mick jagger keith richards brian (7 risultati)

Vintage reference photograph from the landmark 1970 documentary, showing directors Albert Maysles and David Maysles with Mick Jagger. Mimeo snipe on the verso. From the archive of film historian and author Joel Finler. Directed by cinema verite pioneers Albert and David Maysles and Charlotte Zwerin, the documentary follows the final weeks of The Rolling Stones' historic 1969 US tour, from performances at Madison Square Garden and Muscle Shoals, Alabama, to the legendarily disastrous and extraordinarily violent Altamont Free Concertlater described by Rolling Stone magazine as "perhaps rock and roll's all-time worst day, December 6th, a day when everything went perfectly wrong." On the recommendation of the Grateful Dead, informal security for the Altamont show was provided by the Hells Angels, leading to a number of escalating conflicts between the unruly bikers and the increasingly drunk and drug-addled hippies in the audience. The violence culminated in the death by stabbing of an 18 year-old audience member, captured in its entirety on camera, along with the accidental deaths of three others at the show. A film associated with the Direct Cinema movement of the 1950s and 1960s, but just as much with the beginning of a new style of "reactionary" documentary filmmaking, wherein the events being documented lead the film rather than the film being led by a preconceived idea. Considered by many to be the greatest rock documentary ever made, encapsulating the chaotic, bleak, and ultimately timely downfall of the peace and love era. Shot on location in Alabama, New York, and California. 10 x 8 inches. Near Fine. Criterion Collection 99.

Vintage matte finish oversize photograph of the Rolling Stones onstage in 1966. SIGNED by noted photographer Jini Dellaccio on the bottom right corner of the recto. Jini Dellaccio was one of the most prestigious photographers of American rock and pop acts during the 1960s. Many of her photographs were used for album covers and posters, and her work has been the subject of several retrospective exhibitions, and the subject of a 2013 documentary, "Her Aim Is True." From the archive of the PIX Agency, an American photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. 14 x 11 inches, archivally mounted in a white mat measuring 20 x 16 inches. Near Fine.

Seven vintage borderless black-and-white double weight photographs from the 1970 documentary film. The legendary documentary followed the final weeks of the Rolling Stones' historic 1969 US tour, from performances at Madison Square Garden and Muscle Shoals, Alabama, to the legendarily disastrous and extraordinarily violent Altamont Free Concertlater described by "Rolling Stone" magazine as "perhaps rock and roll's all-time worst day, December 6th, a day when everything went perfectly wrong." On the recommendation of the Grateful Dead, informal security for the Altamont show was provided by the Hells Angels, leading to a number of escalating conflicts between the unruly bikers and the increasingly drunk and drug-addled hippies in the audience. The violence culminated in the death by stabbing of an 18 year-old audience member, captured in its entirety on camera, along with the accidental deaths of three others at the show. A film associated with the Direct Cinema movement of the 1950s and 1960s, but just as much with the beginning of a new style of "reactionary" documentary filmmaking, wherein the events being documented lead the film rather than the film being led by a preconceived idea. Considered by many to be the greatest rock documentary ever made, encapsulating the chaotic, bleak, and ultimately timely downfall of the peace and love era. Shot on location in Alabama, New York, and California. Approximately 9.5 x 7 inches. Most Near Fine. Criterion Collection 99.

Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. From the last scene of the film featuring "Eve Democracy," a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle, dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio (during the band's last days with Brian Jones) with surreal commentary about anarchy and revolution, making references to Amiri Baraka, Eldridge Cleaver and the Black Panthers, pornography, "Mein Kampf" and the Nazi movement. 10 x 7 inches. Near Fine.

Vintage borderless photograph of the Rolling Stones, circa 1965. 1965 saw the release of the Stones' third studio album, "Out of Our Heads," a critical and commercial success largely consisting of covers of American blues and soul songs. 9.5 x 7 inches. Very Good plus.

Five vintage borderless black-and-white photographs from the 1982 concert film. Largely filmed at the Brendan Byrne Arena in East Rutherford, New Jersey on November 5 and 6, 1981, and at Sun Devil Stadium in Tempe, Arizona on December 13, 1981. Shot on location in Alabama, New York, and California. Approximately 9.5 x 7 inches. Most Near Fine.

Early Rolling Stones advertising card issued by Decca Records in promotion of the group's first two singles: "Come On" and "I Wanna Be Your Man." The front of the card features a photograph of all five original band members signed be each: Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Billy Wyman. Additionally signed by Brian Jones' girlfriend at the time (and later, folk-rock star Donovan's wife), Linda Lawrence. The card measures 4 inches by 5 inches. Double matted and framed with both sides of the card visible. The entire piece measures 15 inches by 16 inches. In near fine condition. A rare piece of early Rolling Stones history, particularly signed by Brian Jones who was the original leader of the group, left the band in 1969, and died shortly afterward. The Rolling Stones' first single, "Come On" was released on June 7, 1963. Their second single, "I Wanna Be Your Man" was released by Decca on November 1, 1963. On April 16, 1964, Decca released the band's first album, The Rolling Stones, which sold over 10,000 copies on its first day of release. It eventually rose to number one on the British charts and become an international success. Today, The Rolling Stones are considered on of the greatest and most influential groups of all time.