mikailov boris (11 risultati)

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. In Keep Distance, Boris Mikhailov leads us on a wild,dizzying ride from which we emerge slightly breathless andunsteady. Acting as a kind of visual logbook, the series iscomposed primarily of recent images (20202024) with someolder photos mixed in. It has all the appearance of a mentaltracking shot, one in which fragmentary or haphazardlyframed images unsettle our gaze to such a degree that wefind ourselves doubting what we see.Street scenes, everyday objects and screenshots combinewith more intimate portraits: of his wife and collaboratorVita, his children, his inner life. The framing is always a littleunstable, on the edge of leaving something out of shot,never neutral.The title, Keep Distance, acts as a warning. We keep ourdistance, then but what from? Visions of a world fastlosing all meaning? An obstinate past, the reminiscences ofwhich haunt every image? Like Mikhailov, it is up to us tofind some lightness amid all this gravity, a space for play.Keep Distance pursues the photographers long-standingobsessions: the constant tension between presence andself-effacement, between the banality of the things we seeand an unrelenting quest for beauty. It is a space in whichphotography becomes a tool against oblivion, against theend, against indifference.Jimmy Poulot-Cazajous is a doctoral student in CreativeWriting at the University of Toulouse Jean-Jaures, where hisresearch focuses on the phenomenological poetics of time inthe work of Jean-Philippe Toussaint. He is the founder of themagazine La Coudee, and currently at work on a collectionof short stories. For Keep Distance, he has crafted a piece offiction that melds snapshots of intimacy with the kinds ofmotifs that so appeal to Boris Mikhailov: everyday life, thespectacularization of the banal, and how current events atonce trivial and tragic erupt into our online existences. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Shrink wrapped in plastic.

Hardback. Condizione: New. In Keep Distance, Boris Mikhaïlov leads us on a wild,dizzying ride from which we emerge slightly breathless andunsteady. Acting as a kind of visual logbook, the series iscomposed primarily of recent images (2020-2024) with someolder photos mixed in. It has all the appearance of a mentaltracking shot, one in which fragmentary or haphazardlyframed images unsettle our gaze to such a degree that wefind ourselves doubting what we see.Street scenes, everyday objects and screenshots combinewith more intimate portraits: of his wife and collaboratorVita, his children, his inner life. The framing is always a littleunstable, on the edge of leaving something out of shot,never neutral.The title, Keep Distance, acts as a warning. We keep ourdistance, then - but what from? Visions of a world fastlosing all meaning? An obstinate past, the reminiscences ofwhich haunt every image? Like Mikhaïlov, it is up to us tofind some lightness amid all this gravity, a space for play.Keep Distance pursues the photographer's long-standingobsessions: the constant tension between presence andself-effacement, between the banality of the things we seeand an unrelenting quest for beauty. It is a space in whichphotography becomes a tool against oblivion, against theend, against indifference.Jimmy Poulot-Cazajous is a doctoral student in CreativeWriting at the University of Toulouse Jean-Jaurès, where hisresearch focuses on the phenomenological poetics of time inthe work of Jean-Philippe Toussaint. He is the founder of themagazine La Coudée, and currently at work on a collectionof short stories. For Keep Distance, he has crafted a piece offiction that melds snapshots of intimacy with the kinds ofmotifs that so appeal to Boris Mikhaïlov: everyday life, thespectacularization of the banal, and how current events - atonce trivial and tragic - erupt into our online existences.

Condizione: New. 2025. Bilingual. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 224 pages. French language. 8.66x1.50x7.09 inches. In Stock.

Hardcover. Condizione: new. Hardcover. In Keep Distance, Boris Mikhailov leads us on a wild,dizzying ride from which we emerge slightly breathless andunsteady. Acting as a kind of visual logbook, the series iscomposed primarily of recent images (20202024) with someolder photos mixed in. It has all the appearance of a mentaltracking shot, one in which fragmentary or haphazardlyframed images unsettle our gaze to such a degree that wefind ourselves doubting what we see.Street scenes, everyday objects and screenshots combinewith more intimate portraits: of his wife and collaboratorVita, his children, his inner life. The framing is always a littleunstable, on the edge of leaving something out of shot,never neutral.The title, Keep Distance, acts as a warning. We keep ourdistance, then but what from? Visions of a world fastlosing all meaning? An obstinate past, the reminiscences ofwhich haunt every image? Like Mikhailov, it is up to us tofind some lightness amid all this gravity, a space for play.Keep Distance pursues the photographers long-standingobsessions: the constant tension between presence andself-effacement, between the banality of the things we seeand an unrelenting quest for beauty. It is a space in whichphotography becomes a tool against oblivion, against theend, against indifference.Jimmy Poulot-Cazajous is a doctoral student in CreativeWriting at the University of Toulouse Jean-Jaures, where hisresearch focuses on the phenomenological poetics of time inthe work of Jean-Philippe Toussaint. He is the founder of themagazine La Coudee, and currently at work on a collectionof short stories. For Keep Distance, he has crafted a piece offiction that melds snapshots of intimacy with the kinds ofmotifs that so appeal to Boris Mikhailov: everyday life, thespectacularization of the banal, and how current events atonce trivial and tragic erupt into our online existences. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: new. Hardcover. In Keep Distance, Boris Mikhailov leads us on a wild,dizzying ride from which we emerge slightly breathless andunsteady. Acting as a kind of visual logbook, the series iscomposed primarily of recent images (20202024) with someolder photos mixed in. It has all the appearance of a mentaltracking shot, one in which fragmentary or haphazardlyframed images unsettle our gaze to such a degree that wefind ourselves doubting what we see.Street scenes, everyday objects and screenshots combinewith more intimate portraits: of his wife and collaboratorVita, his children, his inner life. The framing is always a littleunstable, on the edge of leaving something out of shot,never neutral.The title, Keep Distance, acts as a warning. We keep ourdistance, then but what from? Visions of a world fastlosing all meaning? An obstinate past, the reminiscences ofwhich haunt every image? Like Mikhailov, it is up to us tofind some lightness amid all this gravity, a space for play.Keep Distance pursues the photographers long-standingobsessions: the constant tension between presence andself-effacement, between the banality of the things we seeand an unrelenting quest for beauty. It is a space in whichphotography becomes a tool against oblivion, against theend, against indifference.Jimmy Poulot-Cazajous is a doctoral student in CreativeWriting at the University of Toulouse Jean-Jaures, where hisresearch focuses on the phenomenological poetics of time inthe work of Jean-Philippe Toussaint. He is the founder of themagazine La Coudee, and currently at work on a collectionof short stories. For Keep Distance, he has crafted a piece offiction that melds snapshots of intimacy with the kinds ofmotifs that so appeal to Boris Mikhailov: everyday life, thespectacularization of the banal, and how current events atonce trivial and tragic erupt into our online existences. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. Neuware.

Hardback. Condizione: New. In Keep Distance, Boris Mikhaïlov leads us on a wild,dizzying ride from which we emerge slightly breathless andunsteady. Acting as a kind of visual logbook, the series iscomposed primarily of recent images (2020-2024) with someolder photos mixed in. It has all the appearance of a mentaltracking shot, one in which fragmentary or haphazardlyframed images unsettle our gaze to such a degree that wefind ourselves doubting what we see.Street scenes, everyday objects and screenshots combinewith more intimate portraits: of his wife and collaboratorVita, his children, his inner life. The framing is always a littleunstable, on the edge of leaving something out of shot,never neutral.The title, Keep Distance, acts as a warning. We keep ourdistance, then - but what from? Visions of a world fastlosing all meaning? An obstinate past, the reminiscences ofwhich haunt every image? Like Mikhaïlov, it is up to us tofind some lightness amid all this gravity, a space for play.Keep Distance pursues the photographer's long-standingobsessions: the constant tension between presence andself-effacement, between the banality of the things we seeand an unrelenting quest for beauty. It is a space in whichphotography becomes a tool against oblivion, against theend, against indifference.Jimmy Poulot-Cazajous is a doctoral student in CreativeWriting at the University of Toulouse Jean-Jaurès, where hisresearch focuses on the phenomenological poetics of time inthe work of Jean-Philippe Toussaint. He is the founder of themagazine La Coudée, and currently at work on a collectionof short stories. For Keep Distance, he has crafted a piece offiction that melds snapshots of intimacy with the kinds ofmotifs that so appeal to Boris Mikhaïlov: everyday life, thespectacularization of the banal, and how current events - atonce trivial and tragic - erupt into our online existences.