norgate edward muller (17 risultati)

Hardback. Condizione: Fine. Condizione sovraccoperta: Near Fine. ~With dustwrapper. No ownership marks. ~Robust packaging. Overseas tracking available on request. Used books are exempt from USA tariffs. 1st edition. Hardback. Size: xii, 297pp., 8 col plates, 8 b / w illus. 16x24cm.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 297pp. Illus throughout. Classic art reference literature. The book is in overall excellent/ fine condition - very clean and bright in like d/w. The book presents very nicely on the shelf. PARROTT BOOKS - established for over 20 years offering a prompt friendly and efficient service.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. ~ Illustrated with a frontispiece and 8 b/w plates ~ Cloth covered boards, spine lettered in white, in illustrated dust jacket ~ 297p ~ 24x16x3cm. ~ As new ~ LANGUAGE: English // We accept PayPal & EU bank transfer in EUROS //.

Condizione: New. With introductory essays on Edward Norgates's life, readership and technique, this edition of his treatise on limning incorporates new critical and annotated text. Written first in 1627-28 and revised in 1648, it presents the techniques used by the English miniaturists. Editor(s): Muller, Mr. Jeffrey M. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 308 pages, 8 b&w illustrations, 8 colour plates. BIC Classification: AFC; AGB; AGZ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 162 x 27. Weight in Grams: 710. . 1997. New Critical ed Edited Introduced and Annotat. Hardcover. . . . .

Condizione: New.

Hardback. Condizione: New. Edward Norgate, aristocratic friend of Charles I and the Earl of Arundel, made his mark in seventeenth-century England as musician, herald, and courtier. He also wrote Miniatura, a widely circulated study of miniature painting in his era that serves today as both a guide to materials and techniques and a record of the artistic knowledge and taste of Charles' court. This new edition of Norgate's treatise, the first since 1919, introduces and fully annotates the text from technical and art historical perspectives, firmly establishing the prime importance of Norgate's work.The book provides a detailed account of Norgate's life and many interests, his readership, and his technique. The editors-a noted scholar of seventeenth-century art and an authority on the techniques and materials of miniature painting-closely examine Norgate's text and compare it with other contemporary treatises, placing his techniques in the context of the period. The treatise itself, first written in 1627-28 and then substantially revised in 1648, sets forth in great detail the methods of English miniaturists, from the composition and preparation of pigments and brushes to lighting in the studio. Norgate acknowledges indebtedness to Hilliard, comments on other artists' styles and techniques, and reveals through his own views the English aristocracy's interest in and assimilation of European artistic culture.Published for the Paul Mellon Center for Studies in British Art.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. With introductory essays on Edward Norgates's life, readership and technique, this edition of his treatise on limning incorporates new critical and annotated text. Written first in 1627-28 and revised in 1648, it presents the techniques used by the English miniaturists. Editor(s): Muller, Mr. Jeffrey M. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 308 pages, 8 b&w illustrations, 8 colour plates. BIC Classification: AFC; AGB; AGZ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 162 x 27. Weight in Grams: 710. . 1997. New Critical ed Edited Introduced and Annotat. Hardcover. . . . . Books ship from the US and Ireland.

Condizione: New. pp. 308 8 Illus.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First American Edition. Scholarly repring of an important book on the art of painting miniature portraits, "a unique complete account of the materials and technique used in this art", a critical edition of Norgate's revised second edition of 1648 with introduction & notes by the editors. Hardcover in jacket, as pictured. Light wear to book & jacket. Text clean, no names or marks; xii, 297 pages; index, bibliography, notes, b/w & color plates. Size: Octavo.

Hardcover. Condizione: Brand New. new edition. 297 pages. 9.75x6.75x1.00 inches. In Stock.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardback. Condizione: New. Edward Norgate, aristocratic friend of Charles I and the Earl of Arundel, made his mark in seventeenth-century England as musician, herald, and courtier. He also wrote Miniatura, a widely circulated study of miniature painting in his era that serves today as both a guide to materials and techniques and a record of the artistic knowledge and taste of Charles' court. This new edition of Norgate's treatise, the first since 1919, introduces and fully annotates the text from technical and art historical perspectives, firmly establishing the prime importance of Norgate's work.The book provides a detailed account of Norgate's life and many interests, his readership, and his technique. The editors-a noted scholar of seventeenth-century art and an authority on the techniques and materials of miniature painting-closely examine Norgate's text and compare it with other contemporary treatises, placing his techniques in the context of the period. The treatise itself, first written in 1627-28 and then substantially revised in 1648, sets forth in great detail the methods of English miniaturists, from the composition and preparation of pigments and brushes to lighting in the studio. Norgate acknowledges indebtedness to Hilliard, comments on other artists' styles and techniques, and reveals through his own views the English aristocracy's interest in and assimilation of European artistic culture.Published for the Paul Mellon Center for Studies in British Art.