/trade. No previous owner's name. Clean, tight pages. No bent corners. SC 222.

Trade paperback. Condizione: Fine. Trade paperback (US). Glued binding. Audience: General/trade. No previous owner's name SC 136.

Condizione: Good. Hamann, Marilyn (illustratore). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. Hamann, Marilyn (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Very Good. Hamann, Marilyn (illustratore). Very Good Condition. Five star seller - Buy with confidence!

Paperback. Condizione: Fair. No Jacket. Hamann, Marilyn (illustratore). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. 2nd. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Condizione: Very Good. 3rd Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Near Fine. hardcover in near fine condition.

Condizione: Good. Hamann, Marilyn (illustratore). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Near Fine. 1st Edition. Near Fine First Edition/ First Printing ADVANCE READING COPY/ UNCORRECTED PROOF 1999 Stories about People.

PAPERBACK. Condizione: Very Good. B005DKF6DI The cover shows only moderate wear and has a few small marks. Overall, the book is still in excellent shape. Ships, well packaged and very quickly, from MI. The condition selected for the item is accurate and consistent with our other listings of the same general condition. If you have any questions or you would like additional details about the item or pictures, please do not hesitate to contact us. We will get back to you as quickly as possible. Please buy with confidence from us, as we have several thousand satisfied customers and your satisfaction is the goal we strive to achieve with every transaction.

paperback. Condizione: Good.

Paperback. Condizione: As New. 4th. Very nice book with light wear. There are two small red marks on the outer page edges.

Paperback. Condizione: Brand New. 104 pages. 8.50x5.50x0.26 inches. In Stock.

Paperback. Condizione: Brand New. 122 pages. 8.50x5.50x0.31 inches. In Stock.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Pages clean and bright. Wrappers have light handling wear and a few small soiled spots on front. ; Contents: A range of critical perspectives: the subject in/of art history (Whitney Davis, Alice T. Friedman, Rosalind Krauss, Linda Seidel, Richard Shiff, Lowery Stokes Sims, David Summers, Richard Vinograd). Chave, New encounters with Les Demoiselles d'Avignon: gender, race, and the origins of cubism. Wagner, Why Monet gave up figure painting. Worley, The image of Ganymede in France, 1730-1820: the survival of a homoerotic myth. Dunn, Piety and patronage in seicento Rome: two noblewomen and their convents. Nova, Folengo and Romanino: the Questione della Lingua and its eccentric trends. Zeitler, Cross-Cultural interpretation of imagery in the Middle Ages. Cohen, From bowman to clubman,Herakles and Olympia. Reviews. Abstracts of articles. Index to volume 76, 1994. ; 11.5" tall; 170 pages.

Soft cover. Condizione: Fine. 1st Edition. 518 pp., x. '10' in number line. Profusely illustrated with black and white illustrations. Following the Preface and "Introduction: The Expanding Discourse", Contents divided into 29 successive Essays: (1) Margaret R. Miles, "The Virgin's One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture"; (2) Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture"; (3) Mary D. Garrard, "Leonardo da Vinci: Female Portraits, Female Nature"; (4) Patricia L. Reilly, The Taming of the Blue: Writing Out Color in Renaissance Theory"; (5) Lilian Zirpolo, "Botticelli's Primavera: A Lesson for the Bride"; (6) Rona Goffen, "Titian's Sacred and Profane Love and Marriage"; (7) Yael Even, "The Loggia dei Lanzi: A Showcase of Female Subjugation"; (8) Margaret D. Carroll, "The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence"; (9) Natalie Boymel Kampen, "The Muted Other: Gender and Morality in Augustan Rome and Eighteenth-Century Europe"; (10) Anne Higonnet, "Secluded Visiion: Images of Feminine Experience in Nineteenth-Century Europe"; (11) James M. Saslow, " ' Disagreeably Hidden ' : Construction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair"; (12) Tamar Garb, " ' L'Art Feminin ' : The Formation of a Critical Category in Late Nineteenth-Century France"; (13) Linda Nochlin, "Morisot's Wet Nurse: The Construction of Work and Leisure in Impressionist Painting"; (14) Griselda Pollock, "Modernity and the Spaces of Femininity"; (15) Norma Broude, "Edgar Degas and French Feminism, ca. 1880: ' The Young Spartans ', The Brothel Monotypes, and the Bathers Revisited"; (16) Tamar Garb, "Renoir and the Natural Woman"; (17) Abigail Solomon-Godeau, "Going Native: Paul Gauguin and the Invention of Primitivist Modernism"; (18) Peter Brooks,"Gauguin's Tahitian Body"; (19) Carol Duncan, "The MoMA's Hot Mamas"; (20) Marilyn Lincoln Board, "Constructing Myths and Ideologies in Matisse's Odalisques"; (21) Mary Ann Caws, "Ladies Shot and Painted: Female Embodiment in Surrealist Art"; (22) "Janice Helland, "Culture, Politics, and Identity in the Paintings of Frida Kahlo"; (23) Helen Langa, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Project"; (24) Anne M. Wagner, "Lee Krasner as L.K."; (25) Barbara Buhler Lynes, "Georgia O'Keeffe and Feminism: A Problem of Position"; (26) Josephine Withers, "Judy Chicago's Dinner Party: A Personal Vision of Women's History"; (27) Lowery S. Sims, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America"; (28) Freida High W. Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold"; (29) Craig Owens, "The Discourse of Others: Feminists and Postmodernism"; Notes on the Contributors, pp. 503-505; Index, pp. 506-518. Glossy decorative green wrappers with Title and Editor names in White letters across top third and bottom front cover, respectively. Subtitle in yellow, just above a large, middle-lower middle, front cover, color illustration of Edgar Degas' "Spartan Girls Challenging Boys". Tiny nick to lower left spine corner and similar tiny nick to left edge spine near midpoint; small, soft crease, diminishingly, at top corners, pp. 11-40, First three pages of #8 Essay (Carroll) have small amount of yellow highlighting and first five pages of Essay #14 (Pollock), similarly,(i.e., 8 pp of 518 pp) : describes worse than it is, but there you have it. Virtually As New: Tight binding (NO cracks); square corners; NO remainder marks; NO previous owner names. Essentially, Clean text. Solid copy.

Softcover. Condizione: Very Good. First Edition; First Printing. The Mid-America Press (Warrensburg Mo) , paperback, c 1981, paperback, stated: First Edition, Very Good (previous owner's note on title page, quarter-inch tear at the top edge of the rear hinge, check mark by one poem) , 58 pages, POETRY; H0252 W POE; 8vo 8" - 9" tall; 58 pages.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Very Good. 1st Edition. [1st edition] ; vi, 281 pp. ; ISBN: 0867093455 (acid-free paper); 9780867093452 (acid-free paper) LCCN: 94-28627 ; OCLC: 30780278 ; offers vivid classroom situations in which the need for practical application of teaching methods is required ; VG. Book.