Nimmen jane brown david (22 risultati)

Condizione: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good Dust Jacket. 261 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Hardcover. Condizione: Very Good. Hardcover and dust jacket. Good binding and cover. Shelf wear. Title page scuffed. Clean, unmarked pages.

Condizione: Very Good. Very Good condition. Very Good dust jacket. (Art, Altoviti Portrait, Biography) A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. A clean and unmarked copy with dust jacket in very good condition. Mylar cover. 261 pages.

Hardcover. Condizione: New. Condizione sovraccoperta: New. Brand New. Bright and Crisp.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. A clean and bright copy. Signed by both Authors "For Fran". 261pp. Inscribed by Author(s).

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 261 pages, illustrated throughout, some in color. A very clean and tight copy. Record # 852530.

Hardcover. Condizione: Used - Very Good. Five centuries ago a stunningly beautiful young man with flowing blond locks sat for a portrait by Raphael. In the artist's dynamic conception, Bindo Altoviti turns as if to speak to his Florentine bride, Fiammetta. Ardently admired over the years, as it is today, Raphael's portrait was also coolly received by more than one influential critic who cast a shadow on its reputation. This gloriously illustrated book tells the story of the portrait's creation and of its unexpected trajectory through history.Focusing on viewers' responses to Bindo Altoviti, the book describes the transformation of the picture from a family treasure into a supposed self-portrait of the artist; its public display in Munich, where first it was celebrated, then dismissed by skeptics claiming that it was neither of nor by Raphael; and its acquisition by canny English dealers who lured the panel out of Nazi Germany. Purchased as a Raphael by American collector Samuel H. Kress, the painting was donated in 1943 to the newly opened National Gallery of Art, where Bindo's image has beguiled visitors ever since. How one of the most beautiful portraits in all of Western art made its adventurous passage through the centuries, from Renaissance Rome to the Mall in Washington D.C. Book has minor shelf wear.…

Condizione: Very Good. Slight shelfwear to book.

Hardcover. Condizione: Good. Condizione sovraccoperta: very good. Cloth/dust jacket Small Quarto. green cloth, gilt lettering, dust jacket, 261 pp rear inside joint split spine slightly cocked Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

262pp with 28 colour and 142 monochrome illustrations. Cloth 26.3x20cms. ISBN: 0300108249. Text in English.

Hardcover. Condizione: Brand New. 224 pages. 10.75x8.00x1.00 inches. In Stock.

Hardcover. Condizione: New. Condizione sovraccoperta: As New. 1st Edition. 4to (27.5 cm), 224 pp. Publisher's cloth and dust jacket. "Five centuries ago a stunningly beautiful young man with flowing blond locks sat for a portrait by Raphael. In the artist's dynamic conception, Bindo Altoviti turns as if to speak to his Florentine bride, Fiammetta. Ardently admired over the years, as it is today, Raphael's portrait was also coolly received by more than one influential critic who cast a shadow on its reputation. This gloriously illustrated book tells the story of the portrait's creation and of its unexpected trajectory through history. Focusing on viewers' responses to Bindo Altoviti, the book describes the transformation of the picture from a family treasure into a supposed self-portrait of the artist; its public display in Munich, where first it was celebrated, then dismissed by skeptics claiming that it was neither of nor by Raphael; and its acquisition by canny English dealers who lured the panel out of Nazi Germany. Purchased as a Raphael by American collector Samuel H. Kress, the painting was donated in 1943 to the newly opened National Gallery of Art, where Bindo's image has beguiled visitors ever since." (from the publisher's description).…