Da: Zoom Books East, Glendale Heights, IL, U.S.A.
Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.
Lingua: Inglese
Editore: Metropolitan Museum of Art (edition ), 2011
ISBN 10: 0300176422 ISBN 13: 9780300176421
Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.
Lingua: Inglese
Editore: Metropolitan Museum of Art, 2011
ISBN 10: 0300176422 ISBN 13: 9780300176421
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Metropolitan Museum of Art, 2011
ISBN 10: 0300176422 ISBN 13: 9780300176421
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Lingua: Inglese
Editore: Metropolitan Museum of Art, 2011
ISBN 10: 0300176422 ISBN 13: 9780300176421
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Used book that is in clean, average condition without any missing pages.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Used book that is in clean, average condition without any missing pages.
Da: HPB-Emerald, Dallas, TX, U.S.A.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
hardcover. Condizione: Used-Very Good. Illustrated. Cloth, d.j. 4to. Profusely illus. Some shelf-wear. Else bright, clean copy.
Da: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
hardcover. Condizione: New. Brand New.
Da: Book Outpost, Blawnox, PA, U.S.A.
EUR 12,35
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand new.New.
Da: Book Outpost, Blawnox, PA, U.S.A.
EUR 12,35
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: Like New. Never used! Light wear to corners/edges from shelving. Wholesale pricing available via Amazon business.Never used! Light wear to corners/edges from shelving.
Lingua: Inglese
Editore: Getty Publications, Los Angeles CA, 2011
ISBN 10: 1606060775 ISBN 13: 9781606060773
Da: Chequamegon Books, Washburn, WI, U.S.A.
hardcover. Condizione sovraccoperta: As New. 2nd printing. ex library with the usual markings, written to be accessible and interesting to curators, art historians, and painters as well as conservators.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: The Metropolitan Museum of Art, New York, 2011
Da: Ultramarine Books, Brooklyn, NY, U.S.A.
Paperback. Condizione: Fine. New York: The Metropolitan Museum of Art, 2011. 48 pages; color illustrated, including one 3-panel foldout. The restoration and the hanging of the masterpiece. Met Bulletin Fall 2011. Clean throughout. Pictorial Wrapper (softcover). Fine. 4to. Museum Bulletin.
Lingua: Inglese
Editore: Florence Griswold Museum, Old Lyme CT, 2008
Da: LBH Books, Los Angeles, CA, U.S.A.
Soft cover. Condizione: Very Good. 8 pages. Includes essay, color illustrations, and suggestions for further reading. Softcover in pristine condition with some very light shelf wear to cover. Inside clean and binding tight.
Condizione: Fine. 64 pp., paperback, previous owner's name to half title page, else fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Editore: Metropolitan Museum of Art, New York, 2011
Da: Cat's Cradle Books, Archdale, NC, U.S.A.
Soft Cover. Condizione: Very Good with no dust jacket. Tightly stapled binding, clean and bright pages. Wrappers have light shelf wear. Contents: Barratt, Washington Crossing the Delaware and the Metropolitan Museum. Mayer and Myers, Emanuel Leutze's Washington Crossing the Delaware through conservators' eyes. Wilner and Smeaton, Setting a Jewel: re-creating the original frame for Washington Crossing the Delaware. ; 11.0" (28 cm) tall; 48 pages.
Lingua: Inglese
Editore: J. Paul Getty Museum October 2011, 2011
ISBN 10: 1606060775 ISBN 13: 9781606060773
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condizione: Used - Like New. This is the first comprehensive study of an important but largely unknown part of the history of American art: the materials and techniques used by American painters. Based on extensive research, including artists' recipe books, letters, journals, and painting manuals, much previously unpublished, the authors have also drawn on their many years as conservators of paintings for museums and collectors. Information is provided on the methods of painters such as Benjamin West, Gilbert Stuart, Washington Allston, Thomas Sully, Thomas Cole, and William Sidney Mount. Topics include the quest for the 'secrets' of the Old Masters; how artists saw their paintings changing over time; the application of 'toning' layers; and the evolving self-confidence of American experimenters and innovators. This book will be of interest to curators, art historians, painters, and conservators and will form the basis for future research on American painting techniques. At a time of discovering new approaches to art history, the story of how paintings were made parallels the better-known histories about how styles changed and how paintings were commissioned, exhibited, and sold. This is the first comprehensive study of an important but largely unknown part of the history of American art: the materials and techniques used by American painters. Based on extensive research, including artists' recipe books, letters, journals, and painting manuals, much previously unpublished, the authors have also drawn on their many years as conservators of paintings for museums and collectors. Information is provided on the methods of painters such as Benjamin West, Gilbert Stuart, Washington Allston, Thomas Sully, Thomas Cole, and William Sidney Mount. Topics include the quest for the 'secrets' of the Old Masters; how artists saw their paintings changing over time; the application of 'toning' layers; and the evolving self-confidence of American experimenters and innovators. This book will be of interest to curators, art historians, painters, and conservators and will form the basis for future research on American painting techniques. At a time of discovering new approaches to art history, the story of how paintings were made parallels the better-known histories about how styles changed and how paintings were commissioned, exhibited, and sold. BEAUTIFUL COPY!!! Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.
hardcover. Condizione: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!
Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Condizione: good.
Hardcover. Condizione: Very Good. Very Good, clean pages, binding square and tight, minor shelf wear.
Da: HPB-Diamond, Dallas, TX, U.S.A.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: Phatpocket Limited, Waltham Abbey, HERTS, Regno Unito
EUR 15,08
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Editore: Getty Publications (2011), Los Angeles, CA, 2011
Da: Ray Boas, Bookseller - Established 1980, Walpole, NH, U.S.A.
HC. color illustrations (illustratore). 249pp ISBN 1606060775 fine w/very good dustjacket (hardcover).