Pictorial Softcover. Paperback. Condizione: Near Fine. First Edition. Pictorial Stiff Wraps, Paperback. Original owner's inked name on the front endpaper ("Katerina CLARK," former Yale professor of Russia and Soviet Culture). A bright, clean, tight copy sans tears, stains, discoloration, etc. with all text and illustrations clear/unmarked. "In this book NarimanSkakov explores the phenomena of spatio-temporal lapse in Tarkovsky's cinema - from 'Ivan's Childhood' (1962) to 'Sacrifice' (1986)." ILLUSTRATED in archival black and white photography with accompanying descriptive write-ups. 262 pages. LE4.
Lingua: Inglese
Editore: Ibidem, Stuttgart, Germany, 2010
ISBN 10: 3838200489 ISBN 13: 9783838200484
Da: KULTURAs books, Los Angeles, CA, U.S.A.
Prima edizione
Paperback. Condizione: Fine. First Edition. Softcover in illustrated wraps. First printing of first edition. Book is crisp and clean, with tight binding and sharp corners. Photo illustrations of the Central Asian sculptor's work accompany the essays. Small 8vo. 147 pp.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: New.
PAP. Condizione: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 31,19
Quantità: 2 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 30,31
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Aggiungi al carrelloPAP. Condizione: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000.
EUR 30,31
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: As New. Unread book in perfect condition.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 36,10
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, London, 2012
ISBN 10: 184885630X ISBN 13: 9781848856301
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. The phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means - that is, in time. Tarkovsky does not represent time through coherent argument, Nariman Skakov proposes, rather he presents it and the viewer experiences the argument. This book explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity. Each chapter is dedicated to the discussion of one of Tarkovsky's seven feature films and in each, one of these phenomena functions as a refrain. Skakov discusses the influence of the flow of and lapses in space and time on the viewer's perception of the Tarkovskian cinematic universe.He opens and closes his original and fascinating book on Tarkovsky's cinema by focusing on the phenomenon of time that is discussed extensively by the filmmaker in his main theoretical treatise Sculpting in Time, as well as in a number of interviews and public lectures. Explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: I.B. Tauris & Company, Limited, 2012
ISBN 10: 184885630X ISBN 13: 9781848856301
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 288.
Lingua: Inglese
Editore: I.B. Tauris & Company, Limited, 2012
ISBN 10: 184885630X ISBN 13: 9781848856301
Da: Majestic Books, Hounslow, Regno Unito
EUR 31,71
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New. pp. 288 Illus.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 37,71
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 34,06
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2012
ISBN 10: 184885630X ISBN 13: 9781848856301
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 40,59
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. The phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means - that is, in time. Tarkovsky does not represent time through coherent argument, Nariman Skakov proposes, rather he presents it and the viewer experiences the argument. This book explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity. Each chapter is dedicated to the discussion of one of Tarkovsky's seven feature films and in each, one of these phenomena functions as a refrain. Skakov discusses the influence of the flow of and lapses in space and time on the viewer's perception of the Tarkovskian cinematic universe.He opens and closes his original and fascinating book on Tarkovsky's cinema by focusing on the phenomenon of time that is discussed extensively by the filmmaker in his main theoretical treatise Sculpting in Time, as well as in a number of interviews and public lectures.
Lingua: Inglese
Editore: Columbia University Press, US, 2025
ISBN 10: 023121801X ISBN 13: 9780231218016
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 42,06
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New. It is commonly believed that Stalinism ended a vibrant period in Soviet avant-garde art and literature. The triumph of socialist realism, in this view, curtailed experimentation with aesthetic form and replaced it with a call for clarity, accessibility, and ideological conformity. But Stalin's formula "national in form, socialist in content" gave artists an opening for officially sanctioned formal innovation-as long as it drew on the national cultures of the Soviet Union.Nariman Skakov offers a new way to understand Soviet modernism, showing how writers and artists looked to the East to renew avant-garde experimentalism under Stalin. He traces how figures such as Victor Shklovsky, Aleksandr Rodchenko, Varvara Stepanova, Dziga Vertov, and Sergei Eisenstein responded to the Soviet state's ideological demands by engaging with the traditions of the new socialist republics in Central Asia. The concept of national form gave these artists a sanctuary for aesthetic innovation, yet this experimentation relied on exoticization of the "strangeness" of the Soviet East and a fascination with ethnic others.Recasting Soviet aesthetics from the vantage point of Central Asia, Skakov rethinks orientalism and its relationship to socialism. Challenging conventional narratives of the fate of the Soviet avant-garde, Reorientalism provides a deeply original decentering of modernism.
Lingua: Inglese
Editore: Columbia University Press, US, 2025
ISBN 10: 023121801X ISBN 13: 9780231218016
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. It is commonly believed that Stalinism ended a vibrant period in Soviet avant-garde art and literature. The triumph of socialist realism, in this view, curtailed experimentation with aesthetic form and replaced it with a call for clarity, accessibility, and ideological conformity. But Stalin's formula "national in form, socialist in content" gave artists an opening for officially sanctioned formal innovation-as long as it drew on the national cultures of the Soviet Union.Nariman Skakov offers a new way to understand Soviet modernism, showing how writers and artists looked to the East to renew avant-garde experimentalism under Stalin. He traces how figures such as Victor Shklovsky, Aleksandr Rodchenko, Varvara Stepanova, Dziga Vertov, and Sergei Eisenstein responded to the Soviet state's ideological demands by engaging with the traditions of the new socialist republics in Central Asia. The concept of national form gave these artists a sanctuary for aesthetic innovation, yet this experimentation relied on exoticization of the "strangeness" of the Soviet East and a fascination with ethnic others.Recasting Soviet aesthetics from the vantage point of Central Asia, Skakov rethinks orientalism and its relationship to socialism. Challenging conventional narratives of the fate of the Soviet avant-garde, Reorientalism provides a deeply original decentering of modernism.
Lingua: Inglese
Editore: Columbia University Press, New York, 2025
ISBN 10: 023121801X ISBN 13: 9780231218016
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. It is commonly believed that Stalinism ended a vibrant period in Soviet avant-garde art and literature. The triumph of socialist realism, in this view, curtailed experimentation with aesthetic form and replaced it with a call for clarity, accessibility, and ideological conformity. But Stalin's formula "national in form, socialist in content" gave artists an opening for officially sanctioned formal innovation-as long as it drew on the national cultures of the Soviet Union. Nariman Skakov offers a new way to understand Soviet modernism, showing how writers and artists looked to the East to renew avant-garde experimentalism under Stalin. He traces how figures such as Victor Shklovsky, Aleksandr Rodchenko, Varvara Stepanova, Dziga Vertov, and Sergei Eisenstein responded to the Soviet state's ideological demands by engaging with the traditions of the new socialist republics in Central Asia. The concept of national form gave these artists a sanctuary for aesthetic innovation, yet this experimentation relied on exoticization of the "strangeness" of the Soviet East and a fascination with ethnic others. Recasting Soviet aesthetics from the vantage point of Central Asia, Skakov rethinks orientalism and its relationship to socialism. Challenging conventional narratives of the fate of the Soviet avant-garde, Reorientalism provides a deeply original decentering of modernism. Nariman Skakov offers a new way to understand Soviet modernism, showing how writers and artists looked to the East to renew avant-garde experimentalism under Stalin. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 32,94
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. 2010. First Edition. paperback. . . . . .
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 33,07
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2025. paperback. . . . . .
Da: Majestic Books, Hounslow, Regno Unito
EUR 38,57
Quantità: 1 disponibili
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 29,83
Quantità: 1 disponibili
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 30,65
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New.
Da: Chiron Media, Wallingford, Regno Unito
EUR 31,89
Quantità: 3 disponibili
Aggiungi al carrellopaperback. Condizione: New.
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 41,03
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Aggiungi al carrelloCondizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.
Condizione: New. 2010. First Edition. paperback. . . . . . Books ship from the US and Ireland.