Painter charles editor (5 risultati)
Editore: The Year Book Publishers, Inc., Chicago 1946
- Rilegato
- Prima edizione
Da: UHR Books, Hollis Center, U.S.A.UHR Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,13
EUR 3,43 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good +. No Jacket. First Edition. Discussed in this 1945 year book for orthopedic surgery are the topics of arthritis and rheumatism, osteomyelitis, poliomyelitis, tumors and cysts, fractures and dislocations, and various orthopedic lesions. In the Industrial Medicine and Surgery portion, the discussi…on is on general problems, toxicology, infections, and specific hazards. Illustrated. Book.
Editore: The Year Book Publishers, Inc., Chicago 1947
- Rilegato
- Prima edizione
Da: UHR Books, Hollis Center, U.S.A.UHR Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,13
EUR 3,43 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good +. No Jacket. First Edition. Discussed in this 1946 year book for orthopedic surgery are the topics of arthritis and rheumatism, osteomyelitis, tuberculosis, poliomyelitis, tumors, fractures, dislocations, and sprains, and various orthopedic lesions. In the Industrial Medicine and Surgery portion…, the discussion is on general problems, toxicology, and specific hazards. Illustrated. Book.
Cry of the Thunderbird: The American Indian's Own Story (The Civilization of the American Indian Series, Volume 119)
Charles Hamilton [Editor]; Charles Hamilton [Introduction]; American Indian Artists [Drawings]; George Catlin [Painter];
- Rilegato
Da: BennettBooksLtd, Los Angeles, U.S.A.BennettBooksLtd
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 73,54
EUR 6,03 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.
LETTRE À MON PEINTRE RAOUL DUFY [avec SOUVERNIERS, HOMMAGES ET CITATIONS suivi de LES CARNETS DE RAOUL DUFY]. - MEMORIAL WITH 27 LITHOGRAPHS by Dufy (18) and Georges Braque, Bernard Buffet, Marc Chagall, André Dunoyer de Segonzac, Marcel Gromaire, Charles Lapicque, Jean Lurcat, André Marchand and Jacques Villon AND LETTERS AND MUSICAL SCORES by Jean Anouilh, Guillaume Apollinaire, [Julien?] Berr de Turique, René Clair, Jean Cocteau, René Coty, Bernard Dorival, Émilienne Dufy (D's wife), Germaine Dufy (D's sister), Gabriel Fournier, Othon Friesz, Max Jacob, Charles Lapicque, André Lhote, André Marchand, Francois Mauriac, Darius Milhaud, Henri Mondor, Paul Poiret, Francis Poulenc, André Robert, Armand Salacrou, Igor Stravinsky and Maurice Utrillo.
DUFY, Raoul (1877-1953, Painter associated with the Fauvist Movement, also active in Drawing, Printmaking, Book-Illustration, Scenic- and Furniture-Design, Public-Space-Planning, Textile-Design and Public Building Decoration; Artist) / OURY, Marcelle (1894-1980; Painter, Editor of this collection) / OTHER PAINTERS: Georges Braque (1882-1963); Bernard Buffet (1928-1999); Marc Chagall (1887-1985); André Dunoyer de Segonzac (1884-1974); Marcel Gromaire (1892-1971); Charles Lapicque (1898-1988); Jean Lurcat (1892-1966); André Marchand (1907-1997); Jacques Villon (1875-1963):
Editore: Paris, Librairie Académique Perrin, MCMLXV (1965). 1965
- Rilegato
- Firmato
Da: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, GermaniaC O - L I B R I , Bremen - Berlin ; Deutschland / Germany .
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 650,00
EUR 45,00 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Aggiungi al carrello25 sections of each 2 inserted loose doublesheets of thick paper 'Vélin Arjomari' (=200 pages in total) with 193 (2 +5) partly numbered pages of texts, autograph- and musical-score facsimiles and 28 mostly colour lithographs; first 4 and last 5 blank sheets included (of which the very first and the very last one is laid under th…e interior large flaps of the dustjacket). - Loose in cardboard-cover with titled cardboard-dustjacket in a gilt-titled strong half-leatherette folder with marbled panels which again is protected by the publishers stiff cardboard-slipcase with fullsize colour-lithographs by Marcelle Oury on both sides; Folio (ca. 32 x 25 x 6 cm; ca. 3 kg.). *** FIRST EDITION, ELABORATE ARTIST'S CELEBRATION BY THE WHO-IS-WHO OF FRENCH TWENTIETH-CENTURY ARTISTS IN VARIOUS FIELDS; WITH A TOTAL OF 29 ORIGINAL LITHOGRAPHS, COMPLETE: ''Il a été tiré des cet ouvrage 25 . . . [+] 975 exemplaires sur vélin B. F. K. de Rives . . . [+] 5000 exemplaires sur vélin Arjomari numérotés de 1001 à 6000. . . Exemplaire No 3982''['Justification du tirage on page (6)']. ''La typographie de cet ouvrage est due à L'IMPRIMERIE NATIONALE, Monsieur André Brignole étant Directeur & Paul Lajuncomme responsable de la typographie. La composition aété faite avec le Garamont corps 20 propriété exclusive du grand Établissement d'État sur les presses duquel lìmpression a été achevée le 22 juillet 1965. Les lithographies en couleurs et les dessins en noir ainsi que les manuscrits sortent des presses de Fernand Mourlot. Henri jadoux a été l'ouvrier responsable de l'ouvrage.''[colophone on page (195)]. - A BEAUTIFUL COPY; ALSO IN STOCK 'RAOUL DUFY / Louis CARRÉ: DESSINS ET CROQUIS EXTRAITS DES CARTONS ET CARNETS'(Paris 1944); the artists copy 'hors commerce #I', lengthly inscribed and signed by Dufy to the art-collectors and artist's-patrons ''. . . Madame et au Monsieur Bernard Reis. . .'' on the occasion of their meeting at Louis Carné's house in New York. . .
Altre immaginiHistory of the Indian Tribes of North America
McKENNEY, Thomas L. (1785-1859, editor), James HALL (1793-1868, writer), Charles Bird KING (1785-1862, painter); James Otto LEWIS (1799-1858, painter)
Editore: Edward C. Biddle, 1836; Daniel Rice, 1838; and James G. Clark, 1844, Philadelphia 1844
- Rilegato
- Prima edizione
Da: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 107.212,81
EUR 21,69 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloFolio; 3 vols. (20 1/16 x 14 1/4 inches). 120 hand-colored lithograph plates, map, and 17-page subscriber list present. State "A" of volumes one and three, state "B" (issued with part 16) of volume two. 19th-century half-Morocco to style over marbled boards, spines gilt. Within individual chemises and slipcases. First edition of… this Americana highspot, a profusely illustrated record of prominent nineteenth-century Native Americans, which was "the grandest color-plate book issued in the United States up to the time of its publication." (Reese) Thomas McKenney, a Quaker, was Superintendent of Indian Affairs from 1816-1822. While in this post he became concerned for the survival of Western tribes after observing unscrupulous people taking advantage of Native Americans for profit. McKenney decided to create an archive to preserve the artifacts and history of Native Americans whose culture was disappearing due to settler-colonialism. A visit to the studio of artist Charles Bird King inspired McKenney to add portraits to his archive. McKenney helped start the first national collection in Washington, the Archives of the American Indian, and served as curator of this archive while he was Superintendent of Indian Affairs and head of the Bureau of Indian Affairs. Perhaps surprisingly, in his government role, McKenney advocated for Indians to be removed to somewhere west of the Mississippi and the portraits he commissioned make reference to the benefits of missionary and "civilizing" work. He was instrumental in the passage of the 1830 Indian Removal Act, but also criticized some government policies toward Indians, which led President Jackson to dismiss McKenney from his post in 1830. After leaving government, McKenney was able to turn more of his attention to his publishing project recording biographies and portraits of Native Americans. Within a few years, he was joined by James Hall, a journalist, lawyer, and the Illinois state treasurer, who had written extensively about the West. Both authors saw their book as a way of preserving an accurate visual record of a rapidly disappearing culture. The text, which was written by Hall based on information supplied by McKenney, takes the form of a series of biographies of leading figures among the Indian nations, followed by a general history of the North American Indians. The work is famous for its color-plate portraits of chiefs, warriors, and women of various tribes, which are faithful copies of original oils by Charles Bird King. King painted the illustrious Indians from life in his studio in Washington, D.C., where McKenney commissioned him to record visiting Indian delegations from 1821 to 1837. At times King's paintings were worked up from the watercolors of the young frontier artist, James Otto Lewis. All but four of the book's original paintings were destroyed in the disastrous Smithsonian fire of 1865; their appearance in this work preserves what is probably the best likeness of many of the most prominent Indian leaders of the early 19th-century. Among King's sitters were Sequoyah, Red Jacket, Major Ridge, Cornplanter, and Osceola. This was the most elaborate plate book produced in the United States to that date, and its publishing history is complex. Its production spanned eight years, multiple lithographers, and was funded by 1,250 subscribers. The title pages give an indication of issue: Volume I, first issue was by Edward C. Biddle and is dated 1836; the second issue was by Frederick W. Greenough with the date 1838; and the third issue is by Daniel Rice and James G. Clark and dated 1842. Volume II, first issue is by Frederick W. Greenough and dated 1838; and the second issue is by Rice and Clark and dated 1842. Volume III, first issue is by Daniel Rice and James G. Clark and dated 1844. American Color Plate Books, 24; BAL 6934; Bennett, 79; Best of the West, 68; Bowers, 339-40; Field 992; Howes M-129 ("d"); Lipperhiede Mc4; Sabin 43410a; Servies 2150; Stack, 5.
