Menne jeff (101 risultati)
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: Books From California, Simi Valley, CA, U.S.A.Books From California
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EUR 3,16
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paperback. Condizione: Good. Book shows light shelf & handling wear. Pages are clean, intact and unmarred.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
- Prima edizione
Da: One Planet Books, Columbia, MO, U.S.A.One Planet Books
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paperback. Condizione: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: WeBuyBooks, Rossendale, LANCS, Regno UnitoWeBuyBooks
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Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual st…amps & stickers.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
- Prima edizione
Da: Textbooks_Source, Columbia, MO, U.S.A.Textbooks_Source
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EUR 11,97
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paperback. Condizione: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 11,18
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: MO - University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 20,72
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 23,90
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Condizione: New.
Lingua: Inglese
Editore: University of Illinois Press, US 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 26,32
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: New. Acclaimed as one of the most influential and innovative American directors, Francis Ford Coppola is also lionized as a maverick auteur at war with Hollywood's power structure and an ardent critic of the postindustrial corporate America it reflects. However, Jeff Menne argues that Coppola exemplifies… the new breed of creative corporate person and sees the director's oeuvre as vital for reimagining the corporation in the transformation of Hollywood. Reading auteur theory as the new American business theory, Menne reveals how Coppola's vision of a new kind of company has transformed the worker into a liberated and well-utilized artist, but has also commodified individual creativity at a level unprecedented in corporate history. Coppola negotiated the contradictory roles of shrewd businessman and creative artist by recognizing the two roles are fused in a postindustrial economy. Analyzing films like The Godfather (1970) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family--and how his studio American Zoetrope came to represent a new brand of auteurism and the model for post-Fordist Hollywood.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 25,94
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: Hollywood Canteen Inc., Toronto, ON, CanadaHollywood Canteen Inc.
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EUR 22,47
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Paperback. Condizione: As New. 2025 may.
Lingua: Inglese
Editore: Columbia University Press 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 29,80
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Univ of Illinois Pr 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: Revaluation Books, Exeter, , Regno UnitoRevaluation Books
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EUR 20,95
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Paperback. Condizione: Brand New. 148 pages. 7.00x5.00x0.50 inches. In Stock.
Lingua: Inglese
Editore: University of Illinois Press, Baltimore 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 35,22
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Paperback. Condizione: new. Paperback. Acclaimed as one of the most influential and innovative American directors, Francis Ford Coppola is also lionized as a maverick auteur at war with Hollywood's power structure and an ardent critic of the postindustrial corporate America it reflects. However, Jeff Menne argues that Coppola ex…emplifies the new breed of creative corporate person and sees the director's oeuvre as vital for reimagining the corporation in the transformation of Hollywood. Reading auteur theory as the new American business theory, Menne reveals how Coppola's vision of a new kind of company has transformed the worker into a liberated and well-utilized artist, but has also commodified individual creativity at a level unprecedented in corporate history. Coppola negotiated the contradictory roles of shrewd businessman and creative artist by recognizing the two roles are fused in a postindustrial economy. Analyzing films like The Godfather (1970) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family--and how his studio American Zoetrope came to represent a new brand of auteurism and the model for post-Fordist Hollywood. Reading auteur theory as the new American business theory, the author reveals how Francis Ford Coppola's vision of a new kind of company has transformed the worker into a liberated and well-utilized artist, but has also commodified individual creativity at a level unprecedented in corporate history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
- Prima edizione
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2014. First Edition. Paperback. . . . . .
Lingua: Inglese
Editore: Columbia University Press 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.
Lingua: Inglese
Editore: Columbia University Press, US 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 37,28
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Paperback. Condizione: New. The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creati…ve individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood's corporate project.Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas's Bryna Productions, Altman's Lion's Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system's sclerotic production process-with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the "creative economy.".
Lingua: Inglese
Editore: Columbia University Press 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Columbia University Press, US 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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EUR 38,67
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Paperback. Condizione: New. The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creati…ve individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood's corporate project.Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas's Bryna Productions, Altman's Lion's Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system's sclerotic production process-with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the "creative economy.".
Lingua: Inglese
Editore: Columbia University Press 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 32,11
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Condizione: new.
Lingua: Inglese
Editore: Columbia University Press 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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EUR 38,92
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 30,91
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Condizione: New. 2014. First Edition. Paperback. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Columbia University Press, New York 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 41,96
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Paperback. Condizione: new. Paperback. The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to em…body creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood's corporate project.Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas's Bryna Productions, Altman's Lion's Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system's sclerotic production process-with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the "creative economy." Jeff Menne rewrites the history of the New Hollywood boom of the late 196s and 197s, arguing that auteur theory served to reconcile directors to Hollywoods corporate project. Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the creative economy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Columbia University Press 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 31,26
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Condizione: New. 2019. Paperback. . . . . .
Lingua: Inglese
Editore: Columbia University Press 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: Majestic Books, Hounslow, , Regno UnitoMajestic Books
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EUR 36,52
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Condizione: New. pp. 272.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 26,86
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Condizione: New.
Lingua: Inglese
Editore: University of Illinois Press 2014
Serie: Contemporary Film Directors, Libro 37 di 58. Libro 37 di 58 - Contemporary Film Directors
- Brossura
Da: THE SAINT BOOKSTORE, Southport, , Regno UnitoTHE SAINT BOOKSTORE
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EUR 29,24
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Columbia University Press 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 38,67
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Condizione: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Columbia University Press 2019
Serie: Film and Culture, Libro 63 di 86. Libro 63 di 86 - Film and Culture
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 31,70
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Condizione: New.
