Murphet julian groth (70 risultati)

Paperback. Condizione: new. Paperback. Explores the transformations of sound in modern literary and cinematic forms from the 1890s to the mid-20th centuryThis volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.Key FeaturesAddresses a growing demand for critical studies on the interface between literary history and the 'soundscape' of modernityDiscusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of 'voice' peculiar to modernityAnswers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studiesSystematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Explores the transformations of sound in modern literary and cinematic forms from the 1890s to the mid-20th centuryThis volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.Key FeaturesAddresses a growing demand for critical studies on the interface between literary history and the 'soundscape' of modernityDiscusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of 'voice' peculiar to modernityAnswers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studiesSystematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. reprint edition. 264 pages. 9.21x6.10x0.59 inches. In Stock.

Condizione: new.

Paperback. Condizione: New.

Condizione: New. 2018. Reprint. Paperback. . . . . .

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2018. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Kartoniert / Broschiert. Condizione: New. This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies.&Uumlber den AutorrnrnJulian Murphet is Scientia Professor in English and Film Studie.

Taschenbuch. Condizione: Neu. Neuware - Explores the transformations of sound in modern literary and cinematic forms from the 1890s to the mid-20th centuryThis volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.Key Features- Addresses a growing demand for critical studies on the interface between literary history and the 'soundscape' of modernity- Discusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of 'voice' peculiar to modernity- Answers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studies- Systematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements.…

Paperback. Condizione: new. Paperback. Explores the transformations of sound in modern literary and cinematic forms from the 1890s to the mid-20th centuryThis volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.Key FeaturesAddresses a growing demand for critical studies on the interface between literary history and the soundscape of modernityDiscusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of voice peculiar to modernityAnswers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studiesSystematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2023 OUP hardcover edition. Light reading wear else very good condition. Contents: Introduction. Writing and Rioting: Literature in Times of Crisis - Jumana Bayeh, Helen Groth, and Julian Murphet 1. Tumultum Populi: Riots, Noise, and Speech Acts in Georgian England - Ian Haywood 2. I Would They Were Barbarians: Shakespeare, Brecht, and the Global Riot - Mark Steven 3. Bloody Sundays: Radical Rewriting and the Trafalgar Riot of 1887 - Helen Groth 4. Rhodes Must Fall, Ulysses, and the Politics of Teaching Modernism - Coilin Parsons 5. Buzz, Mob, Crowd, Life: Writing the Riot in Mulk Raj Anand's Untouchable and Virginia Woolf's Mrs Dalloway - J. Daniel Elam 6. Riotous Nations: Time and the Short Story of Partition - Rashmi Varma 7. A Sketch of the Mob -Joseph North 8. Phantom Justice and Orwellian Violence: Writing against Erasure in a Turbulent Hong Kong - Janny H. C. Leung 9. The Crowd in This Moment: Troubling the Immanence of Riots in Contemporary US Literature - Julian Murphet 10. 'If I write a Love poem it's against the police': The Abolitionist Poetics of the Riot - Andrew Brooks and Astrid Lorange 11. Mobilizing the History of Protest and Dissent in Post-2011 Moroccan Novels - Karima Laachir 12. From 'Jihadi City' to 'Bride of the Revolution': The Protest Rhythms of Tripoli - Caroline Rooney 13. Taming 'the Square': Documenting the Rioting Subject in Basma Abdel Aziz's The Queue - Rita Sakr 14. Mediating the Arab Spring's Riots: Reclaiming Egypt's Lost Archive - Jumana Bayeh. …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Explores the transformations of sound in modern literary and cinematic forms from the 1890s to the mid-20th centuryThis volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.Key FeaturesAddresses a growing demand for critical studies on the interface between literary history and the 'soundscape' of modernityDiscusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of 'voice' peculiar to modernityAnswers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studiesSystematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements.…

Condizione: new.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. Condizione: Brand New. 272 pages. 9.49x6.46x0.94 inches. In Stock.

Hardcover. Condizione: new. Hardcover. Explores the transformations of sound in modern literary and cinematic forms from the 1890s to the mid-20th centuryThis volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.Key FeaturesAddresses a growing demand for critical studies on the interface between literary history and the 'soundscape' of modernityDiscusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of 'voice' peculiar to modernityAnswers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studiesSystematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. This individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Editor(s): Murphet, Julian; Groth, Helen; Hone, Penelope. Num Pages: 264 pages. BIC Classification: AP; DSBH; DSK. Category: (G) General (US: Trade). Dimension: 234 x 156. . . 2017. 1st Edition. Hardcover. . . . . …