muriel box sydney (24 risultati)

Paperback. Condizione: Fair. Withdrawn school theater department paperback PLAY with usual stickers and markings. Shelf wear to covers and edges. Name written on front. Lots of underlining.

Hardcover. Condizione: Very Good. No Jacket. First Edition. Name of the previous owner on the front free end paper page and a list of information/names written on the last blank page. Publication of 123 pages. Frontispiece. The boards are a little shelf rubbed. Internally the pages are clean and complete. The text is legible. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Soft cover. Condizione: Good. One-act play for women. Good. 23pp 0.

Soft cover. Condizione: Good. No Jacket. 1st Edition. UK1ST.EDITION.,1ST,.PRINTING.NEAR VG SOFTWRAPS ORIGINAL.PHOTOS AND STORY OF THE FILM THAT STARRED FLORA ROBSON. 81Language: eng Language: eng 0.0 Language: eng Language: eng.

Theatre programme, 4pp., very good condition.

Theatre programme, 4pp., good condition.

Soft cover. Condizione: reading copy. Undated. A three act play based on the film, with b/w stills from the stage production at the Princes Theatre London in 1951. Covers worn, marked and partially detached, pieces of the spine missing, typed list of costume changes taped over the title page, the part of Nicholas underlined in ink, other pencil annotation, legible but reading copy only. 0.

Soft cover. Condizione: Good. 1st Edition. UK paperback. Slim play. Uncommon. 62pp. Good overall with cast written in in pencil.

Hardback, 193mm x 130mm blue cloth boards, black titles, first edition, ix prelims, 127pp. Fair/NoWrapper. Previous owner's name. Book is generally worn and grubby around edges with some fading of spine, block a little tanned with differential fading to endpapers. Follow-up volume to the 1934 "Ladies Only" which offers six more short plays by the Boxes with all-women casts, with a Preface by Fay Compton. Catalogue: Plays. Keywords: Martha, actress, disarranged, theatre.

Originalbroschur. 25cm. Condizione: Gut. 49,46,40 pages Nur der Einband mit etwas stärkeren Gebrauchsspuren. Sonst gutes Exemplar. Mit Besitzvermerk von TRUDE KOLMAN und SEHR UMFANGREICHEN Bleistiftnotizen, teils auch Übersetzungen von IHRER Hand auf zahlreichen Seiten, evtl. für eine Übersetzung oder Aufführung. - Zu KOLMAN vgl. WIKIPEDIA: Trude Kolman (* 15. September 1904 in Nürnberg; 30. Dezember[1][2] (Anm.) 1969 in München; gebürtig Gertrude Kohlmann) war eine deutsche Schauspielerin, Kabarettistin, Regisseurin und Theaterleiterin. Leben Nach einer Ausbildung zur Buch- und Kunsthändlerin nahm sie Schauspielunterricht bei Tilla Durieux. Seit 1920 trat sie als Diseuse und Kabarettistin an verschiedenen Berliner Kabaretten auf, zum Beispiel 1928 an Rosa Valettis Larifari" und 1931 an der Katakombe". In Toller/Hasenclevers Revue Bourgeois bleibt Bourgeois wirkte sie am 12. Februar 1929 bei der Premiere im Lessing-Theater mit. Zudem übernahm sie Filmrollen. 1932 eröffnete sie ihr eigenes Kabarett Casanova", 1935 übernahm sie das vom emigrierten Friedrich Hollaender neu gegründete Tingel-Tangel-Theater", das jedoch bereits am 10. Mai 1935 aus politischen Gründen geschlossen werden musste. Noch im selben Jahr emigrierte Kolman nach Wien. Hier gründete sie eigene Kabarette, unter anderem Der sechste Himmel". Nach dem Anschluss Österreichs 1938 emigrierte sie nach Prag und hielt sich in London und Zürich auf. 1939 ließ sie sich in Großbritannien nieder, wo sie bis 1949 in Loxwood eine Pension leitete. 1950 kehrte sie nach Deutschland zurück. Am 25. Januar 1951 eröffnete sie das Kabarett Die Kleine Freiheit" in München. Wichtigster Autor des Kabaretts war Erich Kästner, Kolman wirkte als Regisseurin und Schauspielerin und trug maßgeblich zur Entwicklung des Münchner Nachkriegskabaretts bei. Sprache: Englisch Gewicht in Gramm: 600.

Paperback. Condizione: VG+. 1st Edition. 30 pages. Book is in very good plus condition with very minor signs of wear and/or age.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. A very attractive first edition/printing of this adventure novel of smuggling and intrigue based on the 1954 movie. Both movie and book by the post war British prolific team of playwright, writer, director, producer - Sydney and Muriel Box. The book is in Very Good Plus or better condition with slight spine lean and mild foxing at top edge. The dust jacket is in Very Good Plus condition, very bright and presentable. Wonderful period adventure front dj panel art. This is a scarce book!

Couverture souple. Condizione: bon. R240066725: 1947. In-12. Broché. Etat d'usage, Coins frottés, Coiffe en pied abîmée, Intérieur acceptable. 96 pages - 1er plat illustré en couleurs - quelques illustrations en noir et blanc hors texte. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Couverture souple. Condizione: bon. R320002993: 1947. In-12. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Intérieur acceptable. 96 pages illustrées de quelques photos en noir et blanc - 1er plat abimé - Manque 2ème plat (dos) - Couverture illustrée en couleur. . . . Classification Dewey : 843.085-Le roman sentimental.

Couverture souple. Condizione: bon. RO80170326: 1947. In-12. Broché. Etat du neuf, 1er plat abîmé, Dos plié, Intérieur frais. 96 pages augmentées de planches de photos en noir et blanc. Premier plat est légèrement déchîrée. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Softcover. Condizione: Very Good. Acting edition. 16mo. 26pp. Stapled printed buff wrappers. Check mark and a little soiling on front wrap, very good.

Soft cover. Condizione: Very Good. No Jacket. Black and white photo illustrations throughout. (illustratore). Three soft-cover 'Book of the Film titles (7.25 inch tall) each with at least 75 pages. 1) From the Sydney Box film: The Seventh Veil by Kit Porlock adapted from the original screenplay by Muriel and Sydney Box, 1946. Internally clean throughout, with a crease to front and creased and a little marked rear cover. Stable old rust visible on one staple, not affecting firm bind. Overall, very good condition. 2) Cineguild's: Blanche Fury by Eric Britton, adapted by Audrey Lindop and Cecil McGivern, dialogue by Hugh Mills and based on novel by Joseph Shearing, 1948. Clean and unmarked internally apart from a neat name stamp on chapter one page. Covers clean with corner crease to rear but very good with firm staple bind. 3) The film story of Gone with the Wind as produced by David O. Selznick. Famous Film Series. Hollywood Publications, 1948. Internally clean throughout with no marking. Covers marked and creased with small (15mm) corner loss and wax (?) mark to rear. Staple firm and clean. 20% price reduction now applied.

hard cover with dust jacket. Condizione sovraccoperta: Good. 1st edition. 19 cm. 170 pages G/G. Good book with light foxing and front endpaper removed in good dust jacket with edge chipping, short tear to top rear and tape marks on front fold.

Two vintage photographs from the US release of the 1949 British film, one studio still and one reference photograph of actress Mai Zetterling. One noted under the title for the US release, "A Girl in the Painting." A British officer becomes obsessed with tracking down a young girl with amnesia living in occupied Germany during World War II. Set in Germany and London, England. 10 x 8 inches. Near Fine, lightly faded.

Two vintage photographs from the US release of the 1957 UK film, one studio still photograph and one reference photograph. A man recalls his past and present relationships in order to help another man understand his wife. One 10 x 8 inches, one 9.75 x 7.7x inches. Near Fine.

Draft script for the 1957 British film, copy belonging to Art Director George Provis, with manuscript pencil and ink annotations in his hand throughout, and his name written on the top of revision page 85. George Provis was a British Art Director and Production Designer who began his career working on quota quickies (low budget features made to comply with Britain's Cinematograph Films Act of 1927) in the 1930s. After the Second World War, Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures, and is credited on over 120 films. Laurence Harvey stars as Sir Humphrey Tavistock, who consoles his son-in-law, Roland Culver, who finds all women impossible to love, with tales of found lovers and lost love. Tall maroon untitled wrappers. Title page present, dated 14.1.57, with credits for screenwriter Muriel Box. 109 leaves, with last page of text numbered 108. Mimeograph duplication, rectos only, with undated green revision pages throughout. Pages Near Fine, wrapper Very Good, bound internally with a prong binding.

Third Draft script for the 1957 British film, copy belonging to Art Director George Provis, with his name written on the titled label on the front wrapper, with manuscript pencil and ink annotations throughout, including rough pencil prop and set sketches on the versos of eight pages. Here under the working title "A Novel Affair," which was used as the title for the US release of the film. Laid in are over 30 production documents including: 17 pages of handwritten Prop Lists, eleven dated from May to July 1956. Two pages of rough pencil sketches including several story boards, with two film clippings attached by paperclip, each containing 3 full frames. Three letters to Provis, two autograph letters signed, dating from May and June, 1956, and one typed letter signed from February 1956. As well as Shooting Schedules, Set Lists, Locations lists, and additional Prop Lists. George Provis was a British Art Director and Production Designer who began his career working on quota quickies (low budget features made to comply with Britain's Cinematograph Films Act of 1927) in the 1930s. After the Second World War, Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures, and is credited on over 120 films. Novelist Judith Wynter (Margaret Leighton) gets inspiration for her new novel when her wheelchair-bound husband (Ralph Richardson) hires a new Italian chauffeur Carlo(Carlo Giustini). When Carlo reads her lurid tale of adultery and murder the husband mistakenly concludes that she is actually madly in love with Carlo. Green generic file wrappers with a title label, noted as 3rd Draft Screenplay on the title label, dated 23-4-1956. Title page present, noted as Third Draft of Screenplay, with credits for screenwriters Muriel and Sydney Box. 97 leaves, with last page of text numbered 96. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound internally with a prong binding.

Draft script for the 1959 British film, copy belonging to Art Director George Provis, with manuscript pencil annotations in Provis' hand on six pages. Laid in are over 50 pages of notes, prop requirements, and original set drawings, as well as a three-page Unit List, three carbon-typescript copy pages listing props, and a 1959 typed letter signed to Provis from J. Crichton Slagg of Anglo-Scottish Pictures Limited regarding matte painting for the film. Provenance available upon request. George Provis was a British Art Director and Production Designer who began his career working on quota quickies (low budget features made to comply with Britain's Cinematograph Films Act of 1927) in the 1930s. After the Second World War, Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures, and is credited on over 120 films. Based on the 1944 play "Pick-Up Girl" by Elsa Shelley. A New York juvenile court judge (Thomas MItchell) hears a case of a 15 year-old girl (Pauline Hehn) caught with a 47 year-old man, and reveals in flashback the girl's neglectful parents and her life's downward-spiral which lead to prostitution and abortion. A rather troubling time capsule of victim blaming and the social and sexual politics of the 1950s, wherein the casualty of pedophelia is on trial with nary a accusation leveled at of the perpetrator of the crime. More so disturbing as the film was directed and co-written by a woman, Muriel Box, and based on a play by a woman, Elsa Shelley. Tall maroon untitled wrappers with a die-cut window in the British style. Title page present, with credits for playwright Elsa Shelley. 99 leaves, with last page of text numbered 98. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three flat metal brads. Script and laid-in materials Near Fine overall.

Two vintage reference photographs of actor James Mason from the 1945 British film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Left with amnesia after a suicide attempt, a brilliant concert pianist undergoes hypnotherapy to recover memories of her unhappy former life. Winner of an Academy Award for Best Screenplay. 8 x 10 inches. Very Good plus, lightly edgeworn and toned.