pascin jules (201 risultati)

Condizione: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condizione: Good. First Edition. Pages i thru xvii plus 110 numbered plates. A near fine book with no defects noted except a little cover edge wear. Interior text and illustration pages are near flawless. This is new work, first published by Dover in 1972. Pascin was born Julius Mordecai Puncas. He was among the small elite whose talents manifested very early. He stands out in this drab, preoccupied, modern world of ours with such startling brilliancy. He is naughty and quite scandalous. Pascin's mediums vary but are always those that allow quick impressions of visual excitement; his subjects are as varied and as immediate - nudes, erotic subjects, drawings that seem to invite the viewer. Also landscapes, street scenes, cafes, etc. This book contains 110 of Pascin's drawings from 1902-1929.

Paperback. Condizione: Very Good. ***please read*** name inside cover with light pencil - no marks on text - my shelf location - k-18-b*.

Pamphlet. Condizione: Good. Jan. 5 - Feb. 7, 1959; Good to VG overall, interior is VG with no marks and minor shelfwear; Pamphlet; art gallery catalog.

Soft cover. Condizione: Very Good. 1st Edition. SOFT COVER IN VERY GOOD CONDITION.

Condizione: Fair. Zweite Auflage, reprints the 1910 Pan-Presse edition but the illustrations are less sharp and aside from the cover none of them are color; 94 pp., illustrated throughout; original light boards badly worn with long tear from bottom margin, general age toning, working copy only. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condizione: Very Good. unmarked, light shelfwear-NICE Standard-sized.

Pamphlet. Condizione: Used: Good. Nov. 14 - Dec. 24, 1955; there is a paperclip with a note to you from Klaus Perls thanking you for the loan of your painting to the gallery; Good to VG with minor shelfwear; closer to the VG side on that scale; binding is tight and pages crisp. 12 black/white reproductions.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. Pascin, Jules (illustratore). JULES PASCIN'S CARIBBEAN SKETCHBOOK, with introduction by John Palmer Leeper, 107 mainly B/W sketches with eight in color, hardcover with unclipped dust jacket, 1964. BOOK CONDITION: near fine. The text block and illustrations are in fine condition, with no tears, dogears, or marks. There is no bookplate or signature of a prior owner. Not a library book or remainder. The tan cloth boards are in near fine condition (tiny bump of upper righthand corner). The dust jacket is in good condition (age-toning inside, tiny spots on front and back, white circle on front where price tag was affixed). 10 x 9, 184 pages, 26 ounces XX [From the dust jacket flaps] Jules Pascin (1885 - 1930) stands, like his friend Modigliani, in the great tradition of the romantic, bohemian artist. A charming, lavish host, Pascin was closely associated with the artists, musicians, and effervescent literati of the 1920's. The Bulgarian-born artist was a major figure in the School of Paris before coming to the United States, where he became a naturalized citizen. In the United States Pascin traveled extensively, and was particularly drawn to the southern states and to the Caribbean islands. He recorded his travels in brilliant, instantaneous pencil sketches, sometimes touching them with delicate washes of color. Dispassionately he painted field workers and the picturesque citizens of a tropical land steaming in the sun, mules and wagons waiting in the shade of palm trees, yachts swinging in motionless harbors. These drawings Pascin assembled into two scrapbooks, regarding them highly himself. After his suicide in 1930 one scrapbook passed into the collection of the Museum of Modern Art, New York, and the second became a prized treasure of the Marion Koogler McNay Art Institute of San Antonio. The McNay Art Institute, with the University of Texas Press, here presents one hundred and seven exquisite drawings from the scrapbook, eight of them in color, the first extensive publication of drawings by one of the major draughtsmen of the twentieth century. While Pascin himself was relatively impervious to the influence of other artists, he exerted a striking influence on American art of the 1920's and 1930's. Kuniyoshi, Ganso, Brook, Dehn, Biddle, and others whom he met in the United States all bear the imprint of his style, which they have generously acknowledged, and even of the subject matter to which he drew their attention. He was, Francis Biddle wrote, intensely of our fluid, contemporary world, suffering from its aimlessness, a child of its tolerant skepticism, free from traditions, but also without roots or hardy and impassioned prejudices. Henry McBride wrote touchingly: I had the greatest admiration for Pascin. I never met him without feeling his superiority. He was completely the artist. It was so natural for him to be an artist that unconsciously he complimented everyone he met by assuming that they, too, were artists. It was partly due to this sweetness in his character that he exerted such a great influence upon his fellow painters, particularly here in America where we are not used to so entire a devotion to the arts, and where it is so difficult to be an artist. It was due to his essential integrity as an artist, I think, that he died.

First Edition. First edition. Exhibition brochure for a show that ran June 10 through July 13, 1960. Single small sheet folded once to create 4 pages. Features text in French by Claude Roger-Marx and Pierre Dubreuil. Includes 2 black and white illustrations and a checklist. Scarce ephemera.

Soft cover. Condizione: Near Fine. Thin 4to, b&w illus.vvcl1topbx2.

Soft Cover. Condizione: Very Good. 'Hermine sur une Chaise, 1918, by Jules Pascin (Cover Illustration) (illustratore). 122 + vi pp. Vol. XXI, No. 2, 1985 issue only! Solidly and tightly bound copy with minimal external and overall wear and use. Copy with crisp pages and clean text.

Hardcover. Condizione: Very Good. Quarto, hardcover, VG with part of green dj laid in. Introduction by John Palmer Leeper. 106 pp. of Caribbean sketches by this romantic bohemian artist of the 1920's from Bulgaria who learned his art in Paris. He sketched field workers, mules, wagons, yachts and more. Book.

Hardcover missing dustjacket, 32 pages of text followed by b/w illustrations and 34 color plates; poor condition; 4 inches of spine missing at bottom; small splits to spine at top and bottom. As is.

Cloth. First edition. Col. frontis, 40 pp. + Plates [64]. Illus. with 64 duotone plates and in-text b/w drawings. Sm. 4to. Preface by James Laver. Jules Pascin [Julius Pincas] (1885-1930) Bulgarian-born American painter and printmaker know both for the wild parties in his Montmartre studio in the 1920s and his erotic studies of teenage girls. Freitag 9426. Spine rubbed else a very good copy in a good repaired dust jacket with a few chips.

Hardcover. Condizione: Good.

Softcover staple bound, 24 pages, very good condition, tipped on color plate on cover still attached; no internal marks.

Softcover staple bound, 20 pages, in French; very good condition, except small scuffs and abrasions to covers; no internal marks.

Softcover staple bound, 16 pages, very good condition, small scuffs to rear cover; no internal marks.

Softcover staple bound, 12 pages, very good condition, no internal marks, clean and crisp.

Softcover staple bound, 8 pages, very good condition, no internal marks, clean and crisp.

Hardcover without dustjacket as issued, 92 pages, in English; very good condition, yellowing to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. ***Please Read*** French edition - Book shows light wear with no DJ - interior is tight and clean - size is about 9x10x1/2 inches - 88 pages - my shelf location - bn2-c-14*.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Price clipped DJ with light shelf wear to edges. Lightly read if read at all. No markings in book. Binding is fine. 106pp.

Hard Cover. Condizione: Good. Stated Zweite Auflage (second edition). Paper covered boards with a slightly colored illustration by Pascin on the front cover. 94 pp. All text in German. A printing of an unfinished novel by Heinrich Heine. With line illustrations by Jules Pascin, a Bulgarian born painter considered a key figure in the Modernist art movement of Paris in the early 1900s, who often painted prostitutes and models. He committed suicide in 1930. GOOD condition. Moderate to heavy browning to the covers. Minor soiling and faint dampstaining along the lower portion of the front cover. Paper chipped and scuffed along the hinges and extremities. Paper browned in the interior.