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Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

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Condizione: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Condizione: good. Signs of wear and consistent use.

Soft cover. Condizione: Very Good. Third printing. Flat signed by Olin and Quigley on first page. Covers in very good condition. Binding tight and text clean. Signed by Author(s).

Paperback. Condizione: Very Good. First Edition. Signed by Olin and Quigley on the FFEP. Text and images are unmarked. The wrapper has a mild vertical crease on the front cover, a touch of wear to corners. Light wear and soiling to edges of text block. Oblong 8vo. 168pp. Signed by Author.

Hardcover. Condizione: Very Good. 2010 Routledge hardcover edition. Light reading wear else very good condition. During her lifetime, Edith Wharton was one of America's most popular and prolific writers, publishing over forty books and winning the Pulitzer Prize for fiction. But after her death her work slipped out of favour, and it is only in the last thirty years that her reputation as a literary heavyweight and a great writer has recovered. Bringing together twelve leading Wharton scholars from Europe and North America, this volume offers the first ever collection of essays on Wharton's 1913 tour de force, The Custom of the Country. Described as 'her greatest book' by Hermione Lee in her acclaimed 2007 biography of the writer, and listed by Wharton herself at the end of a long and prolific career as one of her own favourite works, The Custom of the Country arguably remains the author's most complex and controversial novel. The contributions to this collection demonstrate the continuing evolution of Wharton scholarship within modern critical approaches. Contents: 1) The Custom of the Country: Edith Wharton's Conversation with the Atlantic Monthly (2) When the Reading Had to Stop: Readers, Reading and the Circulation of Texts in The Custom of the Country (3) 'Don't Cry - it ain't that Kind of a Story': Wharton's Business of Fiction, 1908-12 (4) Worst Parents Ever: Cultures of Childhood in The Custom of the Country (5) Crude Ascending the Staircase: Undine Spragg and the Armory Show (6) 'It's Better to Watch': Compulsive Voyeurism in The Custom of the Country and The House of Mirth (7) A 'Mist of Opopanax': Mapping the Scentscape of The Custom of the Country (8) Landscape with the Fall of Undine (9) Girls from the Provinces: Wharton's Undine Spragg and Cather's The Song of the Lark (10) Men at Work in The Custom of the Country (11) 'Lost in Translation': Financial Plots and the Modernist Reader in The Custom of the Country.…

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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2012 Cambridge University Press hadrcover edition. Light reading wear else very good condition. Bringing together a team of international scholars, this volume provides the first substantial text dedicated to the various contexts that frame Wharton's remarkable career. Each essay offers a clearly argued and lucid assessment of Wharton's work as it relates to seven key areas: life and works, critical receptions, book and publishing history, arts and aesthetics, social designs, time and place, and literary milieux. These sections provide a broad and accessible resource for students coming to Wharton for the first time while offering scholars new critical insights. CONTENTS: Part I. Life and Works 1. Edith Wharton: contextual revisions by Laura Rattray 2. Chronology: Wharton in cultural and historical context by Pamela Knights and Laura Rattray 3. Biography by Melanie Dawson 4. Composition and publication by Sharon Kehl Califano 5. Portraits of Wharton by Susan Goodman Part II. Critical Receptions 6. Contemporary reviews, 1877-1938 by Heidi M. Kunz 7. Obituaries by Linda De Roche 8. 'Justice' to Edith Wharton? The early critical responses by Melissa M. Pennell 9. Modern critical receptions by Jessica Schubert McCarthy Part III. Book and Publishing History 10. Wharton and her editors by Sharon Shaloo 11. Selling Wharton by Gary Totten 12. Serialization by Elsa Nettels 13. Short story markets by Bonnie Shannon McMullen Part IV. Arts and Aesthetics 14. Stage adaptations of Wharton's fiction by John Dennis Anderson 15. Wharton's writings on screen by Anne-Marie Evans 16. Visual arts by Emily J. Orlando 17. Architecture by Cecilia Macheski 18. Interior and garden design by Helena Chance 19. Images of Wharton by Katherine Joslin Part V. Social Designs 20. The marriage market by Pamela Knights 21. Leisured lives by Maureen E. Montgomery 22. Wharton and gender by Linda Wagner-Martin 23. Race and imperialism by Margaret Toth 24. Social transitions by Adam Jabbur Part VI. Time and Place 25. Wharton and France by William Blazek 26. Wharton and Italy by Robin Peel 27. Wharton and World War I by Julie Olin-Ammentorp 28. The 1920s by Gail D. Sinclair 29. Wharton and the Great Depression by Carol J. Singley Part VII. Literary Milieux 30. Literary influences by Judith P. Saunders 31. Wharton and the American romantics by Linda Costanzo Cahir 32. The novel of manners by Cecilia Macheski 33. Naturalism by Donna Campbell 34. Modernism by Jennifer Haytock.…