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Editore: University of Minnesota Press, 2023
ISBN 10: 1517911389 ISBN 13: 9781517911386
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Lingua: Inglese
Editore: University of Minnesota Press, 2023
ISBN 10: 1517911389 ISBN 13: 9781517911386
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Lingua: Inglese
Editore: University of Minnesota Press, 2023
ISBN 10: 1517911389 ISBN 13: 9781517911386
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Paperback. Condizione: Very Good+. Text clean and tight; Contemporary Approaches To Film And Media Studies; 8vo 8" - 9" tall; 216 pages.
Lingua: Inglese
Editore: University of Minnesota Press, 2023
ISBN 10: 1517911389 ISBN 13: 9781517911386
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Lingua: Inglese
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ISBN 10: 1517911389 ISBN 13: 9781517911386
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Aggiungi al carrelloPaperback. Condizione: New. An exploration of how film has made legible the Italian long '68 as a moment of crisis and transitionTraditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68.Italian Political Cinema conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.
Editore: University of Minnesota Press,, 2022
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ISBN 10: 1517911389 ISBN 13: 9781517911386
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Lingua: Inglese
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Aggiungi al carrelloCondizione: New. 2023. Paperback. . . . . .
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Lingua: Inglese
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hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Lingua: Inglese
Editore: University of Minnesota Press, 2023
ISBN 10: 1517911389 ISBN 13: 9781517911386
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Aggiungi al carrelloCondizione: New. Über den AutorMauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Lingua: Inglese
Editore: University Of Minnesota Press Jan 2023, 2023
ISBN 10: 1517911389 ISBN 13: 9781517911386
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - 'Traditionally, the definition of political cinema assumes a relationship between cinema and politics, but Mauro Resmini sees this relationship as an impasse. He turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles known as the long '68'.
Lingua: Inglese
Editore: University of Minnesota Press, US, 2023
ISBN 10: 1517911389 ISBN 13: 9781517911386
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Aggiungi al carrelloPaperback. Condizione: New. An exploration of how film has made legible the Italian long '68 as a moment of crisis and transitionTraditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68.Italian Political Cinema conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.
Lingua: Inglese
Editore: University of Minnesota Press, 2023
ISBN 10: 1517911389 ISBN 13: 9781517911386
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Italian Political Cinema | Figures of the Long '68 | Mauro Resmini | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2023 | University of Minnesota Press | EAN 9781517911386 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Lingua: Inglese
Editore: University of Minnesota Press, 2023
ISBN 10: 1517911370 ISBN 13: 9781517911379
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Lingua: Inglese
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Aggiungi al carrelloHardback. Condizione: New. An exploration of how film has made legible the Italian long '68 as a moment of crisis and transitionTraditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68.Italian Political Cinema conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.