Lingua: Inglese
Editore: University of Chicago Press October 2016, 2016
ISBN 10: 022642510X ISBN 13: 9780226425108
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condizione: Used - Very Good. Copublished with the National Gallery of Art in celebration of Virginia Dwan s gift to the Gallery of her extraordinary personal collection, Dwan Gallery explores her remarkable career. Dwan is one of the most influential figures in the history of twentieth-century American art. Her eponymously named galleries, the first established in a Los Angeles storefront in 1959, followed by a second in New York in 1965, became a beacon for influential postwar American and European artists. She sponsored the debut show for Yves Klein in the United States, and she championed such artists as Franz Kline, Robert Rauschenberg, Claes Oldenburg, Sol LeWitt, and Ad Reinhardt. Her Los Angeles gallery featured abstract expressionism, neo-Dada, and pop, while the New York branch became associated with the emerging movements of minimalism and conceptualism. At the same time, the gallery s influence expanded to remote locations in Nevada, Utah, and Arizona, where Dwan sponsored such iconic earthworks as Robert Smithson s Spiral Jetty, Michael Heizer s Double Negative, and Walter De Maria s Lightning Field. Though Dwan was a major force in the art world of the sixties and seventies, her story and the history of her gallery have been largely unexplored until now. Alongside lush full-color images of one hundred leading artworks, the book deepens our understanding of the artistic exchanges Dwan facilitated during this age of mobility, when air travel and the interstate highway system linked the two coasts and transformed the making of art and the sites of its exhibition. James Meyer, the curator of the exhibition and the foremost authority on minimal art, contributes an essay that is a sophisticated and broad-ranging analysis of Dwan s legacy. Honoring Dwan s significant influence and impact on postwar art, Dwan Gallery is a rich and informative collection that will be treasured by fans of contemporary art.' This is the catalogue for an exhibition organized by the National Gallery of Art in Washington, DC, which explores the considerable contributions of Virginia Dwan and her legendary gallery to post-WWII American art.It is being carefully curated by Press author James Meyer. Founded by Virginia Dwan in 1959, the Dwan Gallery was a leading avant-garde space with locations in Los Angeles and New York, presenting the art of Franz Kline, Robert Rauschenberg, Claes Oldenburg, Sol LeWitt, and Robert Smithson, among others. Where the Los Angeles gallery featured abstract expressionism, neo-dada, and Pop, the New York branch reflected the emerging movements of minimalism, conceptualism, and land art. The activities of the Dwan Gallery transpired not just in and between Los Angeles, New York, and Paris, but also in the wilderness of the American West, where Dwan fostered a new genre of art known as earthworks (land art). A keen follower of the Parisian art scene, Dwan also gave many nouveaux realistes such as Yves Klein their debut shows in the United States.' wrapped in complimentary Brodart dust jacket protector. Very nice clean, tight copy free of any marks.
Lingua: Inglese
Editore: National Gallery of Art, Washington (DC), 2016
ISBN 10: 022642510X ISBN 13: 9780226425108
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: VG+/VG+. Hardcover, gray cloth with color dustjacket with 408 pp generously illustrated with BW and color reproductions. Virginia Dwan, founder of leading avant-garde galleries in Los Angeles and New York between 1959 and 1971, was a major force in an art world made increasingly mobile by commercial jets and the interstate highway system. New York artists Franz Kline, Philip Guston, Ad Reinhardt, Robert Rauschenberg, and Claes Oldenburg, along with the Los Angeles-based Edward Kienholz, were among those who had shows in Dwan's Westwood gallery. A keen follower of the Parisian art scene, Dwan also gave Yves Klein and Martial Raysse their American debuts. Her 1962 group show My Country 'Tis of Thee is among the earliest exhibitions of pop art. Dwan supported artists who challenged the limits of art's status as both object and commodity and who eventually developed an art sited outside the gallery in remote locations in the American West. If the Los Angeles gallery featured abstract expressionism, neo-Dada, and pop, the New York branch broke ground with brilliant presentations of minimalism (10, 1966), conceptual art (Language II-IV, 1968-1970), and land art featuring the work of Carl Andre, Sol LeWitt, Robert Morris, and others (Earthworks, 1968). Dwan sponsored iconic earthworks such as Robert Smithson's Spiral Jetty, Michael Heizer's Double Negative, Walter De Maria's 35-Pole Lightning Field, and Charles Ross's Star Axis. This is the storied history of the Dwan Gallery told by an astute scholar of modern art, the gallerist herself, and a meticulous researcher.
Lingua: Inglese
Editore: National Gallery of Art Washington and University of Chicago Press, 2016
ISBN 10: 022642510X ISBN 13: 9780226425108
Da: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 408 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
EUR 100,35
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 408 pages. 12.00x10.50x1.50 inches. In Stock.