Lingua: Inglese
Editore: University of North Carolina Press, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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paperback. Condizione: Good.
Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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paperback. Condizione: Fine.
Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Lingua: Inglese
Editore: The University of North Carolina Press, US, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Aggiungi al carrelloPaperback. Condizione: New. Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the ""texts"" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris.
Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Lingua: Inglese
Editore: MP-NCA Uni of North Carolina, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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paperback. Condizione: New. Illustrated. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Lingua: Inglese
Editore: University of North Carolina Press 3/1/2018, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Modernism Versus Traditionalism: Art in Paris, 1888-1889. Book.
Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Editore: John Hopkins University Press for the North American Patristics Society, Baltimore, Maryland, 1999
ISBN 10: 0010676341 ISBN 13: 9780010676341
Da: Andover Books and Antiquities, Andover, MA, U.S.A.
Softcover. 186 pp. Volume 7, Number 1 (Spring 1999). Softcover. Very good condition; touches of wear on covers.
Lingua: Inglese
Editore: The University of North Carolina Press, Chapel Hill, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the ""texts"" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris. Considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the texts that form the intellectual heart of every reacting game. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: The University of North Carolina Press, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
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Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Aggiungi al carrelloPaperback. Condizione: Brand New. 43 pages. 9.75x7.75x0.25 inches. In Stock.
Lingua: Inglese
Editore: The University of North Carolina Press, Chapel Hill, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the ""texts"" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris. Considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the texts that form the intellectual heart of every reacting game. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: The University of North Carolina Press, US, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Aggiungi al carrelloPaperback. Condizione: New. Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the ""texts"" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris.
Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Brand New. 43 pages. 9.75x7.75x0.25 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Aggiungi al carrelloCondizione: New. Print on Demand pp. 58.
Lingua: Inglese
Editore: The University of North Carolina Press, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Aggiungi al carrelloPaperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
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Lingua: Inglese
Editore: J. Murrey Atkins Library at UNC Charlotte, 2018
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Lingua: Inglese
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images .
Lingua: Inglese
Editore: The University Of North Carolina Press, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
Da: AHA-BUCH GmbH, Einbeck, Germania
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the "texts" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde artcreated byartists such as Van Gogh and Gauguin. Also included are the Impressionists and Americanartists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris.
Lingua: Inglese
Editore: The University of North Carolina Press, 2018
ISBN 10: 1469641267 ISBN 13: 9781469641263
Da: preigu, Osnabrück, Germania
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Modernism versus Traditionalism | Art in Paris, 1888-1889 | Gretchen K. McKay (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2018 | The University of North Carolina Press | EAN 9781469641263 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.