Lingua: Inglese
Editore: The Imaginary Press, Cambridge, MA, 1981
Da: Dividing Line Books, Ridgewood, NY, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st Edition. Cambridge, MA: The Imaginary Press, 1981. [24]pp; b&w illus. Saddle-stapled in wraps, 4-3/8 x 7 in. Better than very good, with toning to spine. Self-published early work by Peter Payack (b. 1950); brief, tongue-in-cheek poems in the aphoristic mode, with occasional illustrations, presumably the contribution of collaborator Michael Kasper.
Editore: Cambridge, MA: The Imaginary Press, 1981
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. VG. 8vo, 24pp, stapled wrappers. A rare chapbook Payack/Kasper collaboration from The Imaginary Press. Unmarked copy, light wear and soil. Not Signed.
Editore: Cambridge, MA: Imaginary Press, 1978
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. VG+. 8vo, 8pp, stapled wrappers. SIGNED by the author on the first interior page in the year of publication. A folded single-page broadside by Payack ("Why I Believe in Death") is laid in. Otherwise unmarked copy of a rare chapbook publication; light wear and soil. Signed by Author(s).
Editore: Richford, VT: Samisdat, 1978
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. VG. 8vo, 12pp, stapled wrappers. SIGNED by the author on the first interior page in the year of publication. Otherwise unmarked copy of a rare chapbook publication; patches of toning to covers. Signed by Author(s).
Editore: Vancouver, Canada: Titmouse Review 1972 - ca. 1976, 1972
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. Set of 7 issues, condition generally in VG range. 8vo, 40 - 64pp each, stapled wrappers. A seemingly full run of contributorÕs copies (from the collection of Opal Louis Nations) of this uncommon 1970s magazine of experimental writing and art (printed in Vancouver by Intermedia). Credits and dates are enigmatical, in keeping with the cannabinoid editorial ethos of the era. Unmarked copies, light wear and soil. Not Signed.