moeglin delcroix (59 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Soft cover. Condizione: Near Fine (Book Condition). 463 pp. dix ans d'enrichissements du cabinet des estampes 1978-1988. Book.

Soft cover. Condizione: Near Fine (Book Condition). 463 pp. dix ans d'enrichissements du cabinet des estampes 1978-1988. Book.

État de NEUF / New condition 000-211769 '9782849756393 19/10/2020 Hors-collection Broché.

Couverture souple. Condizione: Bon. De Bonnard à Baselitz Estampes et livres d'artistes Dix ans d'enrichissements du Cabinet des Estampes 1978-1988. Riche iconographie. Art. 22x24 cm. 462 p. Broché. Etat correct. Couverture défraîchie. Intérieur en bon état. Marque de lecture au dos. Le 2e plat et la 1ère page sont tachés sans conséquence. Fort in-8°.

Couverture souple. Condizione: Très bon. HÉLION (Jean) (illustratore). Edition originale. HÉLION. Peintures et dessins 1925-1983. Paris, Musée d'Art Moderne, 1984. Broché, In-4 (24 x 23 cm).sous couverture illustrée, 192 pages, Exposition du 15 novembre 1984 au 6 janvier 1985. 186 reproductions dont quelques-unes en couleurs. Introduction de Bernadette Contensou. Présentation dAline Vidal. Textes de Pierre Bruguière « 50 ans de souvenirs ». et de Anne Moeglin-Delcroix. « à travers ses carnets de travail » Repères biographiques. (pages 179 -182) Textes de Jean Hélion. (pages 183-188) Expositions. Très bon état de ce fort catalogue important sur cet artiste et son évolution.

Couverture souple. Condizione: Bon. Edition originale. In-8° broché, paginé de 322 à 411 - Articles originaux : L'art moderne est-il si primitif ? - Géographie physique de Mille plateaux. - Marc Richir aux limites de la phénoménologie. - Poétique et ontologie. - Le travail d'amour. - L'acte de vérité. - De la collection personnelle à la collection historique. - Stevenson à Hollywood.

Condizione: Neuf.

Condizione: Neuf.

69 pp.; 22.5 x 15.4 cm.; sewn bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Printed Matter, Inc., New York, NY, May - June, 1995. Essay by art historian Anne Moeglin-Delcroix with an introduction by publisher Florence Loewy. Catalogue raisonné of artists books by the following artists: Jean-Michel Alberola, Jean Charles Blanc, Christophe Boutin, Claude Closky, Jean Le Gac, Roberto Martinez, Annette Messager, and Jean-Michel Othoniel. All of the included artists contributed a two-page spread to accompany their complete artists' book catalogue. In English and French. References : No. 247 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 140. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 84, 85, 88. Very Good / Fine. Light rubbing of cover edges, otherwise Fine. Contents clean and unmarked.

Paperback. Condizione: Brand New. 1st edition. 106 pages. French language. 10.00x7.91x0.75 inches. In Stock.

Couverture souple. Condizione: Bon état. Fort in-8, broché couv. illustrée, illustrations en n. & b., 461 pp. Très bon état. in-8°.

Condizione: Très bon état. in-4, broché, couv. illustrée, 461 pp., nombreuses reproductions en noir et en couleurs, index. Très bon état.

Hardcover. Condizione: Very Good. Herman de Vries - Musée Gassendi / Fage Éditions (2009) Description: Lyon: Fage Éditions, 2009. First edition hardback, large 4to (28 x 24 cm), 230 pp., half-cloth boards, extensively illustrated in colour throughout. Exhibition catalogue published for Herman de Vries at Musée Gassendi, Digne-les-Bains (2009), presenting his vegetal abstractions, random natural assemblages, and philosophical concretism; French text with essays by Anne Moëglin-Delcroix. Condition: Very good. Clean solid copy with minimal shelfwear to boards; no dust jacket (as issued); interior pristine with vivid plates, binding tight.

Couverture souple. Condizione: Neuf. Edited by Anne Moeglin-Delcroix (with the collaboration of Annalisa Rimmaudo). English edition 18,5 x 22,5 cm (softcover) 288 pages (ill.) nterviews with a group of pioneering artists' book publishers: Simon Cutts, Hansjörg Mayer, and Leif Eriksson. This book collects the oral testimonies, in English, of a group of publishers of artists' books. During the two founding decades of the 1960s and 1970s, they were pioneers in the countries where they worked and where some of them are still working: Hansjörg Mayer, Simon Cutts in the United Kingdom, Leif Eriksson in Sweden. In addition to the historical interest of these interviews, rich in first-hand informations, there is another interest, more theoretical: they lead to reconsidering the importance of the publisher in the production of artists' books when the genre was just emerging. Indeed, artists have often claimed that they chose the medium of the book to free themselves from institutional constraints and the art market. Autonomy was the key-word. They have therefore emphasised the self-publishing model and minimised the role of publishers. However, the interviews gathered here show, with concrete examples and meaningful anecdotes, that some publishers played a crucial part in the history of the artist's book at the start. Their role was undoubtedly different from that of the traditional art publisher: the aim of this survey is also to put the emphasis on an original figure. It highlights ten non-conformist publishers, each of whom has left his or her singular mark on the artist's book as it tries to define its identity. "Obviously, the relationship between the artist and the publisher was asymmetrical since the artist tended to play the lead role and this was fundamental to the nature of the genre. However, the shift of emphasis did not mean that publishers entirely disappeared, only that their traditional responsibilities changed." Anne M glin-Delcroix.

Couverture souple. Condizione: Neuf. Edition originale. Préface d'Anne Moeglin-Delcroix. Edition bilingue français/anglais tirée à 1000 exemplaires. 69 p., broché Publié à l'occasion d'une exposition à la librairie Printed Matter à New York, les artistes ont crées des projets inédits en doubles pages pour ce catalogue. Les Posters de cette collection sont disponibles sur demande.

Soft cover. Condizione: Very Good. Paperback, 271 pages ; 21 cm. Very good. Text in French.

Condizione: Très bon. 123 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 29 x 21 cm || Texte français || Impression 1982 || Sans aucune inscription.

Softcover, 320 pages, texts in English, French and Italian; very good condition; except library sticker around bottom of spine; pen mark to top outer page edge; no internal marks. Foreign shipping may be extra.

Fine. Hardcover, First edition in dustjacket. 190 pages. Produced for the exhibition held at the Logan Galleries San francisco in Oct-Dec 2001. Ephemera works by more that 190 artists from around the world. English and French text. A near Fine copy in a Fine dustjacket. a few small rub marks where pages have adhered to one another, spotting to top page edge. Very slight sunning to spine of jacket. Pictures available.

Condizione: Neuf.

Couverture souple. Condizione: Neuf.

Condizione: Très bon. Condizione sovraccoperta: Bon. 417 pages : illustrations en noir et couleurs ; 28 cm || Texte français || Impression 1992 || Sans aucune inscription.

Couverture souple. Condizione: Comme neuf.

Condizione: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 96 pages with 24 color & 2 bw. illustrations - - For the Conceptual and Land artists of the 1960s, nature ceased to be an object of representation. Instead, these artists developed a relationship to nature that was driven by conceptual, literary or scientific concerns, while other artists, such as Richard Long and Hamish Fulton, sought ways of establishing a more active relationship with the landscape, most famously through the experience of walking. It is perhaps unsurprising that such a solitary and ephemeral experience gave birth to a number of artists' books whose aim was to preserve this act. Such publications encounter interesting problems of book composition: how to share the intimacy of the experience with the reader? Here, artist's book scholar Anne Moeglin-Delcroix examines the innovative treatment of landscape and nature in artist's books by the generation of the 1960s--Long, Fulton, Herman de Vries and others.

199 pp.; 24 x 28.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Steven Leiber was a genius, and this book - full of years of meticulous research and study - proves it. Packed full of ephemera by 100s of artists, Leiber catalogues, documents and stories the path this printed matter, often casually regarded as discarded matter [or discardable matter]. More than just gallery announcements, flyers, posters, etc. - artists' ephemera is, like artists' books, the lifeblood of engaging materials produced by artists and accessible to the public at large for no or low cost. Revel in its glory found within this book. Includes works by artists Carl Andre, John Baldessari, Joseph Beuys, Marcel Broodthaers, Bruce Conner, Jan Dibbets, Gilbert & George, Keith Haring, Jenny Holzer, Jeff Koons, Barbara Kruger, Sol Lewitt, Roy Lichtenstein, Robert Morris, Bruce Nauman, Claes Oldenburg, Yoko Ono and John Lennon, Raymond Pettibon, Edward Ruscha, Andy Warhol, Lawrence Weiner and many others. Extra cool cover design by Dave Muller. Reference : No. 176 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 96. New. In publisher's shrink wrap. Unopened as issued. Due to size and weight additional shipping charges may be required.