munk erica (12 risultati)

Soft cover. Condizione: Fair. No Jacket. TDR, The Drama Review, Volume 14, Number 1 (Fall 1969), edited by Erica Munk, softcover, illustrated. ITEM CONDITION: fair. The text block and illustrations are in good condition with no tears, dog-ears, or marks. The pages are age-toned and the first page is loose. The edges are soiled and shelf-rubbed. There is no bookplate nor signature of a prior owner. This is not a library magazine nor a remainder. The wraps are in fair condition (intact and attached, but soiled, wrinkle in bottom righthand corner, worn spine is intact but soiled and with small tear at bottom). 10 x 7, 196 pages, 12 ounces XX Contents: The Icon and the Absurd (Jan Kott), Genet's Theatre of Possession (Allan Francovitch), Funeral Rites: Eugenio Barba's Ferai (Marc Fumaroli\), A Sectarian Theatre (interview with Eugenio Barba), On Stage Fright (Donald M. Kaplan), An Interview (Witold Gombrouicz), Sören Brunen's Figurer (Colette Godard), Musica Elettronica Viva (Monique Verken), An Interview (Anna Sokolow), Intersections IV (Paul Epstein), Hard Core (play by James Lineberger), An Interview on Hard Core (Joseph Dunn), Awkwardness Is Not a Bad Thing: Firehouse Theatre (interview by Sidney Walter/Marlou Hotchkiss), Rock Theatricality (Robert Somma), Esker Mike and His Wife, (play by Herschel Hardin), Apocalypsis cum Figuris (photos and texts, Polish Laboratory Theatre), External Order, Internal Intimacy (interview with Jerzy Grotowski), A Grotowski Seminar (interview by Margaret Croyden), National or Community Theatre? (Victor Corti), Letter on Guerrilla Theatre.

Condizione: Very good. - Small quarto 10 inches high by 7-3/8 inches wide. Softcover bound in printed red & blue wraps. The covers are slightly rubbed. 131 & [1] pages, with black-and-white illustrations. Very good. This issue is devoted to television and its effect on performance in other media. Much of the material is from The Network Project, "a collective research-and-action group formed to investigate the operation of American telecommunications, and the extent of television's social influence and control over people's lives." Among the other articles are Donald M. Kaplan on the pyschopathology of TV watching; Stanley Kauffmann and David W. Rintels on censorship; Hans Ehrmann on the media in Marxist Chile; and John Mortimer on British Television.

Paperback. Condizione: Good. Wrappers rubbed and dog-eared with nick and small paper loss to foot of spine. Unmarked.

Softbound. Condizione: Very Good. Royal octavo, paper covers, 203 pp., b/w photos, ads Co-editor for this special issue: Tom Sellar. Articles are "Up Front: An Invitation to Utopia," "The Theater of Utopia," Tony Kushner, "A History of the Theater of the Future (To 1984)," Mel Gordon, "Contextualizing Utopias: Reflectionson Remapping the Present," Rustom Bharucha, "A System of Lights," Anna Deveare Smith, "The Utopia Parable," Mark Lord, "Utopia Sustained," Dragan Klaic, "The Living Theatre's 'Utopia,'" Judith Malina & Hanon Reznikov, "Fragments from: LINDA SUSAN," Mac Wellman, "The Buiness of Ideals: An Interview with Rocco Landesman," Shawn -Marie Garrett, "Stuart Sherman's Utopian Spectacle," Stuart Sherman, "U(N)TOPIA," Richard Foreman, "Exiled from Nowhere," Erika Munk, "The Company of Players," June Alexander, Tactics and Scenarios: "Theatopia," Clinton Turner Davis, "A Festival of Styles," David Herskovits, "Utopia," Anne Hamburger, "Intravenal Song," Diamanda Galas, "Future Truths," Martha Coigney, "Awak/ asleep," Liz Diamond, "Translations and Fragments from the New Panic Compound in Damscus, Kansas: 15 Plays for the New Utopian Theater Symposium (N.U.T.S)," Erik Ehn, "Refracted, Distracted, and Hopeful," Cheryl Faver, "Did Dinosaurs Dream?" Gordon Rogoff, "A Dream of Fair Theaters," Stanley Kauffman, "What the SysOp Saw," Paul McKinley, "Observations on Ideal Stage Languages," Paul Schmidt, "The Rules of Piracy," Kathy Acker, "Treasure Out of Treasure," Kathy Acker, interviewed by Shawn-Marie Garrett, "Freefalling Towards a Borderless Future," Guillermo Gomez-Pena, "The Utopian Way to Write a Play," Barbara Gerson, "Pynchon Opens Nature Theater," Joel Schechter, "Utopian Forum," Anne Bogart, John Sullivan, Eric Bentley, Ming Cho Lee, Jennifer Tipton, Migdalia Cruz, Robert Wilson, Jim Nicola, Adrienne Kennedy, Eva Buchmuller, Dipankar Mukherjee, Ariane Mnouchkine, "Enter THE NIGHT," Maria Irene Fornes, "Drafting New Theater Archictectures," Samantha Rachel Rabetz, Ann Kim, Issa Diabate, Eric Chang, Tim Dowling, Kwnag-Soo Kim.

First Edition. First edition. Softcover. 189 pages. Includes articles by and on, Jan Kott, Allan Francovitch, Marc Fmroli, Euenio Barba, Donald M. Kaplan, Witold Gombrowciz, Colette Godard, Anna Sokolow, Paul Epstein, James Lineberger, Joseph Dunn, Sidney Walter/Marlow Hotchkiss, Robert Somma, Herschel Hardin, Polish Laboratory Theatre, Margaret Croyden, and Victor Corti. Also includes numerous black and white images. A tight close to near fine in wrappers.

First Edition. First edition. Softcover. 173 pages. Includes articles by Peter Schumann, George Dennison, Stefan Brecht, Robert Nichols, Bread and Puppet, Witold Gombrowicz, Lucien Godmann, Franco Quadri, Darko Duvin, Paul Van Ostaaijen, Richard Schechner, and Larry Neal. Also includes numerous black and white images. A close to near fine copy in wrappers with some slight wear.

paperback. Condizione: Very Good. New York University Press January 1970 Paperback. Slight creasing, rubbing, and scuffing to wraps, including spine. Clean text block. Tight binding.

Periodical. Condizione: Very Good+. (Vol. 1, No. 8). [light external wear, small scraped area near bottom of front cover, soft diagonal crease at upper right corner of front cover, a few tiny red ink marks on bottom edge]. This issue contains the following plays (all apparently written for radio or television, although there's nothing explicitly stating that apart from the little slug on the front cover: "The Resolution of Mossie Wax: A TV Documentary," by Stephen H. Foreman; "Audioplay 2: Safe," by Jakov Lind; "On the Eve of Publication," by David Mercer; "Ol-Dopt; or, The Adventures of Charles and Emily Ann Andrews: A Radio Serial," by David Dozer; "The Bagman; or, The Impromptu of Muswell Hill: An Autobiographical Play," by John Arden: "The Great Silkie of Sule Skerry," by Lucy Bate.

Periodical. Condizione: Very Good+. (Vol. 1, No. 7). [light external wear, a few tiny red ink marks on bottom edge]. This issue contains the following plays: "The Meat Rack," by Kathleen Kimball; "The Service for Joseph Axminster," by George Dennison; "Is She Izzy or Is He Ain'tzy or Iz They Both," by Lonnie Carter (including music and lyrics; music by Robert Montgomery); "Cop and Blow," by Neil Harris; "Perfection in Black," by China Clark; "Helliocentric World," by Sebastian Clarke; "The Wall," by Ben Caldwell; "One the Two of Us," by William Adell Stevenson III.

Periodical. Condizione: Very Good+. (Vol. 1, No. 2). [modest external wear, some rubbing to covers]. Plays contained in this issue: "Kontraption," by Rochelle Owens; "Crabs, Cross-Country," by Sally Ordway; "The Tommy Allen Show," by Megan Terry; "Intersections 7," by Paul Epstein (a musical piece, subtitled "Prelude and Jam for Five Performers"); "The Black Terror," by Richard Wesley.

Periodical. Condizione: Very Good+. (Vol. 1, No. 6). [light handling wear, a little fading to spine, a few tiny red ink marks on bottom edge]. This issue contains the following plays: "The Life and Times of J. Walter Smintheus," by Edgar White; "Eunuchs of the Forbidden City," by Charles Ludlam; "Free This Day: A Trial in Seven Exhibits," by Himilce Novas; "Jazznite," by Walter Jones. This was likely the first publication of the Ludlam play.

Periodical. Condizione: Very Good. (Vol. 1, No. 5). [an array of tiny white rubbed/scuffed spots on front cover, otherwise only lightly worn]. This issue contains the following plays: "Larry Parks' Day in Court," by Eric Bentley; "Four Infiltration Pieces," by Marc Estrin; "The Ride Across Lake Constance," by Peter Handke; "The Wax Engine," by Robert Nichols. This was likely the first English-language publication of the Handke piece (translated from the German by Michael Roloff), the play itself having been "recently presented at Lincoln Center." (Its characters include "Emil Jannings," "Erich von Stroheim," and "Elisabeth Bergner," but they are in no way depictions of those actual people, nor does the play appear to have anything at all to do with filmmaking.) The Bentley piece is an excerpt from his longer work, "Are You Now or Have You Ever Been," about the HUAC hearings and the Hollywood blacklist.