EUR 5,51
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. Poetry Review: v.93, No.4: Winter 2003-4: Vol 93, No.4 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
EUR 5,51
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
EUR 8,60
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 120 pages. In Stock.
Softcover, 88 pages, very good condition; light rubbing to white covers; no internal marks. Foreign shipping may be extra.
Soft cover. Condizione: Very Good. London: Whitechapel Art Gallery, 1997. Oversized quarto, 88 p., original wraps stamped in blind. Light soiling to spine tips and to both panels, else a better than VG copy.
Softcover, 32 pages; in Spanish with English at rear; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.
Editore: Blum Helman, New York, 1991
Da: Capitol Hill Books, ABAA, Washington, DC, U.S.A.
Prima edizione
Condizione: Very Good +. First Edition. New York: Blum Helman, 1991. First Edition. Octavo (23cm); 48pp. Publisher?s stiff spiral-bound wrappers; shimmery cellophane endsheet. Black-and-white photographs throughout. Wraps lightly bumped. Binding sound. Textblock, endsheets, and interior pages clean. Very Good or better. Scarce in retail. Exhibition catalog for a show composed entirely of rising female artists of the early 90s. Catherine Liu?s curatorial project attempted to dispel the myth of the male genius, macho artist, or ?Master.? Drawing upon history and pop culture alike, her introduction asserts ?The woman artist has had to not only negotiate with hysteria as a functional position, she has had to deal with the moralizing ethic that would have her be the perfect exemplar, a careful technical, or a political pedagogue.? Striking design.