muller jens (932 risultati)

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Condizione: Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Condizione: Like New. paperback 100% of proceeds go to charity! Clean copy with no writing, notes, creases or highlighting. Item may have been opened and read, but signs of use are minimal.

Soft cover. Condizione: New. Illustrated gray and red card covers, 143pp with illustrations, completely unmarked and brand new.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: New.

Hardback. Condizione: New. Through the turbulent events of the last century-and-a-half, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. It surrounds us every minute of the day, from minimalist packaging to colorful adverts, environmental graphics to sleek interfaces: graphic design is as much about reflecting society's aspirations and values as it is about transmitting information. Now published as part of our popular Basic Art series, this vibrant compendium lays out the evolution of graphic design from its inception in the 1890s up until the present day. Using his sweeping knowledge of the field, author Jens Müller has curated hundreds of examples from across the globe, arranged by decade. Each chapter also includes thumbnails of significant movements and influential publications, plus concise biographies of design masterminds like Massimo Vignelli (New York subway wayfinding), Otl Aicher (Lufthansa identity), Paula Scher (Citibank identity), Milton Glaser (I Love New York), Louise Fili (packaging), and Stefan Sagmeister (handwritten posters).This succinct but authoritative collection reflects on the development of a creative field that is constantly changing and challenging itself. The design classics Müller has curated act as coordinates, helping to trace the incontrovertible influence of graphic design on our daily lives. It's both a handy primer and an informed exploration of how graphic design shapes our choices, from the products we buy and the media we consume, to how we behave and think of ourselves.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Very Good. 1777904709. 5/4/2026 2:25:09 PM.

Hardback. Condizione: New. Through the turbulent events of the last century-and-a-half, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. It surrounds us every minute of the day, from minimalist packaging to colorful adverts, environmental graphics to sleek interfaces: graphic design is as much about reflecting society's aspirations and values as it is about transmitting information. Now published as part of our popular Basic Art series, this vibrant compendium lays out the evolution of graphic design from its inception in the 1890s up until the present day. Using his sweeping knowledge of the field, author Jens Müller has curated hundreds of examples from across the globe, arranged by decade. Each chapter also includes thumbnails of significant movements and influential publications, plus concise biographies of design masterminds like Massimo Vignelli (New York subway wayfinding), Otl Aicher (Lufthansa identity), Paula Scher (Citibank identity), Milton Glaser (I Love New York), Louise Fili (packaging), and Stefan Sagmeister (handwritten posters).This succinct but authoritative collection reflects on the development of a creative field that is constantly changing and challenging itself. The design classics Müller has curated act as coordinates, helping to trace the incontrovertible influence of graphic design on our daily lives. It's both a handy primer and an informed exploration of how graphic design shapes our choices, from the products we buy and the media we consume, to how we behave and think of ourselves.

hardcover. Condizione: Very Good. No dust jacket. Burgundy colored cloth boards. Clean, has a good binding, no marks or notations.

0. 173 S., 8°, Br. Kaiser-Taschenbücher 65. Tadellos. (Lagervermerk HK19) Band: 0.

Condizione: very_good. Cover Case has some rubbing and edgewear. Access codes, CD's, slipcovers and other accessories may not be included.

Condizione: NEW.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New.

Paperback. Condizione: new. Paperback. This book is the first monograph dedicated to the designer Rolf Muller who is known above all for his design of the visual identity of the Munich Olympic Games in 1972. Shortly after graduating from the famous Ulm School of Design, his former professor Otl Aicher entrusted him with this work, which set new standards in international design. In parallel, he established his design firm Buro Rolf Muller in Munich. On the basis of selected projects, the book attempts to retrace the mentality and methods of his design: For nearly four decades, the firm developed corporate identities, books, magazines and signage systems at the highest level. The firm's projects include the visual identity of the City of Leverkusen, forged over several decades, and the magazine HQ High Quality for the company Heidelberger Druckmaschinen, of which 39 issues were published. As a storyteller and system designer, Rolf Muller has left a mark on international design history with his work. His stance has had a decisive impact in shaping the way in which today's communications designers view their profession. 350 illustrations English/German Text Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Hardback. Condizione: New. "It took me three minutes to get through the tunnel. Above ground I crawled along holding the rope for several feet: it was tied to a tree. Sergeant Bergsland joined me; we arranged our clothes and walked to the Sagan railway station. 'Bergsland was wearing a civilian suit he had made for himself from a Royal Marine uniform, with an RAF overcoat slightly altered with brown leather sewn over the buttons. A black RAF tie, no hat. He carried a small suitcase which had been sent from Norway. In it were Norwegian toothpaste and soap, sandwiches, and 163 Reichsmarks given to him by the Escape Committee. We caught the 2:04 train to Frankfurt an der Oder. Our papers stated we were Norwegian electricians from the Labour camp in Frankfurt working in the vicinity of Sagan.'Jens Muller was one of only three men who successfully escaped from Stalag Luft III in March 1944 - the break that later became the basis for the famous film the "Great Escape".Muller was no. 43 of the 76 prisoners of war who managed to escape from the camp (now in ?aga? Poland). Together with Per Bergsland he stowed away on a ship to Gothenburg. The escapees sought out the British consulate and were flown from Stockholm and were flown to Scotland. From there they were sent by train to London and shortly afterwards to 'Little Norway' in Canada.Muller's book about his wartime experiences was first published in Norwegian in 1946, titled, 'Tre kom tilbake' (Three Came Back). This is the first translation into English and will correct the impression - set by the film and Charles Bronson - that the men who escaped successfully were American and Australian.In a vivid, informative memoir he details what life in the camp was like, how the escapes were planned and executed and tells the story of his personal breakout and success reaching RAF Leuchars base in Scotland.

Hardcover. Condizione: new. Hardcover. "It took me three minutes to get through the tunnel. Above ground I crawled along holding the rope for several feet: it was tied to a tree. Sergeant Bergsland joined me; we arranged our clothes and walked to the Sagan railway station. 'Bergsland was wearing a civilian suit he had made for himself from a Royal Marine uniform, with an RAF overcoat slightly altered with brown leather sewn over the buttons. A black RAF tie, no hat. He carried a small suitcase which had been sent from Norway. In it were Norwegian toothpaste and soap, sandwiches, and 163 Reichsmarks given to him by the Escape Committee. We caught the 2:04 train to Frankfurt an der Oder. Our papers stated we were Norwegian electricians from the Labour camp in Frankfurt working in the vicinity of Sagan.' Jens Muller was one of only three men who successfully escaped from Stalag Luft III in March 1944 - the break that later became the basis for the famous film the "Great Escape". Muller was no. 43 of the 76 prisoners of war who managed to escape from the camp (now in ?aga? Poland). Together with Per Bergsland he stowed away on a ship to Gothenburg. The escapees sought out the British consulate and were flown from Stockholm and were flown to Scotland. From there they were sent by train to London and shortly afterwards to 'Little Norway' in Canada. Muller's book about his wartime experiences was first published in Norwegian in 1946, titled, 'Tre kom tilbake' (Three Came Back). This is the first translation into English and will correct the impression - set by the film and Charles Bronson - that the men who escaped successfully were American and Australian. In a vivid, informative memoir he details what life in the camp was like, how the escapes were planned and executed and tells the story of his personal breakout and success reaching RAF Leuchars base in Scotland. AUTHOR: Jens Muller was a Norwegian pilot who was shot down by a German Focke-Wulf Fw 190 off the Belgian coast. He was captured as soon as he paddled ashore and sent to Stalag Luft III. After the war he wrote Tre kom Tilbake about his experiences. He died in 1999. 16 b/w images Honest account by one of only three successful escapees from Stalag Luft III. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. This book is the first monograph dedicated to the designer Rolf Muller who is known above all for his design of the visual identity of the Munich Olympic Games in 1972. Shortly after graduating from the famous Ulm School of Design, his former professor Otl Aicher entrusted him with this work, which set new standards in international design. In parallel, he established his design firm Buro Rolf Muller in Munich. On the basis of selected projects, the book attempts to retrace the mentality and methods of his design: For nearly four decades, the firm developed corporate identities, books, magazines and signage systems at the highest level. The firm's projects include the visual identity of the City of Leverkusen, forged over several decades, and the magazine HQ High Quality for the company Heidelberger Druckmaschinen, of which 39 issues were published. As a storyteller and system designer, Rolf Muller has left a mark on international design history with his work. His stance has had a decisive impact in shaping the way in which today's communications designers view their profession.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: New. pp. 96.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.