Condizione: good. Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Contemporary Arts Museum Houston, 1995
ISBN 10: 0936080361 ISBN 13: 9780936080369
Da: W. Lamm, Los Angeles, CA, U.S.A.
Prima edizione
Soft Cover. Condizione: Fine. First Edition; First Printing. Profusely illustrated. With essays by Lynn M. Herbert, Davie Hickey, Walter Hopps, and David Levi Strauss. Published on the occasion of the exhibition at the Contemporary Arts Museum, Houston, April 8 to June 25, 1995. ; Tight, clean and crisp. In excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; 4to; 96 pages.
Lingua: Inglese
Editore: Contemporary Arts Museum, Houston / Harry N. Abrams Inc. Houston / New York, TX / NY, 1995
ISBN 10: 0810926547 ISBN 13: 9780810926547
Da: Specific Object / David Platzker, New York, NY, U.S.A.
96 pp.; 27 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 8 - June 25, 1995. Essays by Lynn M. Herbert, Dave Hickey, Walter Hopps, and David Levi Strauss. Includes biographies for Michael Galbreth and Jack Massing [The Art Guys], exhibition history, selected bibliography, and a checklist of the exhibition. Very Good. Slight rubbing and scratching of covers. Bumping at top right corner of publication. Additional light edge wear. Contents clean and unmarked.
Da: Outer Print, Richmond, VA, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Near Fine hardcover in a Near Fine dust jacket. Inscribed and Signed by Galbreth and Massing to noted conceptual artist Doug Michels, co-founder of Ant Farm. Overall a bright and attractive copy. Illustrated throughout. Signed by Author(s).
Editore: Anchorage Museum, Anchorage, Alaska, 2007
Da: L. Lam Books, Winnipeg, MB, Canada
EUR 13,12
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. No Jacket. Unpagnated with B/W and full-colour illustrations. Three-hole punched with eyelet binding. Catalogue for an exhibition from November 12, 2006 to February 11, 2007 at the Anchorage Museum. Usual ex-library markings. This is a slim volume so srders within North America can be shipped by more economical oversized lettermail. Bookseller will reduce the cost of shipping when confirming order.
Da: Moe's Books, Berkeley, CA, U.S.A.
Prima edizione Copia autografata
Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Signed by both Art Guys, Jack Massing and Michael Galbreth. Excellent condition; very light wear along top edge of jacket.
Editore: Harry N. Abrams, New York, 2000
Da: Caledonia Books, Glasgow, Regno Unito
Prima edizione
EUR 11,81
Quantità: 1 disponibili
Aggiungi al carrelloPictorial Cased Boards. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Illustrated. D/w lightly rubbed at top edges, with some minor shelfwear. Additional postage might be required; please e-mail for quote. Size: 4to - over 9¾" - 12" tall.
Editore: Harry N Abrams, New York, 2004
Da: Old New York Book Shop, ABAA, Atlanta, GA, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Quarto. A fine copy in like dust jacket Signed by the Art Guys. name on front fly leaf Signed by Author(s).
Da: Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, Francia
EUR 29,00
Quantità: 1 disponibili
Aggiungi al carrelloCouverture rigide. Condizione: Très bon état. With essays by Dave Hickey and Shaila Dewan and a conversation with Todd Oldham. In-4, cartonnage illustré, sous jaquette illustrée, photographies en noir et en couleurs, 119 pp. En anglais. Très bon état d'occasion. Une performande d'art post-conceptuel, par Dave Hickey & The Art Guys. Ils ont traversé les Etats-Unis vêtus d'habits conçus par le designer Todd Oldham, sur lesquels ils avaient collé les auto-collants publicitaires de 56 compagnies américaines. Outre de très nombreuses photographies de cette hilarante épopée, cet ouvrage contient des textes et une interview qui élairent une entreprise de critique de notre société de consommation. The Art Guys sont Jack Massing et Michael Galbreth. Ils se sont rencontrés à l'université de Houston en 1983 et travaillent ensemble depuis. The Suits project was conceived in the fall of 1996 as an all-out, super public, totally social, transcontinental art event in which those impudent Pimpernels of post-conceptual performance art, The Art Guys, would appear at any and all events where people appear simply to make an appearance. in-4°.
Lingua: Inglese
Editore: Longmans, Green And Co., New York City Ny, 1930
Da: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. Headpieces And Jacket By E. E. Thurston (illustratore). 1st Edition. Vii, 307 Pp. Dark Blue Cloth, Gilt. First Edition Stated. Near Fine, Gilt Brilliant, No Marks. Dust Jacket Priced $3.00, Wear, Small Losses At Corners, 2 3/4" X 1 1//2" Deep V-Chip At Top Of Rear Panel. Interesting Commentaries, Revealing About What Prominent Americans Thought Civilization Was (In 1930). However, The Beard Studies Omit Any Response From Any In The Great Masses Of The World Who Do Not Invent Or Manufacture, Nor Own Or Manage, The Technological Enterprises Which Are The Essence Of Technological Development, Which Is The Primary Concern Of These Respondents; Nor Has Any Study In The Succeeding 90 Years Attempted To Explore The Meaning Of Culture So Except In The Most Superficially Journalistic And Condescending Manner. But What Could Go Wrong? Aren't The Elites, After All, Elite? It Isn't Like Unprincipled Demagogues, Secure With All The Advantages Of Modern Technology, Would Incite Violence Amongst The Vast Majority, With Relatively Ever-Declining Options Ever-Declining Self-Esteem And Relatively Ever-Declining Standards Of Living. Why Bother Talking To Them To See Anything More Than Whether They Agree Or Not? And Who Will Ever Want To Read Ordinary People's Opinions When The Questions They're Asked Are Always Stupidly Closed-Ended And Never Followed Up By Why Etc.?