Oglethorpe university museum (13 risultati)

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. hardcover 100% of proceeds go to charity! May have signs of use, wear and minor cosmetic defects.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Signed and inscribed by Randy Hayes on title page. Hardcover in jacket. Clean and unmarked. Binding strong, slight bow to boards. Light wear. Jacket now in fresh Mylar. Very good condition. Additional photos available upon request. All of our books are carefully wrapped and shipped in a box. Signed by Author.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Signed by Hayes in black ink on title page. 87, [1] pages. A very good copy in jacket (slight wear to jacket, small sticker residue on front free endpaper). Catalogue of the exhibition at the Oglethorpe University Museum, Atlanta, November - December 1999. Foreword by Lloyd Nick; essay by Yau; includes biographical chronology and bibliography. One of 2964 copies of the trade issue (of a total edition of 3000). About 100 Color & b/w Illustrations (chiefly Color photographs). // 'Since photography was first developed in the mid-19th century, artists have been incorporating it in their work. Randy Hayes follows in that tradition, combining the stop-action immediacy of photos with the timeless commentary of painting to produce provocative, many-layered images. His unique method of 'veiling' photographs with semi-translucent washes of paint puns the themes he illustrates. During the first 15 years of his career, Hayes focused on individuals whose identity is defined by how they present their bodies -- transvestites, transsexuals, prostitutes, strippers, and boxers. For the last decade, he has shifted his interest to figures -- usually women -- who are veiled, turned away, or partially hidden by what they wear. In a sort of redefined cubism, the artist uses a series of snap-shots to present a scene from all sides and perspectives. Multiple images and moments invite the viewer to participate in the drama of the painting.' -- publisher.…

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. First Edition. Signed and Inscribed By Artist on half title page. Size: 4to - over 9¾" - 12" tall. Color and b/w Illustration (illustratore). Signed and Inscribed By Artist. Book.

paperback. Condizione: Very Good. In very good, unmarked condition. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Hardcover. Condizione: Near Fine. Near Fine. First Edition. 8vo - over 7¾" - 9¾" Book is in near fine condition with a near fine condition dust jacket. First edition. Signed and inscribed by artist to friend and prominent art critic Matthew Kangas. Interior is clean with a tight spine and sharp corners. // 'Since photography was first developed in the mid-19th century, artists have been incorporating it in their work. Randy Hayes follows in that tradition, combining the stop-action immediacy of photos with the timeless commentary of painting to produce provocative, many-layered images. His unique method of 'veiling' photographs with semi-translucent washes of paint puns the themes he illustrates. During the first 15 years of his career, Hayes focused on individuals whose identity is defined by how they present their bodies -- transvestites, transsexuals, prostitutes, strippers, and boxers. For the last decade, he has shifted his interest to figures -- usually women -- who are veiled, turned away, or partially hidden by what they wear. In a sort of redefined cubism, the artist uses a series of snap-shots to present a scene from all sides and perspectives. Multiple images and moments invite the viewer to participate in the drama of the painting.' -- publisher.…

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. Inscribed by the artist on the title page. 88 pages with full color prints throughout. Signed by Author. …

Hardcover. Condizione: Near Fine. Near Fine. First Edition. Signed by Hayes in black ink on title page. 87, [1] pages. Catalogue of the exhibition at the Oglethorpe University Museum, Atlanta, November - December 1999. Foreword by Lloyd Nick; essay by Yau; includes biographical chronology and bibliography. One of 2964 copies of the trade issue (of a total edition of 3000). Slight bowing to upper cover (toward foredge); else a nearly new copy as issued.About 100 Color & b/w Illustrations (chiefly Color photographs). // 'Since photography was first developed in the mid-19th century, artists have been incorporating it in their work. Randy Hayes follows in that tradition, combining the stop-action immediacy of photos with the timeless commentary of painting to produce provocative, many-layered images. His unique method of 'veiling' photographs with semi-translucent washes of paint puns the themes he illustrates. During the first 15 years of his career, Hayes focused on individuals whose identity is defined by how they present their bodies -- transvestites, transsexuals, prostitutes, strippers, and boxers. For the last decade, he has shifted his interest to figures -- usually women -- who are veiled, turned away, or partially hidden by what they wear. In a sort of redefined cubism, the artist uses a series of snap-shots to present a scene from all sides and perspectives. Multiple images and moments invite the viewer to participate in the drama of the painting.' -- publisher.…

Hardcover. Condizione: VG+. Hardback in Very Good+ condition with Very Good+ dust jacket. . 10.0 X 9.0 X 0.8 inches. 87 pages. Signed by Randy Hayes on title page. . * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

Hardcover. Condizione: Near Fine. Near Fine. Limited Edition. 4to - over 9¾" - 12" Tall (square small). The rare limited edition. Copy # 4 of 10 numbered copies. Signed by artist Randy Hayes and author John Yau in black ink on title page. Book only - this copy does not have the slipcase or the signed photograph. Nice hardcover in jacket. 87, [1] pages. Catalogue of the exhibition at the Oglethorpe University Museum, Atlanta, November - December 1999. Foreword by Lloyd Nick; essay by Yau; includes biographical chronology and bibliography. About 100 Color & b/w Illustrations (chiefly Color photographs). // 'Since photography was first developed in the mid-19th century, artists have been incorporating it in their work. Randy Hayes follows in that tradition, combining the stop-action immediacy of photos with the timeless commentary of painting to produce provocative, many-layered images. His unique method of 'veiling' photographs with semi-translucent washes of paint puns the themes he illustrates. During the first 15 years of his career, Hayes focused on individuals whose identity is defined by how they present their bodies -- transvestites, transsexuals, prostitutes, strippers, and boxers. For the last decade, he has shifted his interest to figures -- usually women -- who are veiled, turned away, or partially hidden by what they wear. In a sort of redefined cubism, the artist uses a series of snap-shots to present a scene from all sides and perspectives. Multiple images and moments invite the viewer to participate in the drama of the painting.' -- publisher.…

Condizione: Good. Autographed / signed by artist Randy Hayes in black ink on title page. 4to. 87 pp. Blue cloth-covered boards with embossed title and spine, illustrated dust jacket and green endpapers. As new. 76 full color plates. Additional text by John Yau and foreword by Lloyd Nick, director of the Oglethrope University Museum in Atlanta. Book published to accompany exhibition held at the Oglethorpe University Museum in Atlanta, Georgia from November 7 through December 19, 1999. Limited edition: one of 2000 copies. Signed by artist but not signed limited edition. From the Collection of the Art Historian Peter Selz.…